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Showing content with the highest reputation on 17/09/24 in all areas
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Woof what a looker - yeah nice bass. Can’t plug it in till Thursday but a short scale that doesn’t feel small - string spacing is key when you have King Charles sausage hands - 42mm nut width has feel of a violin bass. Also it’s light thankfully- just need some nice flats. I usually use TIs on long scale - but had the on a mustang and was too floppy - was thinking La Bella Mustangs - I’ve used them before but can’t remember if I liked them,but wondering what Pyramid golds are like and if you can string through - any recommendations? I don’t like them to stiff ..oh er.. or heavy17 points
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NBD.... Following a short scale transformation with a Serek "the Grand" I just HAD to get a matching 5 string Serek....... Both are incredible basses, the build quality, workmanship and sound are just what I was looking for. The Grand is strung with LaBella low tension flats and the Midwestern 2 is strung with Newtone Shorties.12 points
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This is a lovely bass with a slim jazz style neck and a glossy black finish throughout. Pickups are at a slant - I suppose this is to accommodate full size pickups on a slightly downscaled body. They sound really punchy with a nice zing to the Jazz. All hardware is original - I did replace several grub screws on the bridge as they were very tall and were uncomfortable when palm muting (I have the originals and will include them). The E tuner has at some point been bent then straightened but functions okay. The bass has a 32” scale and is around 3.7kgs - very comfy for long gigs. It comes with a contemporary leatherette gigbag - possibly original to the bass. There are some minor marks and repaired damage at the bottom of the bass around the strap button. Finish damage that has been filled and touched up. It’s a bit rough but fortunately is in a place that’s not easily visible. Miraculously all the original knobs have retained their caps. I bought it to try a medium scale and although I love the look and sound of it I find short scale basses comfier to play. Possible trades against a Sterling shortscale Stingray (and cash my way) or American Mustang (plus cash your way). It has been set up with new Picatos 40-95 and plays really well. A rare Japanese vintage Fender. Final pictures show the difference in size to my old JV Squier Precision and the stacked TBX tone pot. Personal pickup preferred however I can post in the UK only for £25. Price dropped to £575.11 points
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Hi everybody. GO ON THEN - Yours for ** £370 ** or £350 without the new Tourtech gig bag or £340 without both gig bag and D Tuner. Last few days of October to snap up this beauty before I move it on to a shop. UK mainland delivery included. New Tourtech padded gigbag and D Tuner. Frets polished and fretboard cleaned this week, not that it really needed it. I bought this 2002 (ESP) LTD DLX J-1004 in June 2020 from Basschatter “Bass Wielder “. He had upgrading modifications done professionally about 5 years ago and it gives a superb variety of tones. It’s exactly 5kg , 11lbs using my accurate scales but is very well balanced and is therefore fine with a wide grippy shoulder strap and when you’re seated it’s reassuringly plonked and stable on your thigh compared to some light weights. A recommendation here by Basschatter Harlequin74 ( July 15 ) who played the bass at The Gallery. ” Just a quick recommend for this bass. Tested it at Bass Gallery when there to pick up another bass. Lovely bass, with fantastic build quality and amazing tonal variation with John East preamp. Looks lovely too. “ Upgraded with 2 pairs of switchable Hot-Rod coils and a John East Uni-Pre. It has a lovely dark rosewood neck with abalone markers and side dots. Ash body with golden Quilted maple top and gorgeous binding containing abalone shards ( looks like that). So a hell of a lot of bass features and top electronics on offer here. Notice the great top edge contouring (photo) with rear scoop and front curve for arm rest comfort. The photos capturing the more golden shades of the body are the nearest to it’s actual shade. See further below for the Eternal Guitars and Hot-Rods detail on the windings and 3 way switches for each pair of coils. Centre position for both coils in series, then left or right for each single coil. Notes by maker Dave Walsh a few paragraphs below. The Modifications. *East UK Uni pre - Active /Passive bass pre-amp that simply is world class. *East UK BLI - battery low indicator tells you when 9v is almost out of power. Easiest to look at the Uni Pre using the John East link below. See 5 knob version. No noticeable change in Vol when pulling / push Passive tone knob ( sits above the line of 4 knobs on my bass). Line of 4 goes Vol Blend Mids/sweep Treb/Bass with pull for extra sizzle. The Treb knob is slightly scratchy when turning it but fine once in position. The passive tone works in active mode too but for me best turned full on for best clarity from the active EQ. *Hot-Rods custom made pickups - Specially made for this bass. It is like having four Jazz style pickups in a two shell package (3 way switchable between each pair of coils). The combination of this and the East UK has turned this instrument into a very versatile beast. From Marcus Miller slap to Jaco jazz to Pino P-bass if you have the skills ! 22 year old bass but only has a few small marks on the thick gloss coated body so they look no worse than a bit of dust on the bass. See arrows on photos. 1/2 inch crack in the gloss only, under the neck pocket, see photo looking under the neck joint. It’s stable so is not an issue. Some pick playing lines on body under strings at playing area. It’s quite a vintage golden colour on the body top. One or two minor scratch marks if you peer very closely and an edge gloss chip on the headstock (tuner-side ) so minor cosmetics only considering the age. Frets look like they’ve had a proper levelling because it plays superbly, no buzz and actually sings when not plugged in. Minimal neck relief, I tightened the truss rod slightly recently and the strings run from 2.0mm to 1.8mm E to G at 12th when fretted at 1st. Room for the saddles to go lower. The saddles are adjustable laterally for string spacing adjustment. Selling to fund other basses purchased. I’ve had my fun with this (ESP)LTD J1004 experimenting for hours with the brilliant John East Uni-Pre, Two 3 way switches and some blending of the pups. It’s endless what you can create. I need to start replacing some basses if I’m to experiment further. A Note copied below on the bass’s modifications , from Dave at Eternal Guitars and (Hot Rod) Pickups. UK to Bass Wielder ( Hope that’s ok BW. All technical ) Unit 8A Littlemead Business Centre, Tangmere Rd, Chichester PO20 2EU, United Kingdom "Hi. Glad that you like the pickups so far! Okay, wiring: they are wound and wired in a similar fashion to a normal humbucking pickup but of course with the exception that each coil is a true Jazz bass pickup. To wire them in series you will need to join the red and green wires together and cover the join with tape or shrink tubing. If you plan to coil split, then the joined red/green will go to your switch. White is live and black is earth. Some details on the pickups: the neck pickup is two Jazz bass pickups wound to vintage specs and placed side by side - both pickups use forbon flatwork and eight magnetised poles. Either could be used individually if desired for a 'true' singlecoil sound or in series (as supplied). The bridge pickup is slightly different - it uses a vintage spec wound Jazz bass pickup nearest to the neck but the coil nearest to the bridge uses identical flatwork and magnets but with a 'hotter' coil wind. When selected on its own this coil will have a thicker and warmer single coil tone than a traditional Jazz bass. I hope this helps and please let me know if you need any help wiring them up... : ) Cheers for now, Dave Walsh Eternal Guitars & Pickups . Chichester. UK “ 34" scale Ash body w/quilted maple top and gorgeous binding with abalone shards. ** Maple neck w/dual graphite reinforcement rods** V advanced for 2002. Rosewood fingerboard 38mm nut width Abalone dot inlays w/model name at 12th fret Hipshot Gold Ultralite tuners, satin. Separate Gotoh gold D Tuner , polished. Hipshot "A" style satin bridge w/string-thru-body 21 Frets Metal nut **String through body or Bridge. Sounds: Extremely versatile and you can load the strings via the bridge or through the body. Has 45-105 Elixir Nickel plated steel strings ( Nanoweb Coating ) and they still a lot of life in them. New padded Tourtech gig bag and D Tuner which fits but does not match. Truss rod moves fine, allen key provided in bag top pocket with D Tuner. I’ll insure the delivery and pack and pad well. UK mainland only ( it’s £20 extra to NI I’ve discovered but happy to send if you add the £20 👍) I use FedEx nowadays. Thanks for looking and , as I said, last few days in October for this before I move it on. Cheers Quent7 points
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6 points
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Had a phone call from what I assume to be the Newcastle store, very apologetic and seemed pretty shocked that it went out, especially after the replacement was supposed to be checked over. Said he will try and find me a boxed new item and has been ringing around which is a positive response I think so hopefully it will be third time lucky! The 2nd bass is being picked up tomorrow.5 points
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Fancy gig this Thursday night for Maple Road. My concern is, I'm not sure we're a match for this type of affair. Daryl "We are just two days away from a joyous night curated in the name of culture and creativity: the THELMA Fundraiser for the Arts. Don't miss out as we celebrate the arts with live music from Maple Road Blues Band, delicious appetizers from The Cellar District, and decadent desserts from Bryanna's Bakery, along with live and silent auctions for some amazing baskets, cash raffle with a top prize of $2,000, and more! We can't wait to see you all there💛" Tickets: https://ci.ovationtix.com/36819/production/1207574 Silent Auction: https://app.galabid.com/thelma24/categories5 points
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I'm not too sure about this and may live to regret it. I'm currently playing pubs and this Gem of a compressor is wasted, and as I need other stuff it's time to move it on. This is a high end legendary compressor, made with the finest audiophile materials, and fully featured, incl a footswitchable sidechain with a 3 band EQ, this enables you to tailor the comps threshold at certain frequencies. It's an optical comp so has a lovely warm clear tone, which can be adjusted via internal trimpots to go from clear to two levels of extra warmth/thickness, and a complete 12k rolloff for a very vintage sound (cali76 to Diamond at the push of a switch. The pedal maker retired and his son is currently fulfilling orders on a very long waiting list, with their existing materials, when completed I believe this is to be discontinued. It's in good condition, however the knobs are quite stiff, but at least you know they won't move when set. It's an older model in the grey/burgundy colour (newer ones are gold, the latest is pure black) It has high quality velcro on the back. Link to ovnilab review https://www.ovnilab.com/reviews/optifet.shtml Looking for £260 and I'll include UK only special delivery I'll only consider trades for a Cali76CB (older version) or a blue label EBS multicomp, plus cash.4 points
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Nice bass, but I'm not buying anything off a man who uses a drop shadow like that. Sorry.4 points
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Because the only two stores that had the 5 string version of this bass at the clearance price were Edinburgh and Newcastle, neither of which are close to my house. So let's say I made the 8hr round trip to Edinburgh and found out the bass had dodgy binding, then the next day make the 6hr round trip to Newcastle and find the second bass isn't actually new and is in well used condition. I've spent two days and a decent chunk of diesel money yet have nothing to show for it and the store has no obligation to make sure I get the bass in the condition it was advertised, whereas at the moment I've enjoyed my free time and the customer service at guitar guitar are making the effort to reach a suitable outcome. Which is hopefully me having a nice shiny new bass with Nordstrands in it. My way makes more sense IMO.4 points
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Its been quite some time since I updated this thread. Its certainly not been forgotten. I'm gone back to my first 3d printed guitar and am applying what I learnt from the bass guitars, both headed and headless, back to the very first one. This means: 1. An aluminium backbone with an appropriate thickness. In this case 8mm is fine. This means that the overall guitar thickness is now 34mm, down from 44mm. Thats a pretty big depth reduction which should make it easier to play and be a little lighter. 2. A very open and lightweight body. I know that people have endless debates about ash vs mahogany vs swamp oak or whatever and the effect on the tone. It doesn't seem to make a lot of difference to me (oh heresy!) as the signal is going through pedals and amps. I also avoid the discussion about whether cellulose allows the dead wood to breathe <rolls eyes> debate. Mine are plastic and seem to sound very nice. I have an 83 Westone Thunder, an 89 Telecaster, a 2024 Vintage Les Paul Clone and my printed ones sound different , not worse, just different. If Jimmy Page or John Bonomossa wish to compare and contrast with their legendary guitars (and skill) I'll be delighted to swap for a few years with them 3. The body hangs off a central backbone. It's a glued body that has a number of stiffening points in it. If the body gets damaged, it's relatively easy and cheap to replace the whole body. I've currently got two bodies ready, a black with glitter which sounds blingy but isn't and a Firehouse Red which I would class as a dark red. I've tweaked and tweaked and tweaked and then tweaked again to make it easy to print with zero manual interventions. This means I can print a whole body in around 40 hours at very high resolution, so a day across two printers. Using very high resolution, e.g. 0.1mm layers, means the curves are smooth. Post processing for the parts is now pretty simple and consists of a tiny chisel to remove supports and some steel wool to take any burrs off. 4. All the wiring now is hidden in the Voronoi struts. This has meant a custom solderless wiring harness needed to be done as there's no space to pass connectors through. However it looks so much neater without any chunky wiring channels. 5. I've also designed a custom laser tester to check that the neck positioning is spot on. This mounts on the bridge area and shines a very low power laser down to the a 3d printed target. The target has a small internal V to redirect the laster. As its plastic it defuses the beam safely, though I only point it away and keep the kids and pets away, especially the sodding cats who love this sort of thing. I don't trust myself taking measurements but I do trust my designs as that's proper maths This is the whole thing, you can see the slight green reflection on the neck target. Thats probably only 1 degree out, so I'm pretty happy with that. There;s a 'safety' screw that needs to be turned for the unit to work. Not quite a deadmans handle but not too shabby. The reflection is pretty much in the centre of the target but a tiny bit is off centre. The design is supposed to "amplify" the relfection so tiny changes in the neck makes a bit change at the end. So far, its fitted together quite well and I'm almost pleased. Still things to update. 1. Remove countersinking from the aluminium backbone as it's horrible to do. 2. Adapt the laster pointer to check horizontal accuracy. Not sure how to do this one yet, but I'll have a think. I want to get the guitar set up as well as I can using tools rather than me using feeler gauges. Thats the very, very last thing. Need to get the height sorted out andI can see a pleasant evening of maths ahead of me. 3. Work out how to mount the P90's. The rail system I decided for the bass was OK but way overkill. I'll move back to suspending them. 4. Electrics are done, basically it's a Les Paul type system but specific for this guitar. I've two wiring looms ready, so there will be two of these I might sell one if any interest, but I'm not expecting any. I'm a lot more fussy now about how it works and looks, so if it isn't 'right' I'll redesign it until it is. Thanks Rob4 points
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Thanks , We're using a dep drummer. Actually our old drummer. He's one of these guys you don't have to tell anything. He's got a good 50 years of playing behind him. He just gets behind his kit and goes into automatic groove mode. Daryl4 points
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100% this. I personally think you will be a great match for this fundraiser. Great musicians, easy to listen to vocalist. What's not to enjoy. Enjoy and have fun with it Daryl. @Bluewine. Dave4 points
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4 points
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Bit random. There was a bunch of Americans and an old guy getting into us. Halfway through the old guy steps up and thrusts a number into my hand and says, “You’re incredible, the best bass player I’ve ever seen, I want you on my new album, call me.” It was the guitarist from Mott the Hoople. random4 points
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I know one of their road crew well, and he indicated - in confidence- that Navarro had hidden Farrell’s Werthers. Not the first time hence the handbags4 points
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I bought this lovely looking bass earlier this year, but I cant get on with it. I have tried to love it but I just cant bond with it. I have never gigged it or used it for more than a few hours. Comes with with original GG case and accessories. It has been set up this morning with Ernie Ball super slinkies and plays fantastic. I hope someone from here can give the love and attention it deserves. One Piece maple neck, old school 2 saddles and ash body. £1500 posted including case. Not interested in trades, sale only. Any questions please PM me. Cheers Hobbayne. 👍 Neck Material: 1-Piece Maple Neck Shape: 1954 “”C” Neck Construction: 4-Bolt Neck Plate: 4-Bolt Neck Finish: Gloss Nitrocellulose Lacquer Scale Length: 34” Fingerboard Material: Maple Fingerboard Radius: 7.25” Frets: 20 Vintage Tall Inlays: Black Dot Side Dots: Black Truss Rod: Vintage-Style Butt Adjust Truss Rod Nut: Vintage-Style Butt Adjust String Nut: Bone Nut Material: Bone Nut Width: 43.2mm3 points
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New to me, picked up second hand, gotoh equipped jazz bass. This is now strung with some flats and I am blown away with how nice it is / plays. Previous owner had upgraded jack and installed a series / parallel push pull pot. It's lighter than I expected, certainly less weighty then my atk 400. Might have gotten lucky but I'd recommend this3 points
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3 points
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Honestly? Don't do it, there's always been a market for these 'next step' combo's but they make no sense at all for a bassist. Essentially they don't sound much better than the tiny practice amps we all started with, you don't need the extra power for home practice but they are not loud enough to play with a band, specifically with a drummer. It's a bit like buying him a half sized hammer, it may look like the real thing but he'll struggle to bang any nails home and will ultimately be frustrating. Your son is probably ready to move on and practice with mates and needs something functional for that job that will also eventually get him to his first gig. Something that sounds great rather than just OK will also encourage him to ply and practice more. You probably need a combo like the Minimark802, CMD121 or Fender rumble 200 or 500 and these are double the price you are expecting to spend. Seriously talk to your son and go for something better second hand. it's also the nature of musicians to move on quickly as they find out what they want out of an amp and it's likely this too will be upgraded in a couple of years time (or less) and you'll take less of a hit on buying used gear.3 points
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Well, I rehearsed with this bass last night. Absolutely blown away, and I’m very surprised to say that. The sound was tight, focused, punchy and incredibly resonant, which can’t just be down to the pickups. The bridge has obviously contributed to that, but I also feel like the neck and body played a part, definitely a sum of all the parts. I barely had to touch the strings and it just rang out. I feel like the stars have aligned with this bass, when actually I just thought it would be decent. It’s way more than decent. Even the band made comments about the bass tone last night. Result.3 points
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Sounds like what my band should use as a name. A Bunch Of Americans & An Old Guy. Lol Daryl3 points
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Mustang Sally were booked in the George pub, Mere in Wiltshire again (well, three of the band do live there) and it was Carnival night once more on the Saturday just gone. The roads through the centre are closed at 18:00 to protect the crowds on the street and let the floats lumber their way through to the parade starting-point. Very sensible of course, but for me living nearly 50 miles away it meant leaving home at 16:45 and even then only just getting through the barricades with two minutes to spare. Setting up in the pub was very relaxed as our first set was only due to start at the end of the parade (about 20:30), so sound-checks were actually possible. Unfortunately those checks were early doors in a quiet corner of the main bar that later filled to bursting point with a crazy scrum of singing, dancing and somewhat leathered punters, so my sax set ended up with my lungs turned up to 11 even with the radio mic - see video... Time went quickly, we managed to finish at exactly 23:00 as per the pub’s licence, the landlord immediately booked us for the same gig next year and I was actually home by 00:30, happy to slurp a post-match cup of tea, but not so impressed with the sturdy welcome-home present my cat had left for me in his litter box… WhatsApp Video 2024-09-15 at 18.22.44_ff42baf4.mp43 points
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Oddish one this weekend; a 3:30pm start yesterday at a Bowling Club in Burnley...yeah, sounds like a recipe for disaster all round, but it was OK. In fact it was better than of late because we had the #2 drummer who I know of old, so we got to entertain ourselves during the more boring numbers (Sit Down, Sweet Home Alabama*) by playing off each other around and about the song. Audience were another 60+ lot; age, not numbers, sadly, despite the landlady saying 'It'll get really busy later'; I can only presume she meant after we'd left, because there was no evidence of 'busy' anywhere; maybe 25 people all afternoon. 2 x 45, encore not requested, so they didn't get one. We had more room than we've had in a while, which was OK, and I was home for half six, which will do, I suppose. Under-8lb Cheapo P, Stomp, inears. * Revived on the spot for the set (I pulled my face a bit) because they weren't an indie crowd, so we'd shelved several songs, SoF being one of them, so I guess swings/roundabouts...3 points
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Actually, that’s not a bad idea! I was once gifted a Lego ‘Dood’. I might add him to all of my sale posts too. (The likeness is uncanny 🤦🏻😂 )3 points
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For sale only (I'm not interested in trades, sorry). A Lakland USA Series 44/64 'Bob Glaub' Signature P/J bass in Olympic White. Purchased from @three of this parish about 4 years ago, this is a beautiful example of a discontinued signature edition from Lakland. It's in great condition with a couple of few small marks here and there which were present when I bought it. I've highlighted the most significant one in the photos. Other marks are very difficult to photograph and so minor as to be insignificant. To my mind, they are just as a result of it being played, swirling of the pick guard etc. It's wearing flats at the moment, which I have to say, suit it very well indeed. It weighs in at 8.9lbs on my luggage scales and has a jazz type neck with a nut width a shade under 38mm. The neck is extremely comfortable and the action is medium low, being my preference. I seem to remember it was a lot lower when I received it. It comes with a Lakland tweed hard case. I'd rather not ship it, but I'm happy to have a conversation about it if you're interested in the bass. Any questions just ask away.2 points
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2 points
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I found this video pretty helpful so thought I'd share it: Obviously there are lots of approaches to playing scales, but I liked this one as the shifting is consistent and it only takes a small modification to generate each of the other scales as well. Not for a second claiming that this is the best solution for all situations but I've found it's a nice one to have in the arsenal....2 points
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But... but... you're buying basses wrong! 🙄2 points
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Sounds great but defo not too fast. Original is 152 bpm and you guys were around 140. Nice mix, can you have a word with our guitarist who does our sound. He seems to hate bass.2 points
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Thanks Dave, I hope I can get some decent pics to share. Daryl Way off topic. These guys will probably visiting you guys soon. They are making a lot of noise and getting a lot of attention over here. https://www.facebook.com/share/r/PCaqTbMU1oF5YJXV/?mibextid=xfxF2i2 points
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2 points
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It was hearing a 5 string Midwestern 2 that started me down the shorty rabbit hole in the first place. Nice score.2 points
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Nearly black..........? Following a short scale transformation with a Serek "the Grand" I just HAD to get a matching 5 string Serek....... Both are incredible basses, the build quality, workmanship and sound are just what I was looking for.2 points
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When I first started out I had a 90 watt amp but it couldn't keep up with a drummer. I then bought a 150 watt amp and that wasn't much better. My point is, if your son wants to play with others musicians (drummers) he'll need a combo with a decent output. My recommendation is a secondhand Fender Rumble 500 combo. They're cheap, light and loud. It would be a really, good, first proper amp and last him a long time.2 points
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It all rather focuses the mind on why anyone needs guts in 2024. Playing low-volume acoustically there's no real doubt in my mind that guts sound simply sublime, and are a pleasure to play. Introduce any amplification worth mentioning and the benefits start to slip gradually away, until you reach gig volume where you're feeling the notes as much as you hear them and the material used to make the string becomes of very limited interest. And then you go and spoil it all by saying something stupid like "but what about other people?". Ah yes, other people. your band members, other musos in the audience, bar staff, punters, drunks ... what do they hear, what do they notice? We've all answered tougher questions than that, right? I could afford the £700 if I needed to, if I spent my hours in recording sessions at Air Studios and if the sound would be valued and appreciated, but I'm a pub/club player. Seriously - what's the point?2 points
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2 points
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Remember that AppleMusic also has the ability to link to your personal iTunes Music Library, so those who are finding the "right" version of the album, it might be because you ripped it to your own collection at some point.2 points
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Good day to all! As promised, I recorded a sound comparison using a tsobel filter, and without. 1 half of it is with the use of a filter, the second half without it. Неизвестен - Без названия (1).mp32 points
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I thought they just got distracted by something that focuses the mind (like arguing about bassy stuff on here) and left the dinner in the oven a bit too long - not that I've ever done that...2 points
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2 points
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Saw this and someone wit had commented that they'd be good warm up act for Oasis.2 points
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2 points
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WITHDRAWN Bought new from Andertons a few years ago. These are fantastic basses - a solid, well put-together instrument which weighs approx. 8.1lbs/3.65kg; well balanced and feels good to play. Great sounding pickups, excellent fit and finish, and lots of tonal options with the blend knob. In my opinion this is one of the best colours Reverend ever did but it has since been discontinued, so this is a rare opportunity to pick up a very cool looking bass. Roasted maple neck with some nice flaming. Please note this sale is for the bass only - no case or gig bag is included. I have gigged this bass extensively and is In very good condition with a few little marks, the usual swirling on the scratchplate and some genuine buckle rash for that extra mojo! Selling to fund a new purchase and it's strictly one in, one out. Not interested in any trades, thanks. Option to collect in person (about 20 miles from Belfast) or happy to post to any UK address, with buyer arranging their own courier. Will be posted in its original box with all the case candy. The details from the Reverend website: Body - Korina Solidbody Pickups - Thick Brick Bridge, Split Brick Neck BridgeString-thru-body or Top-load, 3/4" spacing Neck - 5-Piece Maple/Walnut, Satin Amber Finish Scale - 34" Neck Profile - Medium Oval Fingerboard - Roasted Maple, 12" Radius Frets - 21 - 0.110"W x 0.050"H Truss Rod - Dual Action, Headstock Access Tuners - Hipshot Ultralight, 1/2" Dia. Shaft Nut - 42mm width, Boneite Controls - Volume, Tone, Pickup Pan Happy to answer any questions.1 point
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I would say that they are medium tension. Not sloppy or tight. Just perfect for me.1 point
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The C8 Lite I have is the neo version so 18.6kg, the C4 are 13.1kg each. Plus the C8 cabs have a trolley handle and wheels so the amount of carrying you have to do is very minimal! I also love the fast response of the PJB gear, normally I find cab/combo reviews a bit useless but you can really hear how snappy they are in the video Sam posted above. The reason I don't like the idea of adding more cabs is that I'm lazy and only want to carry one, preferably pulling it behind me on wheels with my amp on the top.1 point
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1 point
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A wonderful bass and indeed, the neck is sublime - US Lakland necks are for me the finest of all to be found on super Js/Ps. As suggested above, this bass will take an incredibly low action. I doubt anybody could be disappointed and this bass was only sold as I'd moved to short-scale almost exclusively1 point
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Hello friends! In general, all installations are completed, and final conclusions can be drawn. These sounds rock the low frequencies very much. Despite the fact that I use the original Zobel filter, it feels great. With the tsobel filter disabled, there are so many low ones that you begin to understand the expediency of using it1 point