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Showing content with the highest reputation on 07/03/25 in all areas

  1. It's a good job none of you are going then! 😝 There's a lot more on there that I'm looking forward to seeing than last time I went. Wet Leg, English Teacher, Franz Ferdinand, Supergrass (could be fun?), Biffy, Deftones, Father John Misty, Japanese Breakfast, Kaiser Cheifs, Weezer, Wolf Alice, Goat, Chic, St Vincent, The Big Moon. I'm going to have a very nice time!
    8 points
  2. There will always be unhappy customers. I try to be a good forum member when I deal with people, but I've had several negative responses following a sale, the best being the guy who bought a stunning Yamaha BB2024x a few years back. It was immaculate, but he kicked of a pretty massive fuss about it being in his words 'totally unplayable'. This was odd, as firstly it was a high-end Yamaha, so unplayable doesn't compute, and secondly I'd spent a lot of time setting it up; I play light and with rounds have very low action, something the beautifully engineered Yammie neck allowed me to do. But when his problem became clear - fret buzz due to the action being too low for his playing style - and I suggested that he simply raise the action, over and above calling me several names and accusing me of deception, he replied along the lines "When I buy a bass I don't expect to have to set it up, I'm returning it as faulty". I took it back, and reported him as 'difficult' to the mods 🤔 We all have different expectations, while there are always good days and bad days for businesses, I'm not sure that all the feedback in this thread relates to poor service and/or instruments on the part of the shop, or to the at times excessive expectations of used instruments on the part of the buyer 👍
    6 points
  3. Hello all. Is 1975 admissible? This one is turning 50 this year. Here is my 1975 Olympic White Precision:
    6 points
  4. 6 points
  5. Not good for the money just properly good. String with Ernie ball group 3 flats, nicely settled in and thumpy. I don't want to sell this because its incredible but you can see I have no space on the 10 rack... and she's actually getting annoyed with how many basses I have - so ill use the money to buy a pedal because I can hide that in a draw or something. Picked this up to practise Fret bevelling and levelling - turned out the frets were perfectly seated and level and didn't need it (which weirdly disappointed me because I was looking forward to doing that). I used a Chris Alsop Tools bevel file 45 degree angle - to make the edges ultra smooth. (which I did to all of my basses subsequently). it just means that the fret edges are nearly invisible feeling when navigating the neck. Same treatment as the 00's music man instruments and some vintage fenders. IYKYK!!! Specs are online. The neck feels like the 70s fat one... Ive added a bass wood full contact shim in the neck pocket - don't be afraid - that's just so you can slam the action if you like... the goth saddles are a bit larder than the usual fender size. I have the Gotoh tuner cap... ill pop it back on thanks! Rob collection in Edinburgh
    5 points
  6. Ah well…the whole gang’s here…
    5 points
  7. DeArmond by Guild JetStar Bass - 1999 Model, made in Korea. I bought this stunner for a live project that I thought would ideally want something really different looking & eye catching (I love the colour!) - but, of course, that band dissolved before it got to the stage of playing gigs! 🙈 Redundancy means that...I must 'thin the herd' and much as I love it - this one needs to go! It has a mahogany body with a stunning Metallic Blue gloss finish with 2 single coil pickups and set neck, with very good build quality, lightweight and features the unique 1960's JetStar shape, bound neck and distinctive bird headstock inlay. It has 2 x vol and a single tone control. Knobs: the originals that were on it when I bought (featured in most of the photos) were a bit scruffy & I didn't think they were bling enough, so I replaced them with some gold Gibson style speed knobs (first two photos) - which I think look loads better. But I will, of course, include the original knobs too. The bass has light scuffs and marks in places (please see photos!) but is in generally very good condition for a 25 year old bass! It plays really nicely with a superb low action (42mm approx nut width). Collection & inspection is definitely OK (NN13). But I can ship if required - I don't have a case, but it will be well packaged and boxed for shipping.
    4 points
  8. This is 100% going ahead and Vintage Bass Room will be there with a stand too. Looks like a great weekend and some cool stuff planned.
    4 points
  9. It'll turn up, just don't pay the absolute minimal price you see (the Warwick copies are all over AE at a variety of prices) and expect not to do some work. Will most likely be a workable instrument and a decent cheap platform to practice your fingerboard radius profiling, fret dressing and fine sanding skills though. A while ago there were some lefty Rockbasses on there for decent prices, I assume their factory is knocking them out on the side with minimal finishing and cheaper hardware, you can buy body blanks on the cheap from there as well along with Warwick 2 piece bridges, build your own Corvette or Streamer! The carving on this looks rough but could be a nice looking copy with a bit of attention:
    4 points
  10. Most of the punters are scared of it 😆
    3 points
  11. For sale Fender Custom Shop Relic! The Custom Shop 1957 Journeyman Relic Precision Bass takes you straight back to the original era of the bass that started it all. Its lightweight alder body features comfortably deep contours and a "Journeyman" Relic lacquer finish, which imparts the appearance of years of aging and light use without heavy wear and tear. The tinted quartersawn maple neck has a finely sculpted '57 "soft V" profile, topped by a 9.5"-radius fingerboard with American Vintage frets and a bone nut. Other premium features include a hand-wound 1957 Precision Bass pickup, gold anodized aluminum pickguard, vintage controls and hardware, Custom Shop certificate of authenticity and tweed case. Available in Aged White Blonde, Price 2950 euros.
    3 points
  12. I placed this order quite some time ago, so long ago in fact that I don’t even have the original email chain with all of the details on it. I did ask Jon to ping the spec back to me so I can share it with everyone, but this beauty arrived today. It’s not the first lavish spec Shuker I’ve owned, so I know how good his work is, but this is quite something. The preamp/pickup combo is fierce, a really biting tone. Soon as I get Jon to send the spec back to me I’ll share!
    3 points
  13. If you don’t like the W logo someone on here got one with a Tesco value logo 😂
    3 points
  14. NOW SOLD! Thanks for looking 🙂 I recently acquired two Jazz basses in a trade and this one is going to be surplus to requirements. So here we have an early Fender Japan (CIJ) Aerodyne Jazz with the hottest output from the passive P&J pickups set I've ever heard! I've had a little work done to the bass, including a repair to the bone nut, new strap buttons and a resetting of the neck relief by my Tech. I've also replaced the foam under the J pickup, as it was previously completely missing. The instrument is currently set up with a low action on 40-95 Elixirs and comes with a soft genuine OEM Fender Gig Bag. This bass is around 23 years old and has obviously had a life. Under close scrutiny, there are some chips to the finish and scratch marks, so it could be considered as genuinely roadworn. Hopefully you can see these in the pictures, but they don't detract from the playability or the sound. This one packs quite a punch! Drop me a PM if interested. £800 or open to offers of interesting trades.
    3 points
  15. @J_Bass Hey it’s Ash here from Bass Direct. As it’s out of hours here I don’t have access to our account so I’ll reply from my own I notice you purchased the bass and sent the emails over 4 years ago and things have changed dramatically since then - a new website, a new shop and better customer service. Drop me an email at the shop or send us a WhatsApp and we will see what we can do to help. all the best Ash from Bass Direct
    3 points
  16. Yep Reggae, it belonged to a Tone Monster. 😉
    3 points
  17. I'm a sodding moron. I'm now going to delete this thread, find the servers it's hosted on and erase them, I'll then track down every person who has read this and erase their device and the edge caches. After this Im going to head to a cave and brick the entrance up and stay in there for a few years until this thread has been wholly forgotten. I glanced at the wrong input and I have the mixer sitting on my desk. Rob
    3 points
  18. Not sure I'd risk buying a bass from aliexpress, but the Lekato WS-60 wireless system I bought from there is excellent, and can be used in mono or stereo mode to take advantage of rick-o-sound (on a real 4003)
    3 points
  19. If only they knew that heavy metal fans and skinheads are the most friendly people. Bloodstock and Damnation and Arctangent are the most friendly festivals I've been to.
    3 points
  20. Had everything out last night, basically main and backup covering the same ground. I should have bought the Beta a long time ago.
    3 points
  21. Moving on my limited edition (no longer in production), MXR CSP099 Phase 99, in funky orange Sparkle, Bi Phase goodness. Its two phase 90s in one enclosure. Separate rate controls for each circuit allow you to create intense complex phasing. They can be run series (running one into another) or parallel (strereo setup needed for parallel) It acts as a single phaser in parallel when one output is utilised, or two in series, they can be ran with different speeds, or a handy switch syncs the speeds up, sounds really thick and adds a small boost. It also has the "script" switch (as per the EVH model) which is labelled vintage on this pedal, which changes the amount of resonance in the circuit. It sounds wild in parallel with an OC2, but im only really using the single circuit in conjunction with other pedals. Its in fantastic condition, with velcro on the bottom, no box. Some demos https://www.pedalsandeffects.com/blog/2016/8/16/review-mxr-phase-99 £120 including UK only postage
    2 points
  22. Very reluctant sale here of this lovely high end Ibanez GWB1005 Gary Willis Signature fretless bass. Now Withdrawn, but likely to appear soon at a Bass retailer near you! This is a brilliant instrument; ridiculously light for a 5 string (around 3.5kg), beautifully made, ergonomic, comfortable and effortless to play. I’m only selling because it's not getting played as often as it deserves (and I really need to raise some funds for a new car). As you probably know, this is a precision-crafted, high-performance fretless 5-string bass built to Gary Willis' exact specifications. Handmade by master luthiers at Sugi Guitars in Japan, only a limited number are produced each year. Each bass is personally hand-signed by Gary Willis on the electronics cover. There are some nice touches on this bass. I wasn’t sure I would get on with the finger ramp (which is detachable) but I really like what it did for my R hand technique. The tuners are another Gary Willis innovation, as was the bespoke Bartolini pickup which mimics the fingerboard radius. Lovely lined ebony fingerboard too. The action goes very low indeed. This is easily the nicest bass I’ve played / owned. However, I’m generally more of a P bass player, so this doesn’t come out of the case anywhere near as often as it should. The GWB1005 usually retails at between £3.5 – 4K, and there’s a waiting list. The bass is in excellent condition. Being picky, there are just a few very light string indentations to the neck, but nothing affecting playability or sound. She's currently wearing a set of TI flats, but I will include the set of rounds it came with (D'Addario EXL165-5), which deliver more MWAH. Comes with a generic Gator hard case. I’m only listing this for a couple of weeks on Basschat, at what I hope is a reasonable price for such a lovely bass. If it doesn’t sell, it will then be heading to the BG or BB. The bass is located in East Leicestershire. Potential buyers are welcome / encouraged to come over and try it out. I am not keen to post this bass, but if that is a deal breaker, I'm open to discussion. Also happy to consider a meet up. As noted above, I’m having a few transport issues at the moment, but could manage a 20 - 30 mile radius of Leicester. The pictures below were taken in a friend’s photography studio. I’ve included an additional photo I took today with my Basschat name and the date. No trades on this one I’m afraid and the price is more or less firm. (NOW PRICE DROPPED TO £2,100) More information on the GWB1005 The bass features a lightweight, two-piece swamp ash body with a natural finish, it has a 3-piece maple neck, with an ebony fretboard. A specially designed Bartolini bridge pickup, exclusive to this model, ensures a transparent and highly responsive sound. The NTBT active 2-band EQ allows precise tone shaping, with a push/pull volume knob for active/passive switching. Innovative Playability: A key feature is the Gary Willis-designed detachable finger ramp, providing enhanced right-hand control for consistent articulation and fluid playability. The low action and 16.5mm bridge string spacing contribute to its comfortable and ergonomic design. Exceptional Sound: The GWB1005 delivers a natural, "woody" tone with a deep and articulate low B string. Its tonal versatility makes it suitable for a range of genres, particularly jazz, fusion, and modern groove-oriented styles. Premium Hardware: Equipped with Gotoh tuners featuring custom Sure Grip buttons, the bass allows for precise tuning adjustments. The 34" scale length and 45mm nut width ensure balanced tension and comfortable fretting. Built to Gary Willis' exact specifications, the Ibanez GWB1005 is a refined instrument offering superior craftsmanship and attention to detail. With its handcrafted build, custom electronics, and ergonomic features, it is an excellent choice for professional bassists seeking a premium fretless experience. neck type GWB3pc Maple neck top/back/body Swamp Ash body fretboard Ebony fingerboard Off-set white dot inlay fret Fretless bridge Std. bridge string space 16.5mm bridge pickup Bartolini® GWB bridge pickupPassive equaliser Bartolini® NTBT 2-band EQ w/Eq bypass switch (push/pull) factory tuning 1G, 2D, 3A, 4E, 5B hardware color Black NECK DIMENSIONS Scale : 864mm/34" a : Width 45mm at NUT b : Width 67mm at 24F c : Thickness 19mm at 1F d : Thickness 21mm at 12F Radius : 305mmR See it on the Ibanez Web Site…. https://www.ibanez.com/na/products/detail/gwb1005_33_04.html
    2 points
  23. You know the one! Possibly the greatest 210 in the world. This one is offered in reallt great condition with the Bergantino Cover. Fairly light with proper Baltic Birch and Ceramic drivers, its not a cab to be messed with! As you can see the cover has some marks but the cab itself is in great condition. The Berg fit and finish is so good, it was bought from a good home (@Etienne) and it's been looked after whilst it's been with me. Im travelling a lot atm so Happy to arrange meet ups if its convenient, otherwise collection from Liverpool. More than happy for people to come to the studio and give it a test drive. Specs Woofer: 2-10″ Ceramic Magnet Woofers w/ Vented Pole Pieces Tweeter: High Intelligibility HD Series Tweeter Cabinet Design: Ported Cabinet Material: Baltic Birch Plywood Cabinet Covering: Black Tolex Impedance: 8-ohms Power Handling: 400W RMS Crossover: Custom Phase-Coherent Crossover w/ Tweeter Control Frequency Response: 44hZ – 15KhZ Sensitivity: 99db @ 2.83v / 1-meter Dimensions: 18-1/2″H x 22-3/4″W x 12-1/2″D Weight: 54 Lbs Photos incoming this afternoon
    2 points
  24. Having been musically inactive since lockdown (partly due to knowing I would be moving), I've got a try out with an Country/Americana originals band on Sunday, and now a mate at my new work has asked me if I would like to do some really interesting Blues. Why was the timing so bad, or can I fit both in 🤔
    2 points
  25. Tony Iles......he's on FB marketplace as well. A very legit guy
    2 points
  26. Hi Mick, I'm sure there's a good number of people who are able to help Ally from within the close-knit bass community that Nick had around him, and it's great to hear that you and other Basschatters are supporting her with this... I'm not sure what I may or may not be able to help with, but if you need any extra support with anything, just let me know.
    2 points
  27. First gig with the Vigier tomorrow night, it's taken me a while to go from my 26 fret Thumb neck to this 21 fret bass. Big difference - particularly as I'm singing too. I also renovated the case that it came in, from this.. .....to this. I've fully fitted it out and padded it both top and bottom sections (with Cloud 9 underlay!) and new fur.
    2 points
  28. I've bought a good number of basses and amps from BD over the years. When I lived in the Midlands I'd love to drive down there for a visit where Mark was always very welcoming and I would probably leave with a bigger credit card bill than I came in with. But a couple of times the description of the items sold has been a bit inaccurate regarding the condition. A cab described as in 'A1' condition was very much not. I needed the cab so I cleaned it up the best I could and it served me well. Another occasion a Markbass combo had the yellow Neo driver replaced with a ceramic Celestion one and not stated in the description. I did address this with them and the issue was resolved and again, it served me well. Overall I've been very happy with the service and I continue to buy from there.
    2 points
  29. If you sent me a bass with a low action I’d be over the moon, even if they wanted it higher all they needed to do is raise it a touch, sounds to me like they just wanted an excuse to return it
    2 points
  30. Can’t believe you’ve chosen Jen over me 😂
    2 points
  31. Pretty sure Snow Patrol are still selling out arenas in the UK and large theatres in the US, and Franz still comfortably do a few thousand tickets a night. I'm often surprised by how "big" bands are/carry on being when they're off my personal radar. I mixed monitors for them on a large festival in Belfast two summers ago and it was absolutely wild. They headlined the Friday night, with 10,000 kids absolutely going for it. I don't think they'll have any difficulties winning over a festival crowd here.
    2 points
  32. 2 points
  33. Ok, we're cooking on gas again, or should that be induction these days? Thanks @Hellzero for the diagrams. Mine didn't resemble either layout exactly. My tone cap was only on one pot, like the later layout, but I didn't have a dedication ground across the back of both pots. I've rewired as per the 73-95 layout and added a ground between the pots. I also sucked all the old solder off and redid all the connections, trimming leads where required. Whilst this bass has been worked on over the years, the pots, cap and jack socket are the originals ones from '73. I do suspect the issue I was having with it was related to grounding, as it sounded like that, and one pot was every so slightly loose (now tightened). All working well now, and quietly, and the tone isn't any different than it was before, which I'm very glad about, because this bass sounds really good. Cheers, Rob
    2 points
  34. When I started going to Glastonbury in the 90s there was a real, dangerous dark underbelly to the festival. Muggings were rife, especially later on at night when people who had over indulged were easy prey. There was no real attempt to stop people getting in over or under the fences and no bag checks on people entering with tickets so zero barriers to contraband, territorial fights between rival drug dealers happened every year. It was only in '94 when 4 people got shot that the organisers accepted there was a problem and began to make efforts to crack down on the issues. Don't get me wrong I went every year it was on in the 90s and greatly enjoyed it but the idea that it used to be some kind of peace and love fluffy hippy paradise before they sold out to corporate interests is a myth, or at least if it was ever true that era was before my time. You can argue about the line up but in terms of basic safety I reckon it's much improved today from what it was back in my day
    2 points
  35. I thought that was just my cheap Harley Benton Tele that was like that! I didn't realise it was a feature and not a bug!
    2 points
  36. With Jerry Allson's mythic symbol on the skin too... 😉
    2 points
  37. I suspect that sound engineers and their presumption of what a bass guitar should sound like is a big factor in what JJ sounds like at any given show. I wouldn't be surprised that even a band with the stature of The Stranglers don't have their own sound engineer these days and normally rely on the house engineer. For example, I'm used to house sound engineers scooping the mids on bass sounds. My sound and that of JJ's early era is the mids at full, a smidge of bass boost and a smidge of treble cut. That goes against what most sound engineers think is appropriate in all circumstances and often a source of argument. I hate it when engineers mic' the guitar amps, but only directly DI the bass before it's even reached the amp. My amp sound is deliberately part of the band's sound, and I have to insist on being mic'ed up or at least having the DI coming out of my amp's preamp. The show I did last Friday we were the last to soundcheck as things were as usual running late, and I set the (mic'ed up) bass amp to maxed out mids, flat bass and treble. I was amused to see the previous bands had left the amp settings untouched when we went on stage, despite the sound engineer's initial grumbling about the bass sound when I first soundchecked solo before we played as full band. Long story short, most sound engineers at small to medium venues have a very blinkered idea of what a bass guitar should sound like for certain bands. And don't get me started on sound engineers who still mix keyboards to be inaudible because most of them are guitar bigots.
    2 points
  38. A message on Facebook from Nick's sister, Ally: https://www.facebook.com/share/p/18qydtbPRH/ There are a couple of us who have agreed to step up and help with valuation, etc. Anybody else who can help with areas of expertise would be appreciated.
    2 points
  39. Also make sure the nut slots are deep enough, most mass produced acoustic manufacturers tend to err on the side of caution and leave them a little high.
    2 points
  40. The issue with the setup was sorted at the time, and we had good communication with the customer. There is a link to the shipping information on our website, costs are hard to declare as it varies a lot for different territories. We can all give good advice, and we all have our different ways of working, thats just human nature We try to be as competitive as we can on our prices, we really do. I think its worth mentioning again that we are just 3 people running a shop, including the social media, photography, videography, all communication etc, it is a very busy atmosphere, and we are actually debating whether to start opening the showroom with appointments to help with 1 on 1 customer service (which raises the level we can provide, especially when we are a 'man down'). Thank you again for your comments, they all help for us to grow and constant improve the shopping experience.
    2 points
  41. I think at least 75% of all basses are four string, probably 80% of those 34 inch.
    2 points
  42. Updated the scratchplate on my Elwood L. A bandana under the clear p/g.
    2 points
  43. "If you sent me a bass with a low action I’d be over the moon" Me too, talk about living the dream...
    1 point
  44. Ooof! Sorry to hear that. I've seen more stories on this. In other cases I've seen it had something to do with fingerboard glue getting into the thread and effectively freezing the truss rod nut in place. Absolutely should not happen, that's a really bad flaw in their manufacturing process.
    1 point
  45. Not the prime consideration. I have a 5 string 35" bass that cost £200 and a 4 string 34" that cost £2000.
    1 point
  46. Ahh, this is an iconic pedal, Si! It's what convinced me to order my "The Punisher" custom Knightfall from Tom with the same spec, and I think mine might've been the next one after yours... Absolutely incredible and invaluable pedal and has been my always on secret sauce ever since! Simply the best OCD/Voodoo Labs Overdrive-based pedal available. So versatile, and well worth the price. GLWTS!
    1 point
  47. Reluctant sale but due to an emergency, we are moving house so looking for a quick sale on this beautiful American Vintage II Precision Bass. Fitted with LaBella 760FS. Great action and setup by the folks in the Gallery. Changed pickup covers to cream white, still using the same Pure vintage pickups. Installed Dunlop Straplok. I’ll throw in a levys leather strap with the mount attached. Also installed the ashtray bridge cover and drilled holes for the neck pickup cover. Neck pickup covers, original black pickup covers and thumb rest will be included. Weight is 3.9kg with the ashtray cover. Pics here: https://drive.google.com/drive/folders/1-5MxIxZi1cj0uVv32OJ0iTrgmAog_ZFj Bought brand new from the Gallery for £1899 Only thing I don’t have is the hard case as I sold it to a fellow basschatter here thinking I’d never part with this. But needs must so I have to let go of most my bass gear. I can get one again when all is sorted. For pickup only at SW19 area. Open to sensible cash offers just to move this on. Any questions, feel free to message me.
    1 point
  48. Legend, thank you for the comment
    1 point
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