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Showing content with the highest reputation on 01/10/24 in all areas

  1. purchased recently on here from @hiram.k.hackenbacker Made me realise how much I love a Jazz bass so having just sold a bunch of stuff off, I’ve upgraded to a Custom Shop with a chunkier neck and bigger frets. Great condition (well, as far as it can be for a roadworn) Virtually no fret wear, everything works as it should. New set of rotosound 45-105 roundwounds. Comes with a fender gig bag and the hangtags. Great weight at 8.6lbs (3.9KG) Collection welcome. Or delivery will be via Overland Express fully tracked and insured. also on eBay if that helps with purchasing options. not looking for trades except a Ampeg PF 50
    10 points
  2. Here's one of my shorties. A Hofner Shorty. When I was working I travelled a lot, bought this so I could practice when I was away. It's been all over Europe with me. It's been upgraded with Wilkinson bridge, pup and tuners and Marvel locking strap nuts. It's not without it's shortcomings, as befits such a unusual design, mainly in the ergonomics department. On the plus side playing with a strap sat down makes it useable, it sounds brilliant, especially with a dash of overdrive, and it intonates absolutely perfectly. It it's good fun to hack away at with a pick, slightly awkward with fingers it you use any kind of anchored style and is one of the reasons I learned to play with a floating hand. It's now on a fresh set of Ernie Balls ready to come out of retirement and accompany me all over the place in my new campervan.
    8 points
  3. Not owning an ACG was a place I wasn’t comfortable with, knowing Alan as I do and having owned quite a few over many years. So I was chuffed when I acquired this lovely instrument. However, a fractured spine over 2 years ago and ongoing back pain with an osteoporosis diagnosis has meant that only lightweight basses are doable. On Thursday I’ll take some current photos (as well as getting an accurate weight). Please see photos on later post. A beautiful instrument in great condition, cocobolo top, lovely maple fingerboard with Luminay dots (and UV torch). The electronics are an East Uni Pre with passive and a passive tone control. 35” scale gives an immense B string, the best I’ve played. There is a blemish on the far end of the face of the headstock. It may be from a tuner?? It was there when I bought the bass and it’s almost impossible to see. If anyone would like to check this bass out that would be most welcome. Peter
    7 points
  4. Latest version of my Nano board. Got this powered with the Truetone CS6 underneath. Finally ordered the Pedalnetics Helauxy Duo Mini Pro for the Stomp, wish I'd got that sooner, a great addition and space saver.
    7 points
  5. Many years ago I had a chat with Martin Ace, the long-time bass player for the Welsh band Man. He said, “if you’re bothered about being under-appreciated, overlooked or misunderstood, you’ve probably chosen the wrong instrument “.
    7 points
  6. Small beer to many of you but I have to perform this tmrw with someone I’ve never played with, with lacerated fingertips I took some comfort from the fact that the bass player is using a stingray like mine - it seemed to dispel the cover version dilemma quite nicely
    5 points
  7. Sterling (by musicman) stingray short scale bass. Black. Maple neck. Lightweight at 7 lbs. 30 inch scale, VGC no dinks. Little used. Passive, neodymium humbucker. Push/pull volume boost. 3 way pickup control, parallel, single coil, series. Hipshot lightweight tuners. Original tuners included, if wanted. Cash, in person only, Bristol area, or will agree to meet somewhere near you...
    5 points
  8. Can I suggest a row of music stands as the first line of defence, if that is breached a prod in the eye from a headstock mounted tuner usually works.
    5 points
  9. It's not necessarily laziness, but a sad reality of modern journalism. Some Journos are expected to churn out multiple articles a day if they want to make a meaningful wage, and it's just become a race to the bottom. That's why you see so many "advertorials"; Journos can just take "articles" prewritten by PR agencies that are just glorified adverts for Thomas Cook ("Scientists prove January is the most depressing time of the year [so you should book a holiday with TC]") or Virgin Money or whoever, and just send it to the publishers with their name on it.
    5 points
  10. When Herbie Flowers died recently the BBC, initially, described him as guitarist. By the next day the article had been updated to bassist.
    5 points
  11. I bought this bass a couple of years ago and had it converted to a 5 string. I absolutely adore it in every way possible, but finances are dire at the moment, so this &/or my Gibson non-reverse thunderbird 5 string conversion have to go It comes with all the case candy, official Rickenbacker hard case etc etc. There's hardly a mark on it except for behind one of the the tuners where I've touched it up. I can fit the original Schaller 3d bridge and the brass nut it came with as well as putting a dowel in the tuner hole and painting this (though the paint wont look like it did from the factory) if you want it converted back to a 4 stringer. I'll be devestated that both of these basses have to go, but needs must. PS. The sticker easily comes off PPS. I might be able to deliver/meet up 1/2 way etc. etc. to save on postage/courier issues
    4 points
  12. *Everyone* should learn to play with a floating hand 😊 I had no choice but to learn when I got a piezo-only Ibanez SRH500F about 5 years ago and suddenly had no pickup to rest my thumb on. Turned out to be one of the best things to happen to my playing technique. Very freeing being able to completely change right hand position on the fly from note to note to get brighter/warmer tones even within the same phrase.
    4 points
  13. SOLD ELSEWHERE I bought this bass not too long ago in the hope that it would be a suitable proxy for my first proper bass, the original first series Spector Legend. It turns out that I still want my actual bass back despite this being a seriously good bass (actually quite a lot better). Therefore, after much soul-searching and inner contemplation I have decided to sell this one. This is the upgrade NS Pulse II bass with some seriously good features. The bass is truly in excellent condition. The roasted maple neck is particularly delightful with a lovely satin finish. Weight is a very manageable at just under 8lbs (3.6kgs). The bass comes with a good quality gig bag. Please believe me when I say that these are fantastic basses and that this is a very reluctant sale. £750 OVNO. Collection or some convenient meeting place preferred but can offer postage if necessary; we can discuss this option. Trades: I'm looking for a nice P bass (cash either way). My preference is rosewood board, vintage sized frets, 9lbs or less in weight ideally (but just over 9lbs is not a deal breaker). The specs are as follows: Neck · Bolt on 3pc Roasted Maple neck · Macassar Ebony finger board 34” scale length, with 24frets · Luminlay side dots and Spector logo at 12th fret · Width at nut: 1.57" Body · The original NS curved and carved Swamp Ash body with quilted maple top · Black cherry matt finish Hardware · Black · Bridge: Spector locking high-mass bridge, with intonation screws · String spacing at bridge: 0.75" (19mm) Pickups and electronics · Neck pickup (active): EMG P · Bridge pickup (active): EMG J · Preamp: Spector TonePump Jnr. 2-band EQ · Controls: Pickup volume, blend, treble and bass EQ If you have any questions at all, or require additional pictures of any details please ask away and I give as comprehensive an answer as I am able! These pics were taken before the post-it note situation and I will re-take these asap to confirm this. All my sales have had pics taken against this very piece of wall/floor if that offers any re-assurance.
    4 points
  14. Had a little jam around an old band mates house some months ago, ended up a bit drunk then left my specs there. Popped over to collect them today and whilst having a cuppa me mate say's "I've a bass upstairs that you used to gig with...I'll just go bring it down" Next he hands me this 1974.... but I can't remember ever using it. He is adamant I did. Unfortunately I didn't have time to play through an amp but will return to have a blast with it soon.
    4 points
  15. Dude. Once you get the hang of always playing in time no matter what, it's a whole different world where you are the benevolent King of Bottom End. Then you work on playing way more right notes than wrong ones for your own satisfaction. As you aren't in a band yet I say keep saving so you can join one with a band worthy amp. Don't waste money on a glorified practice amp. My experience with the V3 Rumble 100 is it surprised the hell out of me. It looks like a glorified practice amp but actually has some heft to it. You wouldn't join in with drums and 4x12 guitar stacks but short of that it will cover a lot of bases. If you get a hankering to play in an insanely loud rock band you will be looking for some well used big old gear going cheap. Most people on this forum have some they would happily offload to you.
    4 points
  16. I wouldn't be surprised if the 'journos' producing the drivel above were actually using Chat-GPT to generate their articles... it's already happening elsewhere!
    4 points
  17. Next Thursday, I'll be interviewing the amazing Gail Ann Dorsey for my bass player's podcast. Of course I have some stuff I want to ask her about, but maybe you guys also have some questions for this giant And while you're at it, feel free to check out other episodes of the podcast. Many are in Dutch, but the English episodes are: Henrik Linder, Brady Watt, Renaud Garcia Fons, Adam Ben Ezra, Martin Méndez, Joe Dart, James Genus, Kinga Glyk, Tal Wilkenfeld, Pino Palladino, Damian Erskine, Dale Davis, Tim Lefebvre, Stu Brooks, Michael League, John Stirratt, Jeff Berlin and Jeroen Paul Thesseling.
    3 points
  18. A used but not abused Miura M2 Compressor. The only reason I’m selling it is the foot print is too large. Miura Guitars USA is now releasing its own original compressor/limitters. Such famous musicians as Ric Fierabracci and Robert Pagliari (OHM) agree that these pedals are very clear and do not squeeze the tone. “This compressor doesn’t lower the quality or volume of the tone, and also keeps the low end clear,” says Robert. “Both high and low ends are always stable, plus it has great response, so you never realize it is being compressed. Overall the tone is phenomenal!” Because they are handmade by Hiro Miura himself. Features By using an analog photo-coupler for the compression element, which is used in the medical field, the M2 Compressor gain motion control uses a high speed operational amplifier. This makes it possible to create a crispy compression sound. Attack control is installed for flexible adjustments. Simply adjust the attack time to match your instrument and playing style. This will attain an even and smooth compression sound. For the volume amplifier circuit, only one operating amplifier is used for high quality sound, high drive force, and low offset voltage. The circuit itself is very simple, Only the best materials are selected for each component and tested for the best resistance and capacity. By adding one, strictly selected coupling capacitor, which is unnecessary for an DC amplifier configuration, the M2 compressor gained the ability to perform sounds with viscosity and warmth. We have also used several high end wiring materials to have the sound hold it’s thickness. Power source is DC-9V. The built in DC converter automatically converts the operating voltage to ±15V. This is why this compressor has high headroom, resulting in a wide range of dynamics and signal amplification without distortion. The high capacity DC converter allows the power source to use it’s energy to vigorously push the low-tone sounds. True bypass is not used for the bypass circuit. The bypass method used for the M2 compressor gives high quality sound while holding down the switching noise by matching the control of the input/output impedance and the on/off circuit. All handmade in the USA PayPal or direct bank transfer plus £ 8.00 p & p Trade wise I’m after a Line HX One
    3 points
  19. Current iteration of my board. Just got the Neptunium from Si. This little thing sounds massive! Perfect pair for my Pbass ❤️
    3 points
  20. 3 points
  21. Hi folks, I picked this up a little while ago, on a bit of a whim to be honest, and it has mostly sat in its box glaring at me. The watch seems to be pretty decent quality and comes with a couple of spare NATO straps alongside the original fit Army Green item for different looks (black and dark blue with a red stripe). All working and in good order. Not a mark on it. £50 posted Special Delivery to you (UK). Here's the link to the Lakland website and a few photos too: https://www.lakland.com/product/lakland-watch/
    3 points
  22. ...I normally thank the punter and adjust a fader on a channel with nothing plugged into it to show I've done something!
    3 points
  23. The average person's ability to discern - visually or audibly - is not high. They seem to hear and/or see anything complex as a jumbled mess and are unable to separate out the individual strands of what is going on. If a musician tells me something is up with the balance, I take heed. If it's anyone else, I thank and ignore them.
    3 points
  24. Seems like the classic gig nutcase. In my experience, it’s normally the vocalist that gets the most hassle.
    3 points
  25. Could only get a 6mm Chisel, easy does it, then a little go with a Dremmel sanding drum, bit of Danish oil to seal the wood... that will do for me... String to Pole alignment is not so bad... little cavity gap top and bottom. Wre it up... string it up... oh, and fit the top Strap Button to the neck heel... 3.45Kg What do you think? #PassiveAgressive
    3 points
  26. I can't think of a question as such, but I would just like to say that Gail Ann Dorsey's first solo record, The Corporate World, that came out in 1988 was (and still is) one of the best bass albums of the 1980's. Her playing on that record is magnificent from start to finish. Inventive, clever, energetic and always tasteful. She's a gifted player, and a talented songwriter, too. I strongly recommend giving that album a listen if you haven't heard it yet. I'm a fan since I saw her on The Tube singing a Bobby Womack song and accompanying herself on the bass. I've always rated her, and it's not surprising she's gone on to have such an illustrious career.
    3 points
  27. Hope all goes well, and a speedy recovery has you back to giving the Poppydog cause for concern asap! 😉
    3 points
  28. Have to say I’m in heaven with my 6.4lbs Spector RST - no back pain since. No neck dive, great tone and top quality build too.
    3 points
  29. Get a headless and leave your string ends like this
    3 points
  30. Following on from my previous 'final version' of a pedal board for a rock trio, here's the new 'final version' although there are no guarantees as this has yet to be tested in a live environment. The main change is the removal of the Plethora in favour of individual pedals - no reflection on the Plethora but I find the individual pedals easier to tweak on the go, which is what I will be doing over the next few rehearsals. In comes the compressor, the Mooer Pure Octave, the Nux Univibe and the Joyo Vintage Phase. The centre row provides the core bass tone. The 12 Step is triggering a Korg 05/RW half rack synth module and I have simple string and organ patches set up on that. Signal path is tuner >Octave and across the top, with the Vintage Phase going in to the Bass Clone and across. The H24 feeds into a passive DI box which can connect to an amp or DI to FOH. The electro-acoustic guitar is sounding good with all the pedals off bar the Univibe, which means no need for the guitar pre-amp.
    3 points
  31. I bought this bass a couple of years ago and had it converted to a 5 string. I absolutely adore it in every way possible, but finances are dire at the moment, so this &/or my Rickenbacker 4004L 5 string conversion have to go It comes with all the case candy, official hard case etc etc. 5 string Schaller bridge and Hipshot tuner used in the conversion. I can convert it back to a 4 stringer (with original Gibson 3 point bridge and nut) and fill the tuner hole with a dowel - though, obviously, the paintwork wont be as it came from the factory). There's hardly a mark on it. I'll be devestated that both of these basses have to go, but needs must. PS. The sticker easily comes off I will be driving down to Devon from East Sussex on Friday 22nd November and returning on the 24th if that is any help for anyone.
    2 points
  32. Reduced to £1075 for a quick sale....Bargain Here we have a 1992 AVRI 62 Fender Jazz Bass All complete with pickup and bridge covers Pickups have been replaced with Fender pure 66 Jazz pickups, originals not there anymore The body has had a coat of Olympic white over the original same colour by the previous owner a few years ago and its a great finish, some scuffs and dings here and there but overall in good played condition Stacked knobs, truss rod is working fine and electrics are all good Very little fret wear due to having flats most of its life, lovely dark board Comes with a generic hard case Nice low action and fast neck Fitted with strap locks, reverse tuners Weight is 4.3 Kg's I will include delivery to UK addresses in the price
    2 points
  33. The last couple of years have seen me accumulate a few basses that I either couldn't say no to on used websites, or have been seeking for a while... L-R in the attached pic... Sire M7 1st Gen Rockinbetter (4003S-ish? Gonna repaint this satin black all over - any advice / tips welcome) Yamaha TRBX605FM TBL Wilkes something or other (inherited when my bass-playing dad passed away in 2021). I keep meaning to get it identified. Yamaha BB605 Ibanez SR370EF fretless Squire VMJ / Affinity P hybrid (originally a VMJ fretless, but that neck was crap so it now sports an Affinity Precision fretted neck) Just need a 6-string now to appease the OCD... 🤪
    2 points
  34. This is certainly an interesting case.
    2 points
  35. You'd hear bugger-all difference down the Dog and Duck on a Saturday night, so just go for the one that looks and feels nicest.
    2 points
  36. I believe I may have had that very thing in my grubby mits once. It travelled down from bonny Scotland to the SWBB
    2 points
  37. Now sold As new Alusonic Django Dlx. MM P pickups with 5 way coil splits , 2 band EQ, composite fingerboard , stunning green finish with a carbon facing and pickguard , comes with case and hipshot d tuner , 9lbs I love Alusonics , but want one of their Doom basses, bought 4 months ago Bass Direct , new price was £3499 can still be seen on their site . Collection welcome , UK delivery £20
    2 points
  38. Play an electric upright, you don’t have to hold them at all, the stand does it for you. 👍🏼
    2 points
  39. Aaaaah - the classic "DFA" button or fader (Does F**k All). It is a classic often used control in the pro sound engineer's toolkit!
    2 points
  40. I only remember ever having had it twice, once was at a pub gig where the band were set up in a corner. Some písśed up idiot came up beside me (I was playing drums) and started randomly hitting my cymbals with his hands for a laugh in front of his mates. He didn’t do it for long because first I whipped the back of his hand at full pelt with a drumstick, then when it looked like he was going to get ársey I whipped him across the face with a drumstick and gave him a look and luckily for me, he scuttled off. Him and his mates could have easily battered me but it didn’t happen, thankfully. Other time was on a stage and we had a few drunken but fairly harmless idiots trying to climb onstage. The stage was fairly high for a ballroom and so it was easy to see them trying to climb up. I’d just put a foot on their shoulder and give them a gentle shove back into the audience. That was again in the late 80’s when I had a load of vintage guitar gear onstage with me, probably near £15,000’s worth today. I wouldn’t take posh gear out on gigs if I was still playing live today. After that I rarely played gigs without stages, and often with a row of monitors at the front, and rarely had any bother from punters. (Apart from them shouting at me to “get off, you’re śhït” 😂) Load out time is a different story though...
    2 points
  41. I have had many basses with many bridges and never really felt/ heard very much difference.
    2 points
  42. If we are talking 82 then this was an absolute banger back then,okay it's a synth bass again but what the hell it's a mammoth sounding Bass Track all the same. Jazz funk mastery in it's finest form.
    2 points
  43. According to Wiki, it was written in 81 but released in 82: "Should I Stay or Should I Go" is a song by the English punk rock band the Clash from their fifth studio album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global music charts. In the United States, "Should I Stay or Should I Go" charted on the Billboard Hot 100 without reaching the top 40. The song received greater attention nearly a decade later as the result of an early-1990s Levi's jeans commercial, leading to the song's 1991 re-release, which topped the UK Singles Chart and reached the top 10 in New Zealand and many European charts. The song was listed in Rolling Stone's 500 Greatest Songs of All Time in 2004." https://en.m.wikipedia.org/wiki/Should_I_Stay_or_Should_I_Go
    2 points
  44. I've long since given up reading anything so-called music journos write. It was tripe back in the day and I've no doubt it's tripe now.
    2 points
  45. I find the best solution is to play music that only a handful of chin-stroking goatee- and black polo neck-wearing pseuds will want to watch, if you're lucky. That way no-one is likely to ask for Wonderwall or any of that cack, though you may get embroiled in a heated discussion on whether James Carter's sax-playing actually counts as chord play or, in extreme circumstances, on the relative merits of the BR Standard Class 9F compared to the Deltic.
    2 points
  46. I’ve added a few things, sold a few things and experimented a wee bit and a re-route of one or two things here’s the board. The top row is for FOH only so tuner… preamp (DI out)>compressor>CabIR and is basically a clean signal chain. Everything below runs as you’d expect from right to left in order form the pre-amp> LBA2020s transformers(hidden underneath)> comp> dirt> fuzz> EQ> HPF (hidden underneath) I think I may still look for a low gain unit but the preamp does have some degree of boost and a nice gain range to keep things lively! I’ve a MarkBass comp which can add in some extra ‘tone’ but I’ll see how this goes for the next few shows. The fuzz will go next I think - I’ve been trying out various drive pedals as I think it’s the one thing which I can rotate to taste as the rest of the signal chain is sounding great.
    2 points
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