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Punk gig on Friday at the Banshee Labyrinth in Edinburgh followed by Roslin Fete yesterday. Definitely a tale of ups and downs. We'd been led to believe we were on second at the Banshee, but we ended up going on first. Tough crowd - there was a bit of a bro vibe going on and as we were the only females on the bill, we felt a tad uncomfortable, especially when we started and the audience just stood and stared. Singist eventually had enough, so when we played a song where our guitarist takes the lead, she jumped off the stage, grabbed the only woman in the room and started dancing with her. It worked a treat - the lass came down the front and stood there starry-eyed. But overall, we felt a bit deflated. Guitarist took it quite badly. She's only 26 and I got the impression she hadn't faced a tough crowd before. But after we'd finished, a few people came up and said how good we were, which cheered us up a bit. One old punk, who bore more than a passing resemblance to Johnny Rotten was really singing our praises. Then on to yesterday. There was so much fog about that I was wondering if John Carpenter was in town. But no matter, the fete was well-organised and we set up and did the soundcheck. Then it all went tits-up. We were last on the programme, so after the soundcheck, we moved our gear to the back of the stage to await our turn. Then, when it came, we were bombarded with horrendous levels of feedback. The sound guy spent ages trying to track it down and we eventually started more than half an hour late feeling seriously stressed, and inevitably made a lot of mistakes. Then I discovered that (a) my monitor was turned down so far that I couldn't hear anything and (b) I was singing into a dead mic. Shortly after, the guitarist's monitor cut out completely. By that time, I just CBA doing anything else other than getting through the set. Everyone else felt the same way. When I drove home, I was all set to pack in music and take up stamp collecting. Then we had a lovely message on Instagram from the Johnny Rotten guy: So yeah - I'm back on a nice even keel today!13 points
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Following on from my experiences on Friday (see above), I headed back along the same roads to Port Eynon for a wedding party gig yesterday. More rain was forecast but the venue, another outdoor tented affair, was much better. We avoided the road I got stuck on (there were cars that had been stranded in the water still blocking it) but the road in to Port Eynon was blocked as it had collapsed into a sink hole! We found an alternative route via an unmade track behind the dunes. The venue was flat and the tent was actually a double teepee(?) with plenty of room and, more importantly, dry and sheltered. We had a few issues with power as we set up - it was coming from the village hall about 50m away. Fortunately, two of our line-up are electricians so it was quickly sorted. We played our full set with a number of requests from the bride and groom. Our first half was very tight (it benefited from having been played the night before) the second suffered a little from being a bit rushed between songs. I was very tired from the previous night's adventures, so I wasn't playing at my best during the second set but it went down well with the folks who were there (we had about 50-60 guests). We had dancers from the start and through to the end. I'd left my kit in one of the vans from the night before so the line up was my Ibanez EHB1000s through an Ampeg pre-amp into the desk. I had my full IEM set up, which was great, and this time I was singing. For once we had plenty of room on stage.12 points
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Well the private function last night with BLOCKBUSTARZ Glam covers was a retirement party that actually turned out a great wee night. Club wasn't full but dancers on and off the first set and almost all the 2nd set and i think at one point everyone was on the dance floor. Smallish stage so i set up bass rig on the floor next to stage and played there. 8:15pm start 9:30pm buffet that we were told to help ourselves and it was very nice with a lovely salted caramel cupcake. Mmmm 10:30 to 12-ish 2nd set. We were requested to play Ballroom Blitz at the end again as the girl that booked us had said her Grandad missed the first song and its his fav song ever. Used the usual Glam rig with VM4 into Keeley compressor and Mesa TT800 (mainly the Boogie channel that i love) into Mesa SW210/115 cabs. We played a little more quiet last night and the cabs didn't quite reach that sweet spot but still a wonderful rig. Packed up and left venue just before 1am and home by 2am altho a lot of mist and fog on country roads but no traffic. Unloaded car into garage and then my usual coffee and 2 tea biccies as part of my post gig routine and then bed for 3am Back up at 8:30am with cats making their usual nuisance noises to waken you. Mrs dmccombe7's birthday so loads of cake planned. I do like cake. Dave12 points
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Just in from our gig in Stirling, where we played under the stairs. Sounds terrible, but was actually fine, plenty of room and a decent sound too. It’s kind of a 2 shift place, live band from 7-10 and then a disco for much younger folk from 10-3. I think the good weather kept folk at BBQs rather than going to the pub, but a decent enough crowd, who were appreciative and complimentary. The boss lady liked us and chatted with for a good while outside, after we’d packed up. I’d happily play there again. I think I finally managed to nail the settings on my VTDI (far more aggressive than what I’d set at home), it sounded great, the Mustang veering into classic Ric tone territory. The view from outside the establishment.12 points
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I got to hang out with him at a Richard Durrant gig in 2006 after hardly anyone showed up. In the intermission, I introduced myself and gushed a bit about the impact that Sky had on me as a pre-teen - before I had even developed an interest in playing a musical instrument (actually Tristan Fry inspired me to take up drums before I moved onto bass 2 years later). Bless him, Herbie looked a bit embarrassed about Sky and then he offered to buy me a pint. Afterwards he then offered to let me try out his Jazz bass. It was super light, almost like a toy and the nylon flats were like anchor cables. The controls were fragile too but it sounded just like it did on the records. Such a great memory. And let's not forget the huge amount of charity work he did, including music therapy. He was one of the good ones. RIP Herbie10 points
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Quite a weird one for us last night! We trekked all the way to a campsite near Pwllheli to play at a North Wales car and machine club annual shindig, which raises money for Blood Bikes Wales. After we'd set up our tents and had a fine pint of Trooper Ale we got the gear on the (rather spacious) trailer/stage, did a quick soundcheck and we went on just after seven - billed before the raffle! and sound was excellent, everything could be heard, there was a bit of kick in the PA plus Vox (and a tiny touch of guitar) but bass was just down to our own rigs - Raph with his tiny Elf driven by Sansamp into a no-name 4x10 and Squier bass, and me with the ACG into Helix, my ancient Marshall Jubilee and Markbass 4x10. I'd managed to get a really fat but slappy sound sound with various amp sims and tube compression which cut through beautifully at all frequencies with no boom. No mistakes, plus a bonus moshpit of about 10 6-8 year old kids and maybe 300 others, including a couple of patch clubs. No adult dancing, but it was early! Comments after were largely appreciative, one Manchester bloke told us he was "madferit", and another larger chap stormed over - we were a bit worried - but he said "it's great to see bands who are actively anti-fascist!", which was nice. There was a display of cars and bikes - highlights were a De Lorean, a Lancia Stratos, a David Brown DB1 (first vehicle I ever drove, aged 10 or so!) plus a brace of Buell M2 Cyclones. And the Raffle showed why it was called that, our Raph won two prizes. Afterwards, a most excellent covers band played two sets of AllTheRockin'Hits. Highlight though was a crazed contraption made from a car turbo mounted on a beer keg filled with some sort of fuel - this made a rudimentary jet engine which was used to start the firepit, and sparked up periodically to freak folks out...10 points
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Friday night, Nine Lives played at the Butchers Arms in Inverurie. It was... ok. Not super busy, crowd had a weird ebb and flow to it, sparse but with some enthusiastic dancers, and as is typical a big bunch of folk came in with about 10 mins to go - why do folk leave it so late these days and then get all butthurt when you say "this is our last song" - mate, we've been playing since 10pm, if you wanted more music, you should have got here sooner. No, we don't get paid more if we keep going. Anyhoo, a gig's a gig and deep down, even if it isn't an epic one, it's still fun to play and we made some people happy, so that's the main thing. Gear: Gear4Music/Lace rat bass followed by the Wunkay, into the usual Markbass tone cubes. Also, the singist took some "proof of audience" video. Of course, when the camera turns to me, I flub my lines - right at the very end too FFS. One Way Or Another - Butchers 20240906 - bands eye view.mp410 points
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Well, it wasn't a Country Club. I guess you could call it a tent and the stage was adequate. The event had something to do with people that hunt with a bow. We played 3 long sets with 2 long breaks. They had a DJ playing Salsa when we were on break. There were a lot of attractive people that were advanced Salsa dancers. Very diverse crowd, which was cool. All ethnicities and ages.We were quite loud. We were pretty good and we actually had a lot of young people dancing. I didn't get home until 1:00. I don't like that. However the pay was top notch. I do like that. No video. However here's a few pics. All humorous comments are welcome. Lol Daryl10 points
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This is the blog about the South East Bass Bash 2016, where we had Herbie as a guest, and we even interviewed him for Bass Guitar Magazine. SEBB 2016 by Silvia Bluejay When I have a moment I'll try to find the published article and possibly also publish the audio of our interview. RIP Herbie, you are one of a kind. 💗10 points
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A good night for us back at Birchanger Sports & Social club. They had a fete on during the day so asked us to start an hour or so earlier than usual at in order to keep people there. It definitely worked, the place was full when we got there, all the tables were booked for dinner (unfortunately that meant the only food available to us was a couple of plates of chips and onion rings) and it stayed full. The first set was good, but challenging to get people up, but once we launched into our second set, they got up and stayed dancing until the end. Whether it was because we were playing well, or the early start and therefore finish, they kept asking for more, and we ended up playing 5 encore tunes. The manager apparently asked one of our singers, “how much for another hour?” He replied for all of us, “I don’t think I’ve got another hour in me!” Quickish packdown, and were was out by midnight and home by 1am, and enjoyed a well earned lay in this morning.8 points
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Well said, Silvia! Here are a few of my photos from that day. Herbie was such a fabulous speaker - it really was an honour to have him with us that day. Apart from being very witty and charming, he was also so generous with his time... A few months afterwards, he invited me and Mrs Silverfoxnik to see him perform at The Dome in Brighton, one of his 'Herbie Flowers Jazz Breakfast'. During what was an amazing jazz show, he and the band did two stunning arrangements of David Bowie songs - 'Space Oddity' and 'Where Are We Now', which were absolutely sublime. RIP Herbie and thank you for all the amazing music.. 🙏8 points
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Another wedding for the Hey Yahs at the Haybarn, Dulas in Herefordshire’s Golden Valley. The 8 piece line-up only just fits on the stage there but the team has gotten really good at setting up quickly and tidily, so we all squeezed on. We struggle to understand why wedding planners think cake cutting takes 15 minutes and then it’s the first dance, it’s three most of the time, so we’ve learnt to be ready when they slice away, but they called that early too making it bit of a scramble to get on stage. Some sound issues in the first half, not quite enough vocals but second half was spot on. I was much happier with my pedal settings last night, particularly the drive from the Stomp. I bought the bright onions extension switches so I can change between banks of presets much more easily- then we choose a set where I only had to use it once! It’ll be great for the future!8 points
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8 points
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This afternoon my recently started acoustic duo, Desperate Cowboys, played a 40 minute set at The Wirksworth Arts Festival. Me and Mick, the singer in my covers band, started the duo as a way to stretch-out and keep busy when we have no band gigs. It was actually our first proper gig, having limited ourselves to open mics for the last couple of months. It all seemed to go well, with good audience reaction but we now need to do some tweaking of our arrangements and song choices. Those things you only discover when you do it for real. Incidentally, it was the first gig for my Taylor mini-bass, recently bought from our own @casapete. Played through my Trace Elliott Elf and Barefaced one 10.7 points
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I loved that man. Herbie's son Nick attended my secondary school for a while and Herbie started my bass playing passion by lending me a Fender bassman combo and bass guitar for a few months until I could afford my own. Meeting him 40 years later at the 2016 SE Basshchat get together was very emotional for me; as is the news of his passing.7 points
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This is the, I think early nineties or late ‘80s Precision copy that I posted about recently and now need to move on to make space for something else. It’s a reluctant sale really, because it’s a really nice bass; lightweight, low action and sonically does what a P bass should. I did,as I mentioned in the other thread: Replace the pickup and wiring loom with a recent 2018 Mex Fender Player series one. Lined the cavity with copper tape. add New shiny knobs Glue crack in the pick guard by the jack socket Gave the fingerboard and frets a bit of a spruce up. It’s aging nicely with the pick guard and neck looking a lovely vintage colour. There is a bit of a ding in the back of the neck but otherwise in very good condition, having spent much of its life in its gig bag in the cupboard. It'll come with a cheap gig bag and the nylon strap in the pics. I’d prefer it if you’d like to come and pick up, kettle will be on or meet to collect nearby. I do have a big heavy Thomann packing box for postage if you’d like to arrange a courier.6 points
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***Sale Pending*** Up for sale is my 1996 Ernie Ball Musicman 3EQ Stingray Finished in a stunning vintage sunburst, it looks very Cliff Williams esq from AC/DC Maple fretboard Ash body 3 band eq In good condition for a nearly 30 year old instrument - please see photos as it has small dents and marks. Plays and sounds great! Weight is approx 3.8kg weighed with my suitcase scales - feels great on a strap Comes with Hiscox Hardcase Price drop to £1350 or near offer, would consider trades/part exchange. Cash on collection or Bank transfers in person please Can deliver or meet within 50 mile radius of Stamford, Lincolnshire.6 points
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REDUCED TO £850 - UK only. Classic Black / Maple! It is in fantastic condition for its age and has been upgraded with Bareknuckle pickups which sound fantastic! Made in USA 1999, this is from the "Hot Rod" series that I believe only ran 1999 to 2000. It is a very well made bass which sounds and feels great, well set up with a nice action. It has very few signs of age, frets are in fantastic condition and there are a couple of minor marks on the end of the headstock (pictured) Comes with a Flightcase Warehouse Spider hard case and weighs 4.1kg on bathroom scales. Prefer collection or will meet within a reasonable distance - open to discussion. Possibly courier in UK at buyers cost. This is now reduced and wont go any lower.6 points
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So I was already at full capacity, bass-wise, and had promised not to buy any more. Plus, I have recently been yearning for a fretless again, having joined a band 11 months ago, which would suit a few songs on fretless. Then, this little 23.5" scale beauty turned my head, and I weakened... as I thought I never would! Lol. Bought from @threeof this very parish. I believe it was previously owned by @Owenon here too? It was built by @Jabba_the_gutwhose work i had previously seen on several of his excellent build threads, and I knew this bass would be absolutely top notch, as his workmanship always looks great. So why buy a bass I wasn't looking for? And at a time I should perhaps seek out a fretless for my latest band? Well, I usually carry a spare bass, as a backup. Plus, I like to have 2 bass guitars, with different tones, for some gigs. Also, I play upright in a couple of bands, and I like to play a few songs on Bass guitar too. I'm always looking for ways to travel a bit lighter, and more compact, and this ticked those boxes. I sometimes play a few songs on U-bass, which is great - but the range of notes which is reachable with the left hand on a U-bass is rather limited. They're absolutely fine of course, but I sometimes like to play a run up to higher notes. Anyhow, enough rambling on from me. Jabba's work is indeed super quality. The bass is slightly heavier than I thought it would be - but it's still considerably lighter than my Fender P. Nice & compact too, it came with a small gigbag, but it fits into an even smaller generic U-bass gigbag. I think I will get more used to the scale length than I ever have with my U-bass. It's active and the pickup sounds absolutely thunderous. The bottom end sounds way deeper than looks possible from such a small instrument, and I'm pleased I went for this bass. Last photo is for size comparison, with a standard size Kala Uke bass. Now I need to sell one of the 2 U-basses I own.... or I'll be in trouble! 😉6 points
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First thing I should mention is that in 35-odd years at this game of playing bass, I've never owned a Fender before, or a P. I popped into my local branch of Guitar Guitar in Epsom this afternoon and this recent arrival caught my eye hanging on the wall at a reasonable price... Rather pretty in Blizzard Pearl, nearly 20 years but barely a sign of it (the lightest of scuffs on the tip of the headstock). Took it for a spin and it felt exactly right under the hand and sounded fine. Sometimes you just make a connection with an instrument, so I resolved to buy it. Discovered at this point that it came with a fitted Fender hard case, which was a nice bonus, and that it had been sold to them by the bass player in a very well known band, but I won't say who here. I take these stories with a pinch of salt, but they are fun nevertheless 🙂6 points
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Played the Ex's in Penarth last night, my 'home' gig in many ways. Was expecting a half-empty room due to awful weather, but it was pretty full. It seems our loyal fans plus the local musos had come out, but not the 'casual' punters which meant lots of appreciative listening but little dancing. Awful new lights that just dazzle, hope my forceful feedback can get them toned down a lot. I used my new Sire and had a great sound but felt the PA was just reinforcing the bottom end. Playing with pedals again. The drive on the mojo mojo was set too high and the octaver just made mud, but chorus, compressor and hpf all worked fine. We invited a well respected local singer up for The Hunter which went down well. A less successful song was finishing on Sultans of Swing as Al forgot the words and got a bit lost... but e solos were ok. Lots of positive feedback, including on my playing which was an ego boost! Got sent a video by a friend with apologies for sound quality. I am pleased with the little improvised diddle I managed at the end 😁 WhatsApp Video 2024-09-08 at 18.38.51.mp46 points
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6 points
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6 points
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Hi, Here is my 2018 American Original 60s precision, begrudgingly up for sale. I don’t play in a band anymore and unlikely to in the future,so,alas, it has to go. I have owned plenty guitars over the years, this has been the best sounding, most playable, best feeling, gives most pleasure. It has served me well at gigs , forever receiving compliments on its sound. Comes with Fender tweed case, the original was black, I believe. In Lake Placid Blue, it has been fitted with white pick up covers, although the original black ones are supplied, I quite like the white ones, so left them on. It has a few dings here and there in the nitro finish, but isn’t that why we like it so much? Neck is straight and apparently the shape,and wood, is the best on any bass at this level. Comes with all case candy, pick up and bridge covers, certificate of authenticity etc. Weighs 3.9kg I think the price is right, look at the price of new ones nowadays, I really will be sad to see this go, no silly offers please and is sale only, I have no need for any trades. Collection from Warrington would be best, but open to discuss other options to meet up, I’m sorry but won’t courier this. Thanks for looking, any more info you need, send me a pm and I’ll do my best for you, Cheers Lloyd. Here’s some blurb from Fender: By the 1960s, the Precision Bass was the workhorse electric bass; from the clubs of Detroit to the beaches of Southern California, its tone laid the foundation for modern music. The American Original ‘60s Precision Bass has all of the features with which the P Bass conquered the world of music—elegantly simple, its sound, style and comfort are joined by modern playability. The nitrocellulose lacquer finish not only lets the body breathe with its true tonal character, it also ages and wears in a distinctively personal way. American Original instruments feature specially voiced pickups crafted to reproduce authentic Fender sound. This Precision Bass features a “C”-shaped neck profile delivered straight from 1963 to your hands. Remarkably comfortable, it suits any playing style. Original-era fans can rest assured every curve and line of the body and neck are accurate to the historic originals. From the bridge to the string tree and tuning machines, every piece of hardware is just like the original. This 9.5”-radius fingerboard is slightly flatter than a vintage-style 7.25” radius, providing a comfortable fret-hand feel. Vintage-tall frets make it easier to add vibrato to your basslines.5 points
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I did a rugby club gig a few weeks back, but it was actually a biker gig at a rugby club hall, so it was ok and a fun gig to do. We also go another booking from it - the band after us failed to attend (we were the 1st of 3 on the saturday and there were 2 on the sunday) and there were complaints that we hadn't been put on as the main group on the saturday as they liked us a lot, so we have been booked next month to correct that!5 points
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5 points
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5 points
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4 points
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So it's not just me then? This is an inevitability whenever I'm being recorded. My new band is trying to get some 'live at rehearsal' stuff down to send to venues and I just get a mental block! The band sounds great though, and I bet it's only you who noticed the little blip.4 points
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Just weighed it. In new money it's 3.7kg (which is 8.157lbs). I took a couple of very rubbish photos before I left for work (my elderly phone has a rather crap and colour-shy camera). It looks far nicer in real life! I've just noticed that the roasted neck has both flame and birdseye in the maple. It has that nice 3D effect when you move it in the light. You'll have to take my word for that though!4 points
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This one's from last Saturday. A bit of a reunion for the old band up in the Lake District. The drummer is a permanent Coniston resident. We played an hour or so as part of a multi band charity do in a friend's garden. Just bloody good fun. Like putting on an old pair of slippers, we just dropped back into the groove. I'm sure that it was looser than when we were gigging regularly. No idea what the live FOH sound was like either. Sandberg Cali TM5 into the house rig. Couldn't hear much onstage, least of all my backing vox but didn't care. Just great to be back making noise with good mates. VID-20240901-WA0019.mp4 VID-20240901-WA0020.mp4 VID-20240901-WA0029.mp44 points
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Really pleased with this one (my own pics and a more detailed review to follow...) £340 from Stompbox on ebay using a very handy 10% off eBay voucher which popped up. Great bass! The fit and finish is superb. It's lightweight (not too much to feel neck divey) very resonant thanks to the roasted body and neck, it feels "alive" and sounds really funky. No dead spots, every note is true and clear. The tuners are good quality and have a decent and smooth ratio to them. Simple functional bridge (it's a P Bass) that is good quality. I don't know if the pickups are ceramic or alnico but I'm happy with them. What I'm not so keen on: The tort guard (will be spraying that parchment) While the fretwork is flawless and mirror polished, I can feel the fret end "bumps" (there's no sharp fret ends whatsoever) it's just I prefer a more 45° angle to them, probably because I'm used to vintage basses with hardly any frets left! I've got a chrome bridge cover to go on it for my muting foam to live and a set of TI flats at the ready. More deets to follow next week as I'm working this weekend. Just thought I'd give an early shout out as I've not seen the Jet P mentioned yet. I dived straight in when I saw it due to the favourable Jet J chats I read on here. Same goes for this baby... https://jetguitars.com/guitars/bass-guitar/jet-jpb-300-sg-r/3 points
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I can't quite believe I'm willing to let this go but I got a serious bargain with another DM2000 which is a lovely upgrade for my home studio.. 😃 This bundle will almost certainly be the best spec'd sale of an 02R and associated items virtually anywhere in the last 5 years or more: 1x Yamaha 02R mixer complete with meterbridge running V2 O/S. 2x Yamaha CD8-AT 8 in / 8 out ADAT cards. 2x TC Electronic Unity cards - the ADAT / TDIF I/O versions. 1x TC Electronic Unity card - no I/O. 2x Yamaha CD8-AD - double height analog 8 in / 8 out on quarter inch jacks. 1x Yamaha CD8-AE AES 8 out / 8 out AES card complete with break out loom from D-Sub 25 to XLR. 1x Original paper manual and other bits of documentation. This unit is an ex-ITV broadcast desk and has been very well cared for throughout it's life - no sticky faders, no yellowed plastics, no missing encoder knobs - about as clean as you're ever likely to find. After it's time with ITV, it passed to an employee who'd used it for a couple of live, surround-sound projects then finally, on to me. I upgraded it to it's current configuration running two Unity cards without sacrificing any I/O as one feeds into the other in extended routing mode so 16 analog in plus 16 ADAT and if you changed the sub group config, you could do another additional 8 analog inputs. Overall you get a 40 input (full processing) digital mixer with 6 (up from 2) effects units, 8 auxes, 8 subgroups, time-code triggered full-feature automation plus a million other features. I'm also prepared to show you how to use the thing, too. ❤️ Please check out my very long running thread on these old things here - this one features heavily: Delivery will be expensive so I'm prepared to deliver it personally - we'll discuss that cost at the time of sale although it'd be ideal if the prospective buyer is willing to collect the package in person.3 points
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For sale is my Vincent Akkurat PJ5. I have owned it since February last year. I had been using it a lot last year as I was busier with more R'n'B/Hip hop gigs but my work now calls for a different type of sound. It is a really stunning bass, one of the nicest I've ever played, incredible build quality and a beautiful neck. The colour is Petticoat Pink, with an Olive wood fretboard. I have found it works wonderfully for R'n'B, Hip Hop and soul music. I think it is a really amazing option for people playing that type of thing but who don't want to go foe the super hyped active bass sound. Of course it can play any style really, that's just what I found it most useful for. A couple of minor dings are pictured. Comes with a great case, I prefer it to my Mono one. And cleaning tools for the neck which is very satisfying to do once in a while - the neck does feel incredible particularly after a clean. You can hear this bass on the following recordings:- Take it Higher - Ashley Henry Synchronicity - Ashley Henry Who we Are - Ashley Henry Collection from London SE20 or UK delivery.3 points
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In nice condition from the early 90’s - sounds really good and plays really well. Solid Maple Body & bolt on maple neck (so that it can always be shimmed if necessary unlike the through neck version) + Indian Rosewood fingerboard, which has been treated with Fender Custom Shop oil. There are just a few light marks from normal use which look as they would polish out. Passive operation, so no pesky battery to worry about and no pre amp which I think can be temperamental? Licensed by Steinberger Bridge which seems to hold tune forever & the tuners turn freely. Although this is a 34” long scale Bass with a double octave neck, it feels more like a 32” medium scale Bass when playing - so great for noodling & limited spaces. It also has zero neck dive. Weight is a shoulder friendly 3.7Kg, or 8.15lbs in ‘old money’ Truss Rod is holding the action well and the action at the 12th fret is 1.5mm An even lower action may be possible if you are experienced in truss rod adjustment & lubrication etc as they always seem to be stiff on these basses. When fitted with my Status Bkack Nylon coated flatwounds which have less tension, the action measured just 1mm at the twelfth fret. Currently sporting an old set of Status Hot Wire medium? gauge round wound strings that sound great - l love ‘old’ strings. If you are too far away to collect in person, l can post to the U.K. Mainland only - sorry, via Parcelforce ExpressAM which should cost between £15.00 & £20.00 including insurance provided via Secursus.3 points
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So I’m a relative beginner and only have one bass, my fender P I bought new. I like a slightly higher action cos I play hard with a pick and I’ve always struggled with fret buzz in various places. I wanted to send my bass to a pro to set up but after looking at some setup videos it looked really easy. My first few attempts didn’t work too well. I got new strings and did the whole thing properly. Polished the frets, set the neck, installed the strings and it sounded great. But still got a lot of buzz above the 12th no matter what I did. Eventually found that if that happens then the neck might need shimming so took strings off, unscrewed the neck and slid in half of one of my wife’s business cards. Put it all back together and WOW sounds great, no fret buzz, action perfect. And for no cost and without having to do without a bass for 2 weeks while a pro sets it up. I do have an advantage that I’ve spent decades setting up bikes and I am a very competent DIYer but in reality if you are carefully and do things in the right order it’s not hard. Now all I have to do is learn to play better but that’s gonna be easier with the instrument set up nicely.3 points
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Sometimes getting a response from an audience is like pulling teeth. It happens. The best way to look at it is its a paid rehearsal and just get on with doing your songs and enjoy yourself within the band. You'll find that if you are good at what you do and you look as tho you're enjoying yourselves on stage then people will take to it even if not into the same music they'll appreciate a band having a good time and looking confident and relaxed on stage. I always appreciate any band that is decent and enjoying themselves no matter what style of music they play. Next gig you'll knock em dead. Dave3 points
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My Alpine ear defenders arrived, and they look pretty good - sturdy but possibly not bulletproof I'd say - and very comfortable over the relatively short time I've worn them. Difficult to say just how much defendering they do without using them at a practice, which will happen on Wednesday, but Mrs. Pook's loud clapping and shouting next to my head seemed to be nicely attenuated. One factor I'd not accounted for us that wearing glasses does allow a bit more sound in, so ear plugs have that as an advantage, but the proof of the pounding is in the beating, so I'll report back after Wednesday's rehearsal.3 points
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I think it's Turner multicoil pickups and the Underhill modular preamp. Lusithand have just put out a new version of their filter preamp that has the "pick attack" treble boost, so expect to see more of those around amongst those who are looking for that Wal-esque tone.3 points
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Herbie Flowers was a bass player so legendary, that Dave Swift was his bass player ...3 points
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I never met him despite living just down the road from the village he lived in. But one day I was having my hair cut and the barber asked what I had planned for the weekend. Gigging I replied and said I played bass. I cut another bass players hair she said and I mentioned the name of friend who was also player. Yes, I cut his too she replied but there is another older fella, claims to have played all over the world and with all the greats, lives in Ditchling. I showed her a picture of Herbie Flowers on my phone - that’s him! I said call me the next time he comes for a haircut but she didn’t 🙁3 points
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I used to be like that but i guess i just got used to it over the years and now i just tend to ignore most times unless the camera is right in my face when i get a bit embarrassed about it. Dave3 points
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Glenn Frey - The Heat Is On Bass Synth played by Harold Faltermeyer who also wrote "Axel F"3 points
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Seeing Herbie at the Bass Bash was a life experience. Equal parts of genius and bafflement 😆 We witnessed something special that day. People are wrong when they say you shouldn't meet your heroes.3 points
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RIP Herbie. A true career bass player that broke into public consciousness with his work. A lot of us are probably here because of Herbie’s influence. 🥹3 points
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3 points
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I'm so glad that instead of reading about people's enthusiasm for music, I get to enjoy this self righteous squabble instead, there's a real shortage of this stuff these days.3 points
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3 points
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First thing is realise you don't really need anything between the bass and the amp. Make sure you fully understand the concept of what the compressor is doing. Where have you put it in your signal chain? Is it after the booster and you're you compressing an already boosted signal? Having had a quick look at that pedal, I think the way they have labelled the amount of compression being applied as "sustain" is going to trick a lot of people. What I would do is set Sustain to 0 and match the volume to your signal with the pedal in bypass. They call this make-up gain (another boost in your chain) but don't say whether this is total post-compression boost or the overall output of the pedal. Either way, try to match the volume of the pedal engaged and the pedal bypassed with the compression turned all the way down. Then gradually apply the sustain knob until you start to hear it having an effect. The more the sustain knob is turned up, the more your signal is being squashed, the lower your output will be. This is where the make-up gain should come in. See if you can match the volumes again engaged and bypassed. Repeat until you find a level of compression you like the sound of where you still can match the volume level bypassed and engaged. If you can't, don't feel sad. If you're using any kind of drive or clipping, you're already compressing the signal, to an extent and maybe you don't need the compressor pedal after all.3 points
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This is 100% the music they make going forward doesn’t lessen the legacy at all2 points