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Showing content with the highest reputation on 04/12/24 in all areas

  1. I’ve been mulling over this for a long time as I absolutely LOVE this bass, but it’s time. We’re moving house and the proceeds of this sale will go towards the deposit… This is a fantastic example of a 1966 Jazz Bass, classic transition-era “target” sunburst with dots and binding. Bought from pmjos of this forum in 2018 (original ad here). It’s a dream bass. It’s had a refret with period-correct frets, performed amazingly by Martin Petersen of the Camden Bass Gallery, to ensure that the binding has remained intact and that there’s no damage, cracking, etc. I felt this was necessary as, when I got it I think there may have been a minor hump in the upper fretboard which caused some choking out in the upper frets, and it relieved that issue. The bass plays cleanly on every fret of the register, and I’m a pretty heavy-handed player…Otherwise, the bass is totally original in every other aspect. You can see the details in Phil’s ad, but this is a great-sounding bass and super clean. Since I got it, it’s been scrupulously cared for and has only been out of the house for recording and never gigged, so no additional dings or damage. The pickups sound fantastic, each with their own character when soloed (particularly fantastic classic burp on the bridge pickup!) but with that textbook lively mid/late 60s JB tone when combined. It comes with the original case, and also the original funny little leather strap and registration card. I’ve included some general pics below without taking the thing apart, which I’m always loathe to do, and also some shots of the neck so you can see the quality of the refret. I’m also a pretty lousy photographer, but you can view an excellent shot PowerPoint depicting the more detailed aspects of the bass here. Obviously, it also comes with the pickup and bridge covers/ashtrays, I just don’t have these installed currently as, as most probably know, it makes it a bit more difficult to play the bass. Weight confirmed at 3.977Kg I’m looking for £7000. Just to clarify I would strongly prefer collection and inspection from my home in London NW3. No international shipping! Sorry. I’ll consider UK postage, but only with discussion and careful consideration on courier method to ensure that there’s no possibility of damage during shipping, and this will definitely need to be arranged by the buyer with appropriate insurance. Absolutely no trades on this, unfortunately, as I need the cash. I hope everything’s clear, but happy to answer any and all questions. This is clearly a beautiful piece of bass and Fender history and I’m immensely saddened to have to make the decision to move it on.
    20 points
  2. A minor resurrection to pass comment on a rehearsal a couple of evenings ago that I'm still smiling about. An operatic metal band I recently helped out with a slightly out-of-character acoustic covers set asked whether I fancied doing a proper originals gig with them early in the new year while their bassist is still on holiday. They're genuinely nice people and a great band, so of course I said yes and duly received the 5 song / half hour set list - one of them is a 12 minute epic! I checked that I had some latitude to play them 'as myself' rather than trying to mimic their recorded material, which was fine with them, so I spent a few hours committing the songs to memory and then half my lunch hour for the next week just playing through the full set to really make sure I'd got them. Monday night was the first rehearsal and it went really pleasingly smoothly. Turned up to find that the borrowable cab in their space was a perfectly nice old Hartke VX215, plugged in my GK instead of the usual Markbass gear as I thought it'd be more fitting with their sound, and hit a near-perfect run-through of the set. They commented that it was a shame they'd not asked me to learn another particular song, but it just so happened that I'd seen they often used that one as a closer/encore so decided I'd learn it just in case (you know.. turn up to the gig and find out a band couldn't make it so everyone just gets a slightly longer set to cover) so I was able to play it there and then, which went down well. They all seemed really happy with how it had gone, the keyboardist complimented my tone for sitting perfectly in the band, and the drummer who I was meeting for the first time said he'd really enjoyed playing alongside me. All in all, one of those sessions you can walk away from feeling like you've done your job and the bit of extra effort in preparation really paid off. I'm not somebody who does dep gigs normally, but I actually wouldn't mind being their go-to. Anyway, even if it's just a one-off I'm looking forward to another quick run-through closer to the gig, and then showtime. For the gear-enthusiasts, simple but effective clean rig with a bit of edge... Ibanez SR1105B -> [G30 wireless -> TU3 tuner -> Thumpinator -> MXR M87 compressor -> SansAmp BDDI v2] -> GK MB500 -> Hartke VX215
    7 points
  3. Up for grabs my CORT ELRICK NJS 5 STRING BASS GUITAR, WHITE.This is a beautiful bass in excellent condition and of course sounds superb.There reputation proceeds them so not a lot for me to say. Reason for sale is simply prefer 16.5 string spacing on my fanfret . Any trial through Gk or Laney rig. Collection from Stoke on Trent or poss meet depending on mileage. Possible trade for a Quality 5 string Ibanez but must be in excl condition What they say 20 years ago, Cort joined forces together with world-renowned luthier Rob Elrick of the Elrick Bass Guitars and developed a Cort version of ‘Elrick e-volution Bass’ that gained popularity among serious bass players. Now for its 30th anniversary year, Elrick Bass Guitars has partnered again with Cort to release the new Cort Elrick NJS basses. The NJS, short for New Jazz Standard, are modern j-bass styled basses with unique features such as angled headstock and 24 frets with zero fret, a “heel-less” body design with extended treble access, and Voiced Tone VTB-ST pickups with Bartolini preamp. Loved by many aspiring and experienced bass players alike throughout the years, the innovative design and superb playability of the NJS basses is sure to satisfy high-end bass aficionados. Overview: The new Voiced Tone VTB-ST single-coil pickups perfectly complement the big robust sound of the bass with modern clarity, transparency and vintage warmth while eliminating noise with its hum canceling design. The same specially designed Bartolini preamp that are installed on the US made original Elrick NJS basses are equipped, featuring 3-band EQ, 2-way push/pull mid select, and push / pull active bypass for a variety of tone combinations and manipulations. A unique feature to Elrick NJS, the neck joint is greatly reduced to facilitate easy access to the upper register of the fingerboard. And to optimize stability as well as playability, the neck attaches via six bolts in an asymmetrical pattern. Specification: Body: Alder Neck: 3pcs Hard Maple Construction: Bolt-On Fretboard: Hard Maple Frets: 24 with Zero Fret Inlay: White Pearloid Block Scale: 35" (889mm) Pickups: Voiced Tone VTB-ST Electronics: Bartolini Elrick NJS Special Preamp Tuners: Hipshot Ultralite
    6 points
  4. This is actually the origin story of Wishbass.
    6 points
  5. I've won 3 P bass bodies from the Chris Cross sale at Gardiner Holgate. These will be duly filled and sprayed in the metal flake gold and purple. I'll try and relic the sunburst body to get that beaten up P bass too
    5 points
  6. I have learned eight songs on my upright for an open mic tonight with my nameless band in the Wiltshire village of Shalbourne. What could possibly go wrong?
    5 points
  7. (No one ever asks, but let's pretend.) People are always asking me how I build my pedal boards. It seems I use a different set up every week they say. Well here's my 'work in progress' board. It's an old music stand which sits in front of where I sit when I'm awake. If I'm inspired to try something I bung it together here and give it a blast. This week @Quatschmacher in a different post talked about two envelope filters in parallel. I tried it and then thought what if I switched one for a phaser? What if I dirtied the clean sound?, and so on. I then do my lesson work, or song, learning, or noodling, and use the effects while doing so. If anything works particularly well or sounds appropriate for a specific song the whole set up might make it to a board. If not it gets ripped out and replaced when the next idea lands.
    5 points
  8. For those with pedal boards, Fx, Class-D amps, cables, mics etc... Use an accordion case for all of that stuff. No-one will nick that. ... Probably.
    5 points
  9. This is what happens when you buy your own Christmas presents. eBay bargain.. 👊
    4 points
  10. Interesting, not seen one the same as this before. Late 70s/early 80s foray into original design on a modest budget, by the looks. There's some significant misalignment going on somewhere, with the E string close to escaping the fretboard up at the dusty end. Maybe a wonky/loose neck joint rather than bridge positioning. I have encountered the Azumi brand before, think this is probably a Chushin Gakki build although that truss cover for some reason's making me think Kiso Suzuki. And I'm not even drunk.
    3 points
  11. I am on a tight budget for a 112 build for rehearsals mainly but also in conjunction with the 15" cab I built I had some left over 18mm ply from a flooring job I did on my house. I have 2X emminence Kappalite 3012HO kindly donated by @verb which I have finally got around to using. https://eminence.com/products/kappalite_3012ho the dims are H600XW400XD300mm (weight is about 15KG as it stands) I used 30mm baton frames for support around the front and back panel (height and width) corners. I got thrown together in a day and now for the hard part! port, I still have some flared port adapters that I 3D printed for 110mm waste pipe win ISD reckons if I tune for 40Hz i only need a 28mm of 110mm pipe. I have to admit I'm getting out of my depth here with WinISD As I dont have internalwindow type horizontal bracing that the original BC112 has (just two picture frames front and back)i want to retain as much of the baffle material as possible for stuctural rigidity. So compression driver on the front, port on the rear. I have a celestion CDX1 1746 which I could use, although it is a beast at 2Kg https://celestion.com/product/cdx1-1746/ Or do i bite the bullet and get the 1425 compression driver specced in the original and run with that, Could I use the crossover design for the BC112 with either of these drivers? again I'm getting out of my depth with this stuff! I've attached the winisd file if any build guru fancies stepping and putting me on the straight and narrow I'd appreciate it! @Phil Starr @stevie @Chienmortbb 50L box tuned to 40Hz with a 110mm vent Kappalite 3012HO.wdr
    3 points
  12. 3 points
  13. Nec week on TalkPolka; "Some fecker stole my accordion case and left the accordion, what depraved fecker would do that?"
    3 points
  14. Wife got me a GSS Baby Sumo for my birthday. It's tiny! It's loud! Comes in a lovely little metal flight case. It's barely the size of two paperback books. Just gave it a brief test with my Hamer Cruisebass into a GED2112-DI. (We live in a detached house, neighbours away. Chortle!) Man alive, the clarity is incredible. I've jacked the Ged into a variety of amps and effects returns thereof over the years and it's never sounded like this... it's almost been a disappointment at times. It sounds like when I've just gone straight into a mixing desk. Lovely!
    2 points
  15. Times are tough, so unfortunately I have to make attempts to sell my bass. Made in Japan Yamaha BBP35 with Yamaha hard case. The bass sounds excellent, plays wonderfully and is in good condition. Yamaha say: Made in Japan, this is the ultimate BB, featuring an Alder/Maple/Alder construction treated with Yamaha’s unique IRA technology, a six-bolt miter neck joint, and a diagonally strung convertible bridge. I’d say it is in “good player’s condition”. It came from Bass Bros as it is today, described and sold as “immaculate”. Which it isn’t, if you’re a collector. The pick guard and pickup covers have dulled from play and there is a mark behind the bridge where the previous owner had let the B string rub the finish when changing strings. At least, that seems mostly likely cause to me. the neck and headstock ARE immaculate. There are no dings, chips, dents of any kind. It’s just a really lovely bass, they’re my favourite and this one feels and sounds (somewhat) like a vintage instrument. It does everything well in its own BB-esque way. Weighs in at a shade under 8.9lbs, which is pretty light for a BB! Located Isle of Wight, collection from here, Southampton/Portsmouth/Lymington preferred.
    2 points
  16. Great piece of kit, great tone and plenty loud enough for most gigs in pubs. I won’t ship this due to the Valves (unless the buyer takes ownership and responsibility of this) I will drive a reasonable distance (30 miles) for free and further for petrol money. I’m not interested in any trades at all
    2 points
  17. Christmas price drop to £600. I’m honestly staggered it’s still here!
    2 points
  18. An Azumi, allegedly MIJ in the 1970s. I think the offset P pickup doesn't quite work with the symmetry of the rest of it, but that's probably just me. https://www.ebay.co.uk/itm/395961567253?itmmeta=01JE4XBWBTGCGZ3TP18H8DNX4Z&hash=item5c31260815:g:m8AAAOSwMutnTcyR&itmprp=enc%3AAQAJAAAAwMxmj%2BiGvOveHXEBClPb29ieFt9NVZ1KncWJcGNpDh5SDiMJ%2FBxkmmfCRUVA5%2BJX2NchxBUc%2BZOmLAvledggJw0RjVv0tniG9XReNh2iXRg11MTmfR%2Bl5Lt7i%2BhWIYDnNQdDVYebpmqi2c3vUiN0Se5AGhr9LjK1I8xqOeeRCZAv7Vv610BgbfV6Bi09DErx4%2BiaBuu11DYpTkx46MqYC8kBitADdjxc7JK%2FFQGp5JF%2BZOqFRTE96wcIPhqEkpgJlg%3D%3D|tkp%3ABk9SR_rFr53xZA
    2 points
  19. I am selling a Musicman Pre Ernie Ball Stingray year 1979 It sounds amazing ! some one painted it red in a bad way and now it is as it was originally body: Ash Matil: Maple all original scale: 34 weight: 4.4kg I send it with an Italian gig bag or a soft case, Price: 3200€ Country : Spain
    2 points
  20. Reckon it's taken about 10 hours solid for me to get to grips with the new A&H desk, including just now setting up the tablet for remote access to adjust settings on the fly from the floor. Does feel like quite a step up from our old trusty, but decently capable, analogue desk. I think I'm feeling sufficiently confident now to give the desk a first outing at a pub gig tomorrow night. Wish me luck, haha!
    2 points
  21. Sounds like you want to loosen the truss rod, no? If it’s maxed it’s tightened fully, usually. Loosen it to allow the strings to pull it forward slightly more.
    2 points
  22. I suspect most of us had a go faster knob when we were younger. 😁
    2 points
  23. Pics of the 3 G&Ls would be useful here.
    2 points
  24. I still have a Cortina, and yes, I also have the pool ball gear knob!
    2 points
  25. I got an A2S for £399 from Vox, a while ago, in black, and that WAS the last A2S they had in stock until now. I preferred red, but I can't even justify paying another £359 for the same bass, especially given that it's not easily "flippable". The A1H was £699 and it seemed they weren't really trying hard enough to blow it out. If I hadn't just bought a Christmas bass I'd probably have kept quiet and snapped it up at £629. 🙂
    2 points
  26. Well, yes, I don't know andy baxters shop at all, but he seems well regarded and you have some chance of a followup if something goes wrong. There are a large number of people selling on ebay that don't seem to understand that if the full retail price of something is £3k, selling at 10% off that isn't a bargain, when you aer not providing the options, support and piece of mind that a shop is. Especially when most shops sell 10% below RRP anyway
    2 points
  27. It's very obvious the power here is fairly transparent; there seems little or no colouration, which is what I've been after for a long, long time. I know as bassplayers we tweak things constantly in search for a perfect tone (cue angels singing), but realistically we need to realise that 99% of the listening audience care not about how we sound and anything we route our outboard gear through will change things, but this is near as dammit as close to stomp>desk>headphones. The amp's response to changes in bass/treble/mids don't result in these huge swings/spikes where everything starts shaking; it's just huge, delicious amplification of my choice of pre-stages. Honestly, I don't know how they've achieved this, but I'm genuinely stunned.
    2 points
  28. This weekend after the Sunday night Bandeoke I received glowing compliments for my sound. Not from the sexy barmaid of course but her pasty male sidekick. Naturally I assumed he was a bass player, and naturally I was correct. Still, I'll add it to my book of compliments received over my 40 year career (I think this makes it six in total) and very nice it was too. I glanced back over my shoulder and thought how pathetic the rig actually looked. Anyway he plays an Ampeg tube head through a big old Ampeg cab so take a bow, Barefaced, Harley Benton, and Behringer pedals 🤷🏻‍♂️ That's the rig circled in case you missed it.
    2 points
  29. Not from some of the pics I’ve seen (in Sire threads on here and also Talkbass) - some have horrifically tatty looking construction in terms of neck joints and necks. I’m also confused - I thought this was an SBMM thread concerning their new lines of basses but the last page has been purely about Sire cheapo copy Stingrayish basses which are nothing to do with them (or did I miss some instruction somewhere that threads like this and Fender threads should be bombed with discussion about cheap knock off copies?) 🥴😂 Surely the best way to get Stingray sounds on a budget is with the officially licensed product??!!
    2 points
  30. Stanley Clarke pre amp is wonderful bit of kit. Perfect for DB and also if you need to switch between upright and electric as well as sending a signal to front of house. Used mine for 60 or more gigs this year and it’s been flawless. Notch filter is very responsive to the environment. Probably overkill if you play at home or in the same place or a small and acoustically stable environment, but when I have to adapt to a different room most times it’s great. (But not cheap!)
    2 points
  31. Back in the new dive last night , parking can be a misery in the downtown core , found a spot right in front of the bar. It was a Christmas miracle. Numbers were slightly down , but a good crowd , some wonderful regulars up to play. Good night. Just two bassists to sit in. The new room was sounding really nice. Not too loud , place was grooving. Usual rig , Bergantino 112 , Monique preamp into the effect return of a Bergantino Forte V1. Big orange hollow body Gretsch bass , Dano Longhorn as a backup (not played last night). Black leather Chuck Taylors. ( winter slippers)
    2 points
  32. VID-20241202-WA0007 (1).mp4
    2 points
  33. VID-20241202-WA0009.mp4 Warwick Corvette Proline custom (black) Mesa BB750 (black) Barefaced BB2 cabs (black), Vans Hi Tops (black)
    2 points
  34. This Saturday, Nine Lives play another new venue for us. I don't know why I'm even mentioning it here due to remoteness, but we'll be playing at the St Olaf Golf Hotel in Cruden Bay (effin' where?).
    2 points
  35. It's no help now, but we always do a kind of relay where one person is always in attendance at the car, even at quieter locations. It just takes one opportunist walking past and a thousand pound guitar is gone in seconds.
    2 points
  36. My last gig of 2024 is with In Isolation, and will also be In Isolation's farewell performance as singer Ryan is calling it a day. It will be at the Salutation, in Nottingham on Saturday 14th December. Doors are at 7.00pm and we'll be on shortly after that as we will be playing an extra-long set and it's Spellbound Goth Night at 9.00pm afterwards. Tickets are just £4.00 and if you'd like to come and see our final gig it is highly recommended that you get one as they are selling fast.
    2 points
  37. Hey Guys, This is one of the finest Ibanez basses I’ve owned, but I just fancy a change right now. The previous owner had neglected this bass for a while, but it has since been recently professionally set up and cleaned and given a fresh bill of health by Mark at Wilts Guitar Repair. This bass is roughly 20/21 years old (going by the serial number) and as such it has seen some action. There are quite a few surface dings but nothing significant and the worst of it is on the back. The original control knobs for the bass/treble/mid/mid frequency have been replaced with newer metal ones. The playability is great with a very low action. All of the technical info on this model can be found here: https://ibanez.fandom.com/wiki/SR3005E I haven’t got a spare case unfortunately, so collection from Bridgwater, Somerset would be preferred. I do have a spare box which I can use to send it, but I would have to the buyer to cover the cost of postage and insurance. Here’s a few recent recordings with it: https://www.instagram.com/reel/DA1f1usOPHv/?igsh=MWpnc201anp4ZzJ6Ng== https://www.instagram.com/reel/C_q1XqmObM1/?igsh=MTV4bGUyOTJtanh2 I’m open to trades for potentially a Jazz or Precision bass, Stingray, Lakland, Spector. Any questions please give me a message. Thanks, Josh.
    2 points
  38. I wonder if the custom shop could replicate this bass of mine The wear under the G string is casued by my third finger digging in when I play with a pick (mostly I play with a pick) This bass has done a lot of gigs in its 34 years with me. The wood is actually gouged out, not just the finish It's actually a '73 not a'75 (I have the original bridge with the long screw for the G string intonation)
    2 points
  39. Mine carry emotional scars due to my lack of skill! 🤣 Sam x
    2 points
  40. If it’s glued too, yeah pop the screws out to round over, then put them back in afterwards. Or glue and dowel. Those corner protectors would sit nicer then, too.
    1 point
  41. I'd say particularly for home stuff it is a good option if you already have an audio interface. I've spent a lot of time with Bass hooked up to the Laptop for Multi-FX editing, Source Audio Pedals, Future Impact etc. And it seems like for many of those things you can just cut out the middle man of using a pedal, the Laptop has plenty of processing power to do anything pedals can do, and lot of the free VSTs are just as good (or better) than pedals. Admittedly, using it live is a different proposition - and I might regret it!
    1 point
  42. As a private venture i.e. working for yourself, I would say you don't need any formal qualifications. I also believe the ability to teach well cannot be measured by any formal qualification either. (as said above). Sometimes, looking at teaching courses or qualifications may help you with formulating a plan and a structure to use with students, but often, those running courses for tutors make too much of what you should do (and charge too much!). I think you have self-recognised the requirement for good theory and good technique. I would also suggest very good patience and the ability to quickly recognise the quality of the student and being able to adapt your teaching methods to their strength with a good balance of challenge, encouragement and reward.
    1 point
  43. Nik came round to buy a cab from me. It was an absolute pleasure to meet him (and pooch Millie), hang out & talk music and bass for a while. I definitely recommended him as a great BCer to know and trade with. Cheers Nik, and thanks. Alex.
    1 point
  44. I own a Platinum Pro and an FDeck but I always had results that were fine going straight from pickup into my amps (formerly GK MB150 and now Warwick Gnome). This is true for all the pickups I've used, including a J-Tone. I'm not saying don't get a preamp/HPF, but I'd try without before spending money on one.
    1 point
  45. United Plugins still have a sale on. Some really good plugins in the sale I use often: https://unitedplugins.com/discounts
    1 point
  46. Selling this rare and amazing Arkham Zephyr Bass preamp. B15 preamp with some twists, sounding majestic, highest craftmanship and components. 230v version. 12AX7 preamp tube selected for low noise and good tone, run at 300V B+ (not a starved plate design). Buffered Lo-Z output, drives modern solid state power amps or recording interfaces with ease Gain, Treble, Bass controls - uses a James Tonestack to provide a wide adjustment range with minimal interaction Range control sweeps the tonestack "midpoint" anywhere between 150Hz and 1KHz Hi switch adds a "bright cap" to the circuit to open up the high frequencies a bit Mid switch gives a +3dB boost at 150Hz Lo switch gives a +6dB boost at 80Hz HPF switch - Passive filter (-6dB/Octave) set at 100Hz Mute switch - sweet silence at the flick of a switch Low impedance output, with an additional thru jack for splitting your Bass signal to another amp Balanced DI output, featuring an excellent Cinemag transformer for full frequency response. Ground lift switch for good measure Separate master volumes for preamp out and balanced out. Lets you dial in some grit, and adjust stage volume to the board DC referenced heaters, for ultra quiet operation Turret board construction, Mil-spec Teflon wire, etc. Carling switches, Switchcraft jacks, Belton sockets, etc. Powder-coated steel 1U chassis. Weighs ~8 lb. shipped with extra care
    1 point
  47. I say use whatever strings make you happy in the moment and not necessarily what internet forums think is right. Internet wisdom has told me several times that I must use flats on a P bass and rounds on a Stingray, but after much experimentation, I've found I like flats on my Ray and rounds on my P. And they're both short scale (which the internet says is only for children and people with small hands 😉)
    1 point
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