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Showing content with the highest reputation on 04/12/24 in all areas
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I’ve been mulling over this for a long time as I absolutely LOVE this bass, but it’s time. We’re moving house and the proceeds of this sale will go towards the deposit… This is a fantastic example of a 1966 Jazz Bass, classic transition-era “target” sunburst with dots and binding. Bought from pmjos of this forum in 2018 (original ad here). It’s a dream bass. It’s had a refret with period-correct frets, performed amazingly by Martin Petersen of the Camden Bass Gallery, to ensure that the binding has remained intact and that there’s no damage, cracking, etc. I felt this was necessary as, when I got it I think there may have been a minor hump in the upper fretboard which caused some choking out in the upper frets, and it relieved that issue. The bass plays cleanly on every fret of the register, and I’m a pretty heavy-handed player…Otherwise, the bass is totally original in every other aspect. You can see the details in Phil’s ad, but this is a great-sounding bass and super clean. Since I got it, it’s been scrupulously cared for and has only been out of the house for recording and never gigged, so no additional dings or damage. The pickups sound fantastic, each with their own character when soloed (particularly fantastic classic burp on the bridge pickup!) but with that textbook lively mid/late 60s JB tone when combined. It comes with the original case, and also the original funny little leather strap and registration card. I’ve included some general pics below without taking the thing apart, which I’m always loathe to do, and also some shots of the neck so you can see the quality of the refret. I’m also a pretty lousy photographer, but you can view an excellent shot PowerPoint depicting the more detailed aspects of the bass here. Obviously, it also comes with the pickup and bridge covers/ashtrays, I just don’t have these installed currently as, as most probably know, it makes it a bit more difficult to play the bass. Weight confirmed at 3.977Kg I’m looking for £6750. Just to clarify I would strongly prefer collection and inspection from my home in London NW3. No international shipping! Sorry. I’ll consider UK postage, but only with discussion and careful consideration on courier method to ensure that there’s no possibility of damage during shipping, and this will definitely need to be arranged by the buyer with appropriate insurance. Absolutely no trades on this, unfortunately, as I need the cash. I hope everything’s clear, but happy to answer any and all questions. This is clearly a beautiful piece of bass and Fender history and I’m immensely saddened to have to make the decision to move it on.20 points
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A minor resurrection to pass comment on a rehearsal a couple of evenings ago that I'm still smiling about. An operatic metal band I recently helped out with a slightly out-of-character acoustic covers set asked whether I fancied doing a proper originals gig with them early in the new year while their bassist is still on holiday. They're genuinely nice people and a great band, so of course I said yes and duly received the 5 song / half hour set list - one of them is a 12 minute epic! I checked that I had some latitude to play them 'as myself' rather than trying to mimic their recorded material, which was fine with them, so I spent a few hours committing the songs to memory and then half my lunch hour for the next week just playing through the full set to really make sure I'd got them. Monday night was the first rehearsal and it went really pleasingly smoothly. Turned up to find that the borrowable cab in their space was a perfectly nice old Hartke VX215, plugged in my GK instead of the usual Markbass gear as I thought it'd be more fitting with their sound, and hit a near-perfect run-through of the set. They commented that it was a shame they'd not asked me to learn another particular song, but it just so happened that I'd seen they often used that one as a closer/encore so decided I'd learn it just in case (you know.. turn up to the gig and find out a band couldn't make it so everyone just gets a slightly longer set to cover) so I was able to play it there and then, which went down well. They all seemed really happy with how it had gone, the keyboardist complimented my tone for sitting perfectly in the band, and the drummer who I was meeting for the first time said he'd really enjoyed playing alongside me. All in all, one of those sessions you can walk away from feeling like you've done your job and the bit of extra effort in preparation really paid off. I'm not somebody who does dep gigs normally, but I actually wouldn't mind being their go-to. Anyway, even if it's just a one-off I'm looking forward to another quick run-through closer to the gig, and then showtime. For the gear-enthusiasts, simple but effective clean rig with a bit of edge... Ibanez SR1105B -> [G30 wireless -> TU3 tuner -> Thumpinator -> MXR M87 compressor -> SansAmp BDDI v2] -> GK MB500 -> Hartke VX2157 points
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Up for grabs my CORT ELRICK NJS 5 STRING BASS GUITAR, WHITE.This is a beautiful bass in excellent condition and of course sounds superb.There reputation proceeds them so not a lot for me to say. Reason for sale is simply prefer 16.5 string spacing on my fanfret . Any trial through Gk or Laney rig. Collection from Stoke on Trent or poss meet depending on mileage. Possible trade for a Quality 5 string Ibanez but must be in excl condition What they say 20 years ago, Cort joined forces together with world-renowned luthier Rob Elrick of the Elrick Bass Guitars and developed a Cort version of ‘Elrick e-volution Bass’ that gained popularity among serious bass players. Now for its 30th anniversary year, Elrick Bass Guitars has partnered again with Cort to release the new Cort Elrick NJS basses. The NJS, short for New Jazz Standard, are modern j-bass styled basses with unique features such as angled headstock and 24 frets with zero fret, a “heel-less” body design with extended treble access, and Voiced Tone VTB-ST pickups with Bartolini preamp. Loved by many aspiring and experienced bass players alike throughout the years, the innovative design and superb playability of the NJS basses is sure to satisfy high-end bass aficionados. Overview: The new Voiced Tone VTB-ST single-coil pickups perfectly complement the big robust sound of the bass with modern clarity, transparency and vintage warmth while eliminating noise with its hum canceling design. The same specially designed Bartolini preamp that are installed on the US made original Elrick NJS basses are equipped, featuring 3-band EQ, 2-way push/pull mid select, and push / pull active bypass for a variety of tone combinations and manipulations. A unique feature to Elrick NJS, the neck joint is greatly reduced to facilitate easy access to the upper register of the fingerboard. And to optimize stability as well as playability, the neck attaches via six bolts in an asymmetrical pattern. Specification: Body: Alder Neck: 3pcs Hard Maple Construction: Bolt-On Fretboard: Hard Maple Frets: 24 with Zero Fret Inlay: White Pearloid Block Scale: 35" (889mm) Pickups: Voiced Tone VTB-ST Electronics: Bartolini Elrick NJS Special Preamp Tuners: Hipshot Ultralite6 points
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6 points
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I've won 3 P bass bodies from the Chris Cross sale at Gardiner Holgate. These will be duly filled and sprayed in the metal flake gold and purple. I'll try and relic the sunburst body to get that beaten up P bass too5 points
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I have learned eight songs on my upright for an open mic tonight with my nameless band in the Wiltshire village of Shalbourne. What could possibly go wrong?5 points
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(No one ever asks, but let's pretend.) People are always asking me how I build my pedal boards. It seems I use a different set up every week they say. Well here's my 'work in progress' board. It's an old music stand which sits in front of where I sit when I'm awake. If I'm inspired to try something I bung it together here and give it a blast. This week @Quatschmacher in a different post talked about two envelope filters in parallel. I tried it and then thought what if I switched one for a phaser? What if I dirtied the clean sound?, and so on. I then do my lesson work, or song, learning, or noodling, and use the effects while doing so. If anything works particularly well or sounds appropriate for a specific song the whole set up might make it to a board. If not it gets ripped out and replaced when the next idea lands.5 points
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For those with pedal boards, Fx, Class-D amps, cables, mics etc... Use an accordion case for all of that stuff. No-one will nick that. ... Probably.5 points
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4 points
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4 points
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I am on a tight budget for a 112 build for rehearsals mainly but also in conjunction with the 15" cab I built I had some left over 18mm ply from a flooring job I did on my house. I have 2X emminence Kappalite 3012HO kindly donated by @verb which I have finally got around to using. https://eminence.com/products/kappalite_3012ho the dims are H600XW400XD300mm (weight is about 15KG as it stands) I used 30mm baton frames for support around the front and back panel (height and width) corners. I got thrown together in a day and now for the hard part! port, I still have some flared port adapters that I 3D printed for 110mm waste pipe win ISD reckons if I tune for 40Hz i only need a 28mm of 110mm pipe. I have to admit I'm getting out of my depth here with WinISD As I dont have internalwindow type horizontal bracing that the original BC112 has (just two picture frames front and back)i want to retain as much of the baffle material as possible for stuctural rigidity. So compression driver on the front, port on the rear. I have a celestion CDX1 1746 which I could use, although it is a beast at 2Kg https://celestion.com/product/cdx1-1746/ Or do i bite the bullet and get the 1425 compression driver specced in the original and run with that, Could I use the crossover design for the BC112 with either of these drivers? again I'm getting out of my depth with this stuff! I've attached the winisd file if any build guru fancies stepping and putting me on the straight and narrow I'd appreciate it! @Phil Starr @stevie @Chienmortbb 50L box tuned to 40Hz with a 110mm vent Kappalite 3012HO.wdr3 points
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Interesting, not seen one the same as this before. Late 70s/early 80s foray into original design on a modest budget, by the looks. There's some significant misalignment going on somewhere, with the E string close to escaping the fretboard up at the dusty end. Maybe a wonky/loose neck joint rather than bridge positioning. I have encountered the Azumi brand before, think this is probably a Chushin Gakki build although that truss cover for some reason's making me think Kiso Suzuki. And I'm not even drunk.3 points
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3 points
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Nec week on TalkPolka; "Some fecker stole my accordion case and left the accordion, what depraved fecker would do that?"3 points
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2 points
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Wife got me a GSS Baby Sumo for my birthday. It's tiny! It's loud! Comes in a lovely little metal flight case. It's barely the size of two paperback books. Just gave it a brief test with my Hamer Cruisebass into a GED2112-DI. (We live in a detached house, neighbours away. Chortle!) Man alive, the clarity is incredible. I've jacked the Ged into a variety of amps and effects returns thereof over the years and it's never sounded like this... it's almost been a disappointment at times. It sounds like when I've just gone straight into a mixing desk. Lovely!2 points
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2 points
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Times are tough, so unfortunately I have to make attempts to sell my bass. Made in Japan Yamaha BBP35 with Yamaha hard case. The bass sounds excellent, plays wonderfully and is in good condition. Yamaha say: Made in Japan, this is the ultimate BB, featuring an Alder/Maple/Alder construction treated with Yamaha’s unique IRA technology, a six-bolt miter neck joint, and a diagonally strung convertible bridge. I’d say it is in “good player’s condition”. It came from Bass Bros as it is today, described and sold as “immaculate”. Which it isn’t, if you’re a collector. The pick guard and pickup covers have dulled from play and there is a mark behind the bridge where the previous owner had let the B string rub the finish when changing strings. At least, that seems mostly likely cause to me. the neck and headstock ARE immaculate. There are no dings, chips, dents of any kind. It’s just a really lovely bass, they’re my favourite and this one feels and sounds (somewhat) like a vintage instrument. It does everything well in its own BB-esque way. Weighs in at a shade under 8.9lbs, which is pretty light for a BB! Located Isle of Wight, collection from here, Southampton/Portsmouth/Lymington preferred.2 points
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An Azumi, allegedly MIJ in the 1970s. I think the offset P pickup doesn't quite work with the symmetry of the rest of it, but that's probably just me. https://www.ebay.co.uk/itm/395961567253?itmmeta=01JE4XBWBTGCGZ3TP18H8DNX4Z&hash=item5c31260815:g:m8AAAOSwMutnTcyR&itmprp=enc%3AAQAJAAAAwMxmj%2BiGvOveHXEBClPb29ieFt9NVZ1KncWJcGNpDh5SDiMJ%2FBxkmmfCRUVA5%2BJX2NchxBUc%2BZOmLAvledggJw0RjVv0tniG9XReNh2iXRg11MTmfR%2Bl5Lt7i%2BhWIYDnNQdDVYebpmqi2c3vUiN0Se5AGhr9LjK1I8xqOeeRCZAv7Vv610BgbfV6Bi09DErx4%2BiaBuu11DYpTkx46MqYC8kBitADdjxc7JK%2FFQGp5JF%2BZOqFRTE96wcIPhqEkpgJlg%3D%3D|tkp%3ABk9SR_rFr53xZA2 points
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2 points
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Reckon it's taken about 10 hours solid for me to get to grips with the new A&H desk, including just now setting up the tablet for remote access to adjust settings on the fly from the floor. Does feel like quite a step up from our old trusty, but decently capable, analogue desk. I think I'm feeling sufficiently confident now to give the desk a first outing at a pub gig tomorrow night. Wish me luck, haha!2 points
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Sounds like you want to loosen the truss rod, no? If it’s maxed it’s tightened fully, usually. Loosen it to allow the strings to pull it forward slightly more.2 points
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2 points
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2 points
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2 points
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I got an A2S for £399 from Vox, a while ago, in black, and that WAS the last A2S they had in stock until now. I preferred red, but I can't even justify paying another £359 for the same bass, especially given that it's not easily "flippable". The A1H was £699 and it seemed they weren't really trying hard enough to blow it out. If I hadn't just bought a Christmas bass I'd probably have kept quiet and snapped it up at £629. 🙂2 points
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Well, yes, I don't know andy baxters shop at all, but he seems well regarded and you have some chance of a followup if something goes wrong. There are a large number of people selling on ebay that don't seem to understand that if the full retail price of something is £3k, selling at 10% off that isn't a bargain, when you aer not providing the options, support and piece of mind that a shop is. Especially when most shops sell 10% below RRP anyway2 points
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It's very obvious the power here is fairly transparent; there seems little or no colouration, which is what I've been after for a long, long time. I know as bassplayers we tweak things constantly in search for a perfect tone (cue angels singing), but realistically we need to realise that 99% of the listening audience care not about how we sound and anything we route our outboard gear through will change things, but this is near as dammit as close to stomp>desk>headphones. The amp's response to changes in bass/treble/mids don't result in these huge swings/spikes where everything starts shaking; it's just huge, delicious amplification of my choice of pre-stages. Honestly, I don't know how they've achieved this, but I'm genuinely stunned.2 points
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This weekend after the Sunday night Bandeoke I received glowing compliments for my sound. Not from the sexy barmaid of course but her pasty male sidekick. Naturally I assumed he was a bass player, and naturally I was correct. Still, I'll add it to my book of compliments received over my 40 year career (I think this makes it six in total) and very nice it was too. I glanced back over my shoulder and thought how pathetic the rig actually looked. Anyway he plays an Ampeg tube head through a big old Ampeg cab so take a bow, Barefaced, Harley Benton, and Behringer pedals 🤷🏻♂️ That's the rig circled in case you missed it.2 points
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Not from some of the pics I’ve seen (in Sire threads on here and also Talkbass) - some have horrifically tatty looking construction in terms of neck joints and necks. I’m also confused - I thought this was an SBMM thread concerning their new lines of basses but the last page has been purely about Sire cheapo copy Stingrayish basses which are nothing to do with them (or did I miss some instruction somewhere that threads like this and Fender threads should be bombed with discussion about cheap knock off copies?) 🥴😂 Surely the best way to get Stingray sounds on a budget is with the officially licensed product??!!2 points
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Stanley Clarke pre amp is wonderful bit of kit. Perfect for DB and also if you need to switch between upright and electric as well as sending a signal to front of house. Used mine for 60 or more gigs this year and it’s been flawless. Notch filter is very responsive to the environment. Probably overkill if you play at home or in the same place or a small and acoustically stable environment, but when I have to adapt to a different room most times it’s great. (But not cheap!)2 points
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Back in the new dive last night , parking can be a misery in the downtown core , found a spot right in front of the bar. It was a Christmas miracle. Numbers were slightly down , but a good crowd , some wonderful regulars up to play. Good night. Just two bassists to sit in. The new room was sounding really nice. Not too loud , place was grooving. Usual rig , Bergantino 112 , Monique preamp into the effect return of a Bergantino Forte V1. Big orange hollow body Gretsch bass , Dano Longhorn as a backup (not played last night). Black leather Chuck Taylors. ( winter slippers)2 points
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2 points
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VID-20241202-WA0009.mp4 Warwick Corvette Proline custom (black) Mesa BB750 (black) Barefaced BB2 cabs (black), Vans Hi Tops (black)2 points
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2 points
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This Saturday, Nine Lives play another new venue for us. I don't know why I'm even mentioning it here due to remoteness, but we'll be playing at the St Olaf Golf Hotel in Cruden Bay (effin' where?).2 points
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It's no help now, but we always do a kind of relay where one person is always in attendance at the car, even at quieter locations. It just takes one opportunist walking past and a thousand pound guitar is gone in seconds.2 points
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My last gig of 2024 is with In Isolation, and will also be In Isolation's farewell performance as singer Ryan is calling it a day. It will be at the Salutation, in Nottingham on Saturday 14th December. Doors are at 7.00pm and we'll be on shortly after that as we will be playing an extra-long set and it's Spellbound Goth Night at 9.00pm afterwards. Tickets are just £4.00 and if you'd like to come and see our final gig it is highly recommended that you get one as they are selling fast.2 points
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Hey Guys, This is one of the finest Ibanez basses I’ve owned, but I just fancy a change right now. The previous owner had neglected this bass for a while, but it has since been recently professionally set up and cleaned and given a fresh bill of health by Mark at Wilts Guitar Repair. This bass is roughly 20/21 years old (going by the serial number) and as such it has seen some action. There are quite a few surface dings but nothing significant and the worst of it is on the back. The original control knobs for the bass/treble/mid/mid frequency have been replaced with newer metal ones. The playability is great with a very low action. All of the technical info on this model can be found here: https://ibanez.fandom.com/wiki/SR3005E I haven’t got a spare case unfortunately, so collection from Bridgwater, Somerset would be preferred. I do have a spare box which I can use to send it, but I would have to the buyer to cover the cost of postage and insurance. Here’s a few recent recordings with it: https://www.instagram.com/reel/DA1f1usOPHv/?igsh=MWpnc201anp4ZzJ6Ng== https://www.instagram.com/reel/C_q1XqmObM1/?igsh=MTV4bGUyOTJtanh2 I’m open to trades for potentially a Jazz or Precision bass, Stingray, Lakland, Spector. Any questions please give me a message. Thanks, Josh.2 points
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2 points
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I wonder if the custom shop could replicate this bass of mine The wear under the G string is casued by my third finger digging in when I play with a pick (mostly I play with a pick) This bass has done a lot of gigs in its 34 years with me. The wood is actually gouged out, not just the finish It's actually a '73 not a'75 (I have the original bridge with the long screw for the G string intonation)2 points
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Mine carry emotional scars due to my lack of skill! 🤣 Sam x2 points
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I have one and love it! A Mk 2 with the dry kill switch and HPF. I have two OC-2s which I also love and gigged for years. But they don't handle my active basses or even my hot passive P bass without clipping. And I feel icky about the lack of true bypass. I also have an EBS Octabass, Iron Ether Subterranea, HX Stomp. Haven't tried an Octabvre though. I haven't put them side by side, but the Taylor Shift sounds very like an OC-2. It's super smooth, doesn't glitch much, and tracks low on my basses. I usually have the tone maxed, which gives me the OC-2 vibe. If you turn it down, you get into EBS Octabass or MXR girth territory. It's not a huge difference, but nice to have. The dry volume has more gain than an OC-2. I sometimes use it as a clean boost when I don't need the octaver for a gig. The dry kill switch is awesome. I often switch between the two settings, sometimes in the same song! This makes it really easy, and the form factor works well for my big feet. The big Octabvre has a knob to tweak the octave level when it's soloed, which the Taylor Shift doesn't have, but I haven't noticed this as a problem. I usually run mine into a Cali 76 bass comp which probably evens out any difference in level.1 point
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It really has turned out to be one of my favourites. I think it's just the simplicity of a precision and the fact that that neck is more J than P. It's the bloody venues. Feels like they just hate all bands and they all lie their thruppney bits off to the client about how their noise restrictions aren't ever a problem. You're constantly having to refer them to the contract the client has signed and you can never just enjoy the playing. Love December though. Lots of corporate Xmas parties so you get treated far better.1 point
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I've had cheapies and thought "these are cheapo"; I bought a set of MusicNomad ones via Amazon and they are rather good, definitely not cheapo!1 point
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I suggest a bradle for the little pock marks, I found the back of a kitchen knife effective at removing paint from body edges, rub used teabags on exposed wood1 point
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1 point
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I would really recommend using an active PA speaker instead of a bass amp, with a double bass. I use a Turbosound ip300 which is about £330; there are lots of options available, although I do very much like the tone of Turbosound speakers myself. I go into this via an ART Tube MP preamp, which has no EQ but definitely improves the tone. But that's all coming from a mic (Prodipe Lanen) and you might need something different with a pickup. In all honesty the whole 'amplifying your double bass' thing is a deep rabbit hole. I was lucky enough to find a set-up that gets me exactly the sound I want without too much trouble, but it can take a lot of experiments, so buying secondhand kit you can sell on might be a good idea.1 point
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My year-end setup. Went full analog on my board. This will be my main rig and the HX Stomp as a standalone fly rig(using my presets based on my main board). Just received the Doom2 and Octabvre today which I bought from reverb. Surprised I didn’t pay any customs and bought them for $340 and $355.1 point
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First of all, I would say make up your own mind about it before doing anything - everything you've read about the knobs here is personal opinion. They might not bother you, and there would be nothing wrong with that. But to answer your question: https://www.bassdirect.co.uk/product/east-knob/ They only have chrome in stock and double unfortunately, they only have 1 stack knob left in stock. Sorry if that was me taking the second and third last ones. I guess you could ask when they'll have more. Other knobs are available - most of them are a standard size. Good luck! I think "burgundy mist" would ordinarily be the full colour name, but after they got their knuckles rapped for the initial headstock design they're probably feared of being sued by Fender or whoever used that term first. Or something got lost in translation, I dunno. But yes, I wouldn't drink burgundy that colour, it's gone off, mate!1 point