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Showing content with the highest reputation on 01/02/25 in all areas
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As it’s gone very quiet on the Rickenbacker sale here is another of my long scale basses for sale. This is a classic Aria Pro II SB700 made in Japan in around 1980. There is an original sales receipt dated December 1980 in the case. It’s an early one with the batwing headstock. It is in superb cosmetic and playing condition. All original electrics and great sounding pickup. This bass is passive but has a versatile range of sounds and can cut through the mix with a great midrange bite. Beautiful through neck construction and surprisingly light at around 4kgs. It comes with original case, tags, tools, receipt, lead (still in bag!) and the plastic overlay to explain the controls. The brass bridge is intact and the control plate bright and shiny and everything is in good order. I doubt this has ever been gigged. I bought it on a whim - I love these classic Arias and recognise what amazing instruments they were/are for the money. This one came up on Basschat and I couldn’t resist. Alas my hands are no longer equal to the task of playing this long scale bass so I’m putting it out there for what I paid. You won’t find a better example. It has one small ding on the body. Nothing else. No trades I’m afraid. These have recently been reissued as they have come back into favour again - I imagine that the MIJ models are very expensive as the craftsmanship of this one must be costly to replicate. UK only I can post at buyer’s cost but would prefer pickup if possible. Thanks for looking.14 points
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Had our nearest gig to home last night, at the Assembly Rooms in Ludlow with Kidderminster's finest, Humdrum Express... Sound was good, we were above average - nobody even threatened us! It was our drummer's last gig so we were out to have some fun - this was helped by a large Jim Beam on mounting the stage. We also did our longest set for a while, a whole 55 minutes including two covers (our Magazine tinged version of Dead Kennedy's "Moon Over Marin" and the Cameo mash=up of Penetration's classic "Don't Dictate) - there were a few OG punks singing along raucously to these as advancing years had stopped the stage diving... I even did a whole 2 minute reverby bass solo as intro to our first song (mainly cos Mr Guitar had gone for a piddle so had to cover!). gear was ACG Recurve, Helix, BBEPre/DBX compressor, Crown power and Markbass 4x10. Boots were MotoMartin bike boots, trousers by Indian Project, home-time dram was a rather fine Machrie Moor cask strength.14 points
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Not a bad gig. We had a respectable crowd. A little over 50 people. I think that's pretty good considering we're really not a "pay at the door" band. Nice room, however the sound and lighting looked vintage 1979. But we made it work. The band was sounding good tonight. I couldn't get any decent pics. I did see that Peter Asher and Alvin Lee played there not to long ago. So we were in very good company. Daryl Daryl14 points
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Gutted to be sell my TBird but I'm still unable to return to work so really need the funds. I bought this new last year and it's been my main gigging bass. Much brighter and lighter (4.2 Kg) than my standard Thunderbird due to it's alnico pickups. Chunkier neck too, more Precision like and due to it's shape much easier to play up the dusty end of the neck. I do prefer these to the 'normal' Tbirds I have to say, so good that I bought another a few months ago. I love the sound these thing make. Not at all muddy and the best I can describe it is been like a beefed up Jazz bass and having real presence in the mix. The colour is Pelham blue and in excellent condition with only a small dink by the control cavity cover. Bass comes with its lovely fitted Gibson case which is also in great condition. The price is to sell and I won't go any lower. I can ship (UK only) but I'd really prefer to meet up if not too far from Merseyside. Will possibly trade for a bass with a value up to £60012 points
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Here we have a 1972 Precision with original case Chrome covers are missing Pots and pickups date to 72 Weight is 4.1 Kg's Nut is 40mm, these are great necks Lovely dark board Very little freat wear as it has been strung with flats for most of its life by the previous owner Case is in very good condition and all clasps are working Trus rod works both ways, electrics are good Nice genuine play wear I think I have priced this fairly judging by the asking prices of similiar ones online Price to include delivery to UK addresses May be up for a trade with cash my way of course Thanks for looking and any questions please fire away yes I know I put the neck plate on upside down, now sorted. I might also have the bridge cover for it11 points
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Well last night we had Nearly Steely play at the club and it was totally rammed. It was a decent attendance 45 minutes befor the start, normally it starts filling with 5-10 minutes to go. We expected to lose people to the Six Nations but that didn't happen. Indeed by half time the lounge where the match was on was virtually empty. I wonder why... Our usual band night is Saturday so this was a big bonus for the club, things are so tight these days but we are doing our best - seven live band nights in February, one with fourboriginals bands) plus four open mics and a jam night. It's interesting and a bit demoralising to be on both sides of the local live music challenge. And frustrating to know things the club could do better...7 points
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I have recently welcomed a brace of medium scale basses back into the fold - having owned and sold both and tracked them down again. An Aria pro II CSB 'Black n Gold'. These are beautifully made, top end basses with an aggressive tone that is all about the mids. I've had two before but they were both too heavy to keep, usually coming in over 4kg. This one must be made of different wood as it is 3.4kg. Neck dives as a result but a wide grippy strap offsets that. lso non-original tuners and knobs but I can live with that! The other one I am massively chuffed about. A few years ago I took a punt on a Yamaha SB-35 - very little online about these - and absolutely loved it. Then I, ahem, changed to playing 5 string basses exclusively, ahem. And sold it. Biggest sellers remorse I have ever had. The 5 string only policy decision lasted less than a year, of course. Unbelievably another one came up just before the new year, think I flagged it up on here, and as it stood was too heavy at 4.1kg. Luckily no-one bought it so I did, largely for old times sake, and presented it to the guy who does all my tech stuff to see what he could do to lose weight. He routed out 400g of wood from under the scratch plate - voila, no longer too heavy. I 'could' change the tuners to Hipshots or similar but these are superb and it would be a shame to take them off. Anyway, seems OK now at 3.7kg and a wide strap. No neck dive, either, despite the weight loss. This is a special bass and I am not going to sell it, ever.6 points
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Just a few of the designs I've done on my PEAVEY FOUNDATION 5 , if I was playing a show every week I would do a new graphic for each show I'm always a Bassist 1st An artist 2nd my art has been described as visually musical . I think that's a great way to describe it. I still have a few abstract works I like the detail I did.6 points
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Let’s be right… pic #2 is bass stance, bass face AND dusty end! Good work fella5 points
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I’m thinking of moving on my 79 Ibanez Musician. What would you say would be a fair price to ask?5 points
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For sale or Trade this amazing DTC Artist bass! For me is one of the best basses i had, If you never tried a DTC bass, you have to📸 This bass sounds amazing and plausibility like a dream, if you play hours this Bas’s is so light only 3.6kg😜 I have many videos with on YouTube 🙏🏽 Artist DCB5 Bolt On Body: Alder FB: Flame Maple NECK: 1-pc Maple PUS: Aguilar Super Single PREAMP: Bartolini NTMB TUNERS: Hipshot Ultralite Lic BRIDGE: Hipshot A-Style SCALE: 34" STRING SPACE: .750 (19mm) WEIGHT : 3.6kg Comes with a pro DTC gig bag and certificate Price : 2500€ b36e06b4-fe96-4b95-91e6-9c531b2ed1d2.mp44 points
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For sale is my Roscoe LG3005 Custom 5 USA string bass including original Roscoe lightweight case. I’ve had 2 of these basses over the years and they both live up to their reputation as quality instruments made by one of the best luthiers around. The bass is very versatile, balances well and easy to play. Why sell? Well, the merry-go-round of gear continues and I’ve decided I need to apply the rule as one comes in, another goes out. Looking at the 2017 pricing brochure (attached) from the Roscoe website it looks like, new, this bass would be around the £4,000+ price range before shipping and taxes! The colour "Trans Red Gloss" is show in the photos both in direct sunlight and indoors. The 5th photo (close up body shot) is probably closest to the actual colour you see. There are some very small marks on the top part of the body (circled on the photos). These seem to only be in the top clear coat of the finish. On the back of the bass there is a laptop screen protector! I kid you not. I have used this on a number of my basses which reduces the chance of buckle rash. Peels off easy and doesn’t leave marks or residue. Collection preferred from Aberdeen so you can try it out but as Aberdeen is a long way from most of civilisation, I will ship to mainland UK at cost using Parcelforce. I’ve estimated this based on a London postcode to be £20 via Express24 (without insurance) Specs: Roscoe LG3005 USA (2007) Top: 5A Exhibition-grade quilted maple with trans red gloss finish Body: Mahogany Neck: Maple and purple heart Fretboard: Spalted purpleheart Neck: Bolt on, 35” with graphite rod reinforcement Nut: Hand carved graphite, width 45.5mm No of frets: 24 String spacing at bridge: set at 19mm (adjustable) String spacing at nut: 9mm Pickups: Bartolini Electronics: Bartolini NTMB+F Output trim pot accessible through the back plate (circled on the photos) Controls: Vol (push / pull for active / passive), pan, treble, mid (push / pull freq select 800Hz & 250Hz), bass Strings: D’Addario Nickel EXL170-5 (.045, .065, .080, .100, .130) Neck relief currently set at 0.010”, truss rod fully working Action: set at 2.0mm at the 24th fret B and 1.8mm under the G Black hardware, Gotoh Ultralight tuners & Hipshot bridge Weight: 8.4lbs / 3.8kg Case: original Roscoe lightweight moulded insert foam case 2017 Custom Retail.pdf4 points
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A reason. I've been buying music since I was a kid, I've no need to rent it again from those greedy barstwards.4 points
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You mate have see my post about whether to sell or fix up my old Musima bass. After a few weeks with @tommyjamesallen it’s now better than ever. New bridge, endpin, set up and sound post adjustment. It sounds fantastic and the work was very reasonable. And he’s a nice guy. Thoroughly recommended.4 points
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My vintage modified Jag, further modified by our own @Andyjr1515. It belonged to a close friend of mine, Jack, who won it at a Bash Bash. His daughter generously let me keep it. Andy stripped the original painted finish. He then put a burl veneer and a CF scratch-plate on. It has Duncan Design pups and half-rounds. It makes a wonderful sound. AJR Guitar Modifications - Squier Vintage Modified Jaguar Bass Check his website (above) for before and after photos and for some of his other work. PS: This was owned from new by Andy. He kindly donated it as a raffle prize for the East Mids Bass Bash one year. The previous year he donated an acoustic bass to the raffle. It's worth mentioning because he's such a helpful and friendly chap too.4 points
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We recorded a 5 track 1/2 hour mini album, got our mate Jez from the Utah Saints to help us mix it. Then our guitarist's son produced short promo vids which we're doing the drip feed thing with on the various socials... We've set up streaming release dates, have contacted 30+ journos plus 6Music DJs, and may even stoop so low as to play a gig. Anyone got any more ideas to guarantee some form of musical world domination? We've done gigs in daft costumes, and none of us touch weed (or any other drugs barring a sneaky Mezcal), even though we're called Weeds (we're even so trendy we don't have a "The"!) Here's the first promo vid to poke fun at, featuring Pierre, a Belgian performance artist:3 points
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PRICE DROP TO £2000 It pains me to sell this bass, but my wife gave me a Dingwall for Christmas and I cannot justify having four basses in the house! This bass was built by Xaver Tremel in Bavaria. I already have two of his basses, and I like his work so much I changed my Basschat handle to reflect this! This is his take on the classic J bass and was finished in March 2023. I bought it new just before Christmas, so it's in absolutely mint condition. The specs are as follows: European Alder Body Opal Green pearl lacquer finish 3-piece European Maple bolt-on neck with carbon fibre reinforcement 34.5" scale Smoked Eucalyptus Fretboard 10"-16" Compound Fingerboard Radius Maple Headstock Schaller Light Machine Heads ETS TuningFork 3D String-Thru-Body Bridge 19mm String Spacing Black Hardware Dunlop Straploks 2x Häussel JB Side by Side Pickups Glockenklang 2 band EQ Volume with push-pull active/passive, blend, bass, treble and a passive tone control Weight: 3.8 kg /8.5lbs Strung with a new set of Newtone round core Platinum nickels through the body, it has a very lively, crisp and clear tone. It's super light, so absolutely no shoulder fatigue or neck dive. In taking the pictures I have noticed there is a slight finish flaw under the B string by the bridge plate, but it seems stable enough. Close up photo added to show this. The bass will comes in the original hard case, and the price includes insured shipping in the mainland UK. Thanks for looking You can see the finish blem under the B string in this picture.3 points
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As above in Pearl. Circa 1984 I believe. Nice and light, probably less than 8.5lb but haven’t actually checked it. Skinny Jazz type neck. Has some chips but in decent nick for a well played bass of 40+ years. Plays ok and sounds great but could do with a better setup. Truss rod works and adjusts both ways. I need a 22/24 fret for tapping and my skills cannot get the action low enough for me to do that, hence the sale. I’ll change the straplocks back to the originals too. Now with hard case. Old style bit fully functional and in good condition for its age. Soft lined. Compartments etc. May trade 22/24 fretter, can add cash. Postage available or collection and trial from Blackburn Lancs.3 points
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Just traced the fault to a loose screw in the speaker lead speakon plug. Just threadlocking all my speaker plugs at the mo as a preventative measure - cheers for the heads up though!3 points
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Although I own a number of other basses, they rarely get any playing time these days as my Ritters just ‘work’ for me so well. My poor 60’s Fenders only get played about once every 2-3 months :( I have five of them now and I’ve gigged all of them except my black Victor tribute (built by Jens in honour of my dear friend, and colleague, Vic Davies). I just love everything about them, light weight, lots of tonal variation, slim necks, fractionally shorter scales etc. Simply the most ‘playable’ basses I’ve ever owned. Your Roya looks lovely. I think the Roya body shape works better as a 5 than my usual 4’s. I’ve owned a couple but the upper horn position holds them slightly differently to my others and I kept finding my fingers drifting across 2 frets. Random pic of my Ritter wall in my study:3 points
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One down, eleven to go. No problem, nothing to it 😬. I think this is the best I've ever done, certainly better than the year I failed roughly ten minutes after stating I was in. 😂3 points
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I was getting a bit paranoid that maybe the band weren't doing as good a show as i thought and folks were maybe not into it now. From what you guys are seeing it looks like its a common theme this year. On one hand i feel better but on the other a bit saddened things are heading this way. Hopefully things will pick up for us all. Dave3 points
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3 points
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I don't often wander on this side of the pond, but I did just now and somehow stumbled upon this thread. In case anyone is still interested, I did just brew a new batch of my onboard one-knob compressor: jtex.ca/products/okc I honestly think it really whips the Llama's arse! Too bad very few people think of a compressor as something to put onboard.3 points
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I’ve been on a bit of a pedal buying frenzy this last month and tonight is the first time I’ve put it all together and gigged it, photo is a bit crap.I almost forgot to take one and so I quickly snapped one before packing up 👇 I had a Capo but sold that and I’ve replaced it with a GK Plex which is mint (as long as you like the GK sound - otherwise it’s probably not! 😁) The amp sounds are absolutely top notch and the contour/presence/bass bump n the EQ all sound great, but it’s the preamp sound that really impresses me, it sounds phenomenal. I don’t like the drive or compressor on it and I assume that’s why this pedal hasn’t really taken off like it probably could have, but I don’t really need those, but it sounds massive. The other pedal that’s been a bit of a revelation is the Trickfish Signal Filter - HPF/LPF which can be turned on & off independently with makeup gain for the HPF. First time with that tonight and I was very impressed - tightened the sound right up, took some nasty clank off the top and boom off the other end so I sounded louder whilst not turning up or being overpowering - I just need to finally work out where I actually want to put the bloody thing in my signal chain Empress bass comp is class and Octamizer and TC Chorus doing a solid job. I’ve got a Mojo Mojo on the way and a Fteletronica Sub Octave coming from Italy next week, and I could do a with a fuzz of some sort too. I also quite like the look of the Creation Audio Grizzly Bass, but I’m not massively into drive pedals and may just stick with the Mojo. Also may get a Plethora X1 when they come out properly to cover various modulation effects - I have a TC amp head with toneprint and quite like it. Also the Markbass Mini Boost is great, I’ve got a couple of places where I’m playing slap and needed a boost in volume, but the VPF also gives an EQ boost to low & high end (possibly a mid scoop I dunno, it sounds like it but may be just boosting Low & Hi) but a volume boost and the EQ shaping together run in the FX loop of the Plex is awesome for slap solo type stuff, I’ve never had a bad Markbass pedal TBF they’re always really good My GAS has mostly been bass related but since I got a U.S. Lakland 55/94 my GAS has settled right down… for basses! I decided after new year it was time I properly sorted my pedal board out, but I fear I have got the pedal bug now and fear I’m on a slippery slope, I’m finding myself in the Effects forum more and more…! 😆3 points
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Nothing, because I don't have a Spotify account. I don't stream music, I'll buy it if I really like it. There's some stuff I buy on records but mostly I'll by from the iTunes Store and recently I've started to use Bandcamp more. Mark3 points
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I'm not playing this bass, and it's a real shame as it's a joy to play but I have too many basses and I need to make some space. It hasn't been gigged and is in mint condition as you can see from the photos. It comes with a Spector soft gig bag. Complete specs can be found on the Spector website here: https://www.spectorbass.com/product/euro4-lx-doug-wimbish/3 points
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3 points
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£1500 Postage update - I have a box so postage is now possible - however the buyer would have to arrange it and take responsibility - so please PM if interested, thanks. Made in USA, only for about 2-3 years, this one from 2019. Comes with original case and all candy - has been kept mostly in it's case and still has that 'new bass' smell Only 2 tiny marks on the back, as shown in photos. They are easy to miss, only seen in some light. Weighs approx 9.33lbs / 4.23kg If you want to collect, I’m in Chesham, HP5. Close to Chesham Underground on the Metropolitan Line, or near Chalfont & Latimer Rail, which has good links. Cheers 👍 My Feedback - Soundclip2 points
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I have been using finger ramps on my basses for about 6 years, but every time I have used one, I have had to build my own. As it's only been recently that I have seen them start to become popular. I know Gary Willis has used one for a very long time and seeing some of his stuff on YouTube gave me the inspiration to start using one myself. <- Cort A5 SC <- Fender American 2019 I love how it makes my right hand (plucking hand) feel and how easy it is to float over the strings. Since I started using finger ramps I moved from anchoring my thumb to floating thumb instead, similar to how Gary and a few other of the fusion players do. This has allowed me to start using my thumb for plucking along with the index and middle and it makes string jumping a breeze. There is a reason for this post and not just an excuse to show off my dodgy woodwork. I have a question for anyone who uses one and or builds them. Currently the only way to attach a finger ramp I have found, is with double sided tape. For my basses this has worked fine but I wonder if there is a way to adjust the height after installation? similar to how the Gibson bridges on guitar are. I don't really want to drill into my bass haha. I have recently been to a guitar luthier who is currently building me a new on for my Cort bass, the new ramp will follow the radius of the fretboard and is Ebony, which will look nicer than my black painted bit of cheap B&Q wood haha. Saying that a drum tech friend of mine had a go at me for using cheap wood as he believed that the type of wood would change the sound. Is he right or wrong? I have no clue haha. For anyone who wants to build a finger ramp to try on their bass, this is the video from Gary that I learnt how to do it. https://www.youtube.com/watch?v=dKffNbWXRfQ Apologies if there is already a topic about this subject, I couldn't seem to find it. I have only been on this site for about a week, so I'm still wet behind the ears.2 points
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My current pedal set up. The one i am in need is MXR octaver2 points
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I had the chance to play with one kindly lent to me this week. It's blowing my mind. It's worth the price of admission for the filter, compression and distortion/drives. Everything else is a bonus that I haven't really scratched the surface on. But the filter is fat and juicy. Better than anything I recall on the c42 points
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100% use a 1 inch bite block every time… well… the only application where you don’t need a bite block is if you are an audiophile type who sits still to listen to music. Those who complain of a rubbish seal generally have not used a bite block. I remember cringeing at the trade shows when I was working with the CIEM company - and we would see other stalls taking impressions without a bite block or having full blown two way conversations as the impressions were being taken. One way ticket to a pants fit.2 points
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I hardly ever gig in January. Got 16 gigs booked so far before summer though, with more to come in, so that's pretty good...2 points
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