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Showing content with the highest reputation on 18/02/25 in all areas
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I asked an AI to do me an image of 2 of my favourite bass players: Duck Dunn and Bootsy Collins. Instead of generating them separately the AI went all BrundleFly...13 points
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Now £2995 Hi all Reluctant sale of this beautiful bass as it deserves to be played much more than it is by me. It sounds absolutely stunning, all pots and pickups work great. Loads of zing and top end but also lots of vintage grunt and growl. I bought this from the bass gallery in 2019. The bass was refinished before I owned it and has aged beautifully, whether it was reliced or gigged hard I’m not sure, probably the former. There’s also a slight enlargement of the cavity where it may once have had a preamp, that’s fully covered by the control plate anyway. One pickguard screw hole has been slightly enlarged. This is covered by a metal washer so isn’t noticeable. There is general wear and marks pictured and you’re welcome to view the bass in person in Chessington, Surrey. The neck plate dates the body to 1970 (or late 1969 according to some serial number lookups). I believe the pickups and pick guard are original. Thumb rest is most likely non original and the pots were replaced early on - they date to 1974. The pickups are 60s spacing which is consistent with the earlier date. Fender switched to the 70s spacing during 1970. The neck stamp is no longer legible but you can see on the rear the stamp of 'H Torres' who's necks of this era are well respected.It currently has a Hipshot D Tuner fitted but this will be returned to the original Fender stamped tuner for the sale. The neck is solid maple with a walnut insert and walnut headstock plug which fits the date, as Fender moved to the bullet truss rod in 1974. The neck has black blocks and binding only offered from 1970-73. Any questions, let me know and I will do my best to answer them. I am in no rush to sell and will happily keep it if the right buyer doesn't come along. Pickup or meet up available in and around Surrey. I can also meet a buyer in central London. I would rather not post, given the value of this but please get in touch if you’re interested and we can discuss options. Many thanks Dan12 points -
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A rare outing on lead guitar with Deadlight for our producer’s 60th 🎉 It wound up being a showcase of all the local talent, with tonnes of variety. Our original 80s inspired goth is always very well received and we had loads of friendly heckles - “you two are too polite to be goth”, to which I replied, “it’s a very misunderstood genre!”. A really special night and a pleasure to be a small part of it.10 points
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First gigs of the year for the Zep tribute, up to Kinross in Scotland on Friday then Cullercoats in the Northeast on Saturday. Quite tiring, driving for a 512 mile round trip in two days, setting off at 10:30 on Friday and getting home at 2:30 on Sunday morning. Both gigs were well attended (101 tickets sold in a 120 capacity in Kinross, with a 220 sell out in Cullercoats), which was good as we had just had to cancel a gig in Yorkshire due to poor ticket sales. The first gigs we've played since November, so we were a bit rusty, but we played well enough over the two gigs. A very good crowd reaction on both nights.7 points
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I put a TurboRAT in a Warhammer Land Raider, just finished it today. Many hours of work and totally worth it!6 points
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I think this is the longest I've ever had without buying something. I'm actually practicing with the gear I have already, and I've even recorded a couple of bass cover vids. It feels so very wrong.6 points
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It's not just you. Two of the input channels on my Yamaha AG03 PC interface have failed. Instead of buying a new one, I found the Xenyx 802 mixer that I was given, and used the working inputs from that, and a pair of effects pedal cables, to plug into the two remaining inputs of the AG03. The twin mixers are messy, but kept me operational. There's more. Instead of buying a midi expansion box with lots more sounds for my piano, or a better hammer-action keybed, I invested the same budget in piano lessons. My Grade 1 exam is on 10th March. And one more. Instead of using my fretted bass to practice, I am now exclusively on fretless bass, working on my intonation. So, all this gear abstinence malarky is giving me no extra toys, but a bit of extra ability on the instruments that I do already have. Practicing? It'll never catch on....5 points
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I do find it puzzling that the AI is capable of doing so much in these images, but then hits a brick wall when it comes to things like the number of strings / tuners / pegs etc.5 points
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There's been a bunch of news stories today about fake bailifs - my plan would be to give them a Trace Elliot cab to guarantee they never came back following whatever back injury they give themselves... 😮 !5 points
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4 points
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[Ai Edit Video] Slim down subject by 2 stone[/Edit]4 points
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I have to agree, it's just nasty. Yup, all kinds of wrong.4 points
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Sire have a habit of doing that to your brain and sense of values. I've had a few Sires, and of course, they usually end up being trade-in fodder for more expensive instruments, but they are good. My most recent one was one of the 2nd Gen Ash V7's and as a backup bass to my American Original Jazz, it was easily as good, if a little punchier with the preamp. I think you sometimes have to end up taking money out of the equation and just accept that a good bass is a good bass, no matter how much it does or doesn't cost.4 points
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Admittedly guitar factory wages aren't high but it's hardly slave labour. If you're in the 'Land of the Free' and work for Ernie Ball you can expect $16ph, work for Fender in Corona and it's $18ph. For a comparison, the In-n-Out burger bar down the road from the Corona plant pays a starting wage of $22ph. It's just factory work so workers get factory wages. Over in Zheng'an, China the cost of living is 1/5th that of California but the guitar factory folks are on $4.5 - $5. There a few reason why bosses there pay a bit better. It's home to 130 guitar factories, if next door pays more you risk losing your workforce 🙂 If none of you offer OK money then you all risk losing your workforce to the big cities. Prior to the Guitar Park opening 25% of the county's migrant workers were in the big city guitar factories, keeping them happy and productive is now vital to the local economy. Exception to the $4.5-$5 rate is Zhang Weiyi. His place produces about 180 guitars per year but they carry $8000 price tags, he needs the cream of the crop for his work force 👍 South Korea has a higher cost of living than China but still much lower than the US. $9 - $9.25 is the going rate there.4 points
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If you get nowhere, I am happy to talk to them. 10 years a VAT inspector and over 30 years in industry, as head of VAT for the European region.4 points
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Off the back of the Vintage Fender thread I purchased a '74 P-bass on Reverb, beaten up just how I like them (not everyone's cup of tea I know). It needs work to get it up to scratch, the main things being: 1. A refret. 2. Replace the installed electronics back to the original (if they are usable) and earth wire 3. Change the scratch plate 4. See if I can free off the bridge from the body consider reconditioning or replacing. 5. Add my favourite flats. Happy to listen to constructive advice as I update this thread.3 points
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Selling this beauty… This is one of the newer Streamers from Warwick’s Rockbass line. Not sure if this one is a bit of an oddity, when I ordered it (new from Andertons last summer) it was listed as having MEC passive pickups. When I unpacked it, the pups happened to be their active models. Whatever… A great sounding bass, lightweight with a carolena body, laminated maple neck, the fretboard is supposed to be rosewood but I’ve never seen one figured like this, so it could be something else. Just-a-nut, 3D bridge, 2 band active EQ, control cavity shielded with copper tape, Warwick straplocks, truss rod tool, and a Rockbag gig bag. No dings or marks, just the branding on the pups has faded somewhat from my playing. Moving this on because I have a full fat US Stingray incoming… 😎 Located on the IOW, so if you’d rather collect I can meet at one of the ferry ports your side (Portsmouth/Southsea/Southampton/Lymington), or I can ship at your expense (around £15-£18 Parcel Force tracked). Thanks for looking. 😊3 points -
Picked this up a few weeks ago -a lovely 2012 walnutglo 4003 I'd owned a few Ric guitars before and found them o.k. but this is sublime.3 points
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I feel the gloves are off regarding encouragement and luring others into gear acquisition is now standard operating procedure.3 points
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"That's a great sounding bass! I must buy one for myself, for, as we all know, new basses make us sound great. " Or is that the wrong sort of thing that is being encouraged?3 points
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That probably would have increased the value - flatwound players are a weird bunch...3 points
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This is me all day every day. I don't dig in. Might as well let the amp work for it's keep and turn up the volume knob as and when needed. My tone doesn't suffer one bit as a result.3 points
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Sold them on here mostly 👍3 points
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We do regularly get asked for photos with the full band after the last song so it kinda goes with the territory in a Glam band. Its always fun doing it to be honest and gives you a bit of a buzz. I've even been asked out on a date a few times while wearing the full Glam gear but had to say my wife sitting next to the stage wouldn't be too pleased Oddly enough i regularly got people talking to me with the punk band. Dave3 points
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I keep hoping one of our gigs turns into something like any of the scenes in the United Artists 1964 movie " A Hard Days Night ". Is that too much to ask? It's going to be a long wait. Lol Daryl3 points
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After almost 60 years playing bass I can still have bad gigs where I couldn't get it together. Especially if I'm playing with a marginal dep drummer. Daryl3 points
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I played an S2000 at BassBros in Warwickshire last weekend, and was reminded how ballsy and powerful the original 2-band preamps were in those things. Just a pity that it was nearly £3000 in 2025 money. *Sigh*3 points
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Glad to hear it went well up this way Pete. Looks like a decent sized venue and crowd. Dave3 points
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My new board3 points
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The way it was explained to me was: If you are a shop, your inventory costs you money, you're paying for floor space, you're probably paying for a loan to purchase the stock. If you have an item that isn't selling, its making a loss. You have no emotional attachnent to the gear. You're better off dropping the price and getting rid of it and buying something else with the money, that's more likely to sell for a profit. If you are an individual, you probably don't have a loan on that specific piece of gear (but you may have a credit card bill for other gear) and you won't be equating floor space in your house as costing you money (it is, you are paying to run your house). The costs are hidden and it's not so urgent you clear the space and sell the gea unless you need the space for something else. You also will be emotionally attached to a piece of gear. It only really becomes an issue when you run out of space at home and need to declutter, or the bailifs come round...3 points
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Super cheap but nobody pounced, so I'm pulling it.2 points -
I finally dug deep and bought a Mesa D800 from a fellow Basschatter. He lived about 5 miles away, so it was an easy deal. I did not need another head, I already have two, but when did that stop any of us? I will do a more in depth review once I have gigged it, but here are my first thoughts? This was designed by an Engineer, nothing fancy about it. Built in a plain steel box, very black. Switching it on revealed an always on fan that was very quiet. Setting all the controls to 12 o'clock gives a pleasant sound, but the magic happens when you turn the voicing control. Some really nice tones at house volumes. The Deep control also sounds good, better than similar controls on other amps. I did not turn it up, but I know how loud that ICEPower module can go, and it seems Mesa have squeezed a few more watts from it. Only time will tell if my money was well spent, but initial impressions are good.2 points
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Picked this up in a trade on here from MrMonkeyWizard on here about a year and a half ago, I've barely touched it but it's beautiful and nicely balanced. Upgrades are aguilar super doubles and a bartolini 5.2 AP with double battery Link to MrMonkeyWizards original listing below with full details, also comes with tourtech hard shell £600, open to offers also possible trades for 1x12 cabs https://www.basschat.co.uk/topic/455335-mtd-kingston-z4-with-aguilar-super-doubles-and-bartolini-52-ap-preamp/2 points -
Hi everyone, to save a load of questions, firstly a little history - the first 101 Warwick Aliens were German made in the 90's by Lakewood Handmade Guitars - this one is quite an early example (#173) of the hand crafted Vietnamese ones (2000-2010) that were around before production moved to Korea (for some prototypes), leading to the cheaper mass produced Chinese models from 2011 onwards. The build quality is excellent, as is the Fishman Preamp. From the serial no. sticker inside, and looking it up on the Warwick forums, the instrument was made in 2005. I got it in a trade with a Mayones Jazz about ten years ago with another pro player in London. The bass is currently strung with Thomastik Jazz Flats, which if played with the RH fingers at the end of the fingerboard, sounds remarkably Double Bass-like. You're welcome to pop over and try it, by all means. Condition is very good - the only real mark is a slight indentation further down the neck where a previous owner obviously had a long thumbnail, but the instrument is in lovely order for it's age. It also comes with a full hardcase. Price is £1050 ono (Bass Direct have a slightly newer Fretless version in stock and Mark is asking £1299), and I am open to interesting trades and maybe some money either way. I'm currently interested in Fender Vintera Jazz (the shoreline gold one), or anything with a Status-Graphite badge on it. Maybe even a MusicMan if it's a nice one. Please note that this is strictly a buyer to collect instrument. (Or I can meet up at a reasonable distance.) This bass is potentially too delicate to post or leave in the hands of couriers - I previously lost hugely on a Warwick Triumph EUB, which was severely damaged by UPS handlers. So hit me up in the PM's if you're interested. Thanks for looking! (Edited in order to amend some details after more research on the Warwick Forums.)2 points -
Hi, I'm interested in this bass and I'm a big Entwistle fan. PM sent.2 points -
NGL, I absolutely love the look and sounds of this thing. Yeah it's a tad disco but dayum 😍😍 https://www.fender.com/en-US/electric-basses/jazz-bass/limited-player-plus-x-blu-detiger-jazz-bass/0149410376.html2 points
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Now £160 Selling my Harley Benton Enhanced MJ-4. The bass is in mint condition. Features - Ebony fingerboard with pearl inlays - Stainless steel frets - 0 Fret - String through option - 2 band preamp - Split coil on the humbucker Collection preferred but will post £102 points -
Naughty 👍2 points
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In general, when buying new, you get what you pay for... and if a product's claim looks too good to be true it's worth further investigation to determine how untrue that claim might be.2 points
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FWIW I used a different bass for rehearsal last night, in place of my usual Mustang, it sounded glorious and felt easier to play, despite being 3” longer in scale, it’s certainly quite a bit lighter. I also took the ‘Stang and swapped briefly for comparison, but went straight back to the Maruszczyk. It sounded somewhere between a P and a Ric, which pushes all my buttons currently. Long story short, no GAS for a new bass in the near future for me (he said, tempting the GAS genie to cast a spell).2 points
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I'm sure I don't know what you're talking about...2 points
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This has been asked in a few PMs... Nut width (edge to edge) is 45mm String spacing is 18mm. I have attached a sound file of the bass (completely raw, no EQ or processing) sounds are as follows: 1 - both pups flat EQ 2 - front pup flat EQ 3 - rear pup flat EQ 4 - both pups bass boost 5 - slap sound both pups flat EQ 6 - All both pups, first bit is active, 2nd one is passive, 3rd is passive tone open, 4th is passive tone rolled off. The main point of this is to highlight the fact that the Glock pre basically has the same output in both passive and active modes, the active being more 'zingier'!? This makes switching between passive and active very easy and simple gig wise. RSD Bass.mp32 points -
the moment Brexit gets mentioned it's gets political, and some folk can't get political without getting abusive, if you want to discuss politics (or Brexit) I suggest you head over to Fretboard's Politics and Economics thread2 points
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Just play the D an octave above. Nobody in the audience will be able to hear the difference.2 points
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Thank you. I actually retired at the end of August. Certainly nice to be able to help. A commission sale is slightly different in that the supply from the shop to the seller is one of services. If handled correctly, you buy the bass from the owner and the shop charges the owner the commission. Obviously the amount you pay covers both of these. I suspect in many instances that isn't exactly what happens but that is how it works in theory.2 points
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I can hear my wallet sobbing in sympathy from the next room.2 points
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Headed to Guitar Guitar Birmingham today. First thing to say is they had a really good stock/selection and I was totally looked after/put up with. It’s the same chap each time I go in, and he’s a gent. A/B’d Squier CV/New Standard/New Player II and US Pro Precision basses. The Indonesian made Standard bore the spaghetti Fender logo, and played fine but….they were NOT ‘better’ than the Squier. The neck was anaemic and the ceramic p/us were rather lacking in character. I played a 3TSB and the Poplar was rather ugly under the laquer. At £549, it’s the logo you crave at a price you can afford, but the Squier (possibly made in the same factory) was a much nicer looking and playing instrument. Same Poplar/Laurel combo and more pleasing Alnico p/u. £369. The New Mexican made Player Ii at £749 was an improvement on the previous iteration. They had a glorious Alder-bodied Aquatone blue example I played and it was a much more appealing neck with rolled edges to the fretboard. It just played and felt £200 better! Model I played had a maple board, so not an exact. A/B…but the quality jump was obvious. The USA pro was £1000 more. It had the best wood under the laquer, fretwork was 10/10 and the neck just sat right. The tuners, the bridge, the neck joint…it’s a better quality of parts. It’s sound was impressively round and full…yes there is a difference from the Squier CV 😘. There were Ultras and US Performer PJ version available, but I stuck with the single pickup instruments for sake of reference. My conclusions.. The Standard is a marketing ploy…I wasn’t disappointed, just felt it was a triumph of brand over substance. The Squier CV remains a very gig-worthy bass The Player II was impressive; it felt and looked like it was worth playing and equally paying £749. The Pro is what it should be. Anyway, my two pennies worth. PS I don’t, or ever have owned, a Precision bass. I want to add one to my arsenal. Today made realise I really should dip my hand in my (bass) pocket.2 points
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A great weekend of dep gigs with the wonderful 'From Gold To Rio' Spandau/Duran tribute show at the lovely Whitby Pavilion and Wakefield Theatre Royal! My 1st time going completely ampless with only my Spector Dimension HP thru my Shure Wireless/Thumpinator/HAZardlAMPs pre pedal and HX Stomp (set to GK800RB/Ampeg 810) between me and the desk....! It all worked great though... compliments from 2 separate sound engineers, audience members afterwards.... and the band members loved what they heard in their IEMS too (as did I!). Result! 😃🎸😎👍 Lovely to meet forum member and ELO Experience bassist @TPJat Wakefield too! Whitby Pavilion: Wakefield Theatre Royal:2 points
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