WalMan

Don't say that!! I'm just about to try to sell mine with flight case as it sits on the floor in the study/studio and I have other options to use for recording (also I quite fancy, and selling might go a way towards funding, a Darkglass Anagram)

A Barefaced 1x12 however... I have two (and should sell one!). I have only ever used both cabs in anger once and more often than not am being asked to rein it in by the rest of the band

Welcome If you're using a BF BigBaby cab I would suspect it's more down to the amp than the cab

Our singer has for years had a splitter from his mic receiver going to his IEM transmitter and the desk and relied on bleed for everything else. Having got a better Sennheiser system myself, read the manual, checked which system he has and checked its manual I’m suggesting he take his own aux feed and fun a mix of the bits he wants (no bv’s) in low focus mode. Got my new moulded plugs but for some reason I can’t get the cable to stay fixed so went back to my old set that have lasted 4 years and will do as spares in future. The new moulds have a bit more mould on them that should keep them in place better. They were a bit more expensive but spreading the cost over 4+ years is worth it IMO. The annoying part is fitting the cables to stay connected. Last set once fixed were good until I needed to replace the cable, then I couldn’t remove them 🤦🏼‍♂️

Forgot photos. Anyway not a bad night at a venue that is normally busy but slightly less so. Another band on the same circuit as us that generally seem to have a big pull were down the road a couple of miles, though apparently someone went and came back and said it was also quiet there so 🤷‍♂️ I had some major brain fade moments towards the end. Read the set. Saw the song. Thought it was a completely different song and was expecting something different to start which confused the 🤬out of everyone while they started and I caught up. As anticipated from the rehearsal thread putting a new song as the closer for its first outing whilst a bold move was not the best plan. It sort of worked but fell apart at the end and was a close run thing. IEMs worked well though the leads would not stay attached to the new moulds so I had to revert to the old set. Gear was: FrankenJazz Helix effects Darkglass Microtubes Barefaced BigBaby 2 shoes…comfy barefoot Took the Hardpuncher as a spare tonight as it had sounded nice at rehearsal but not so good against the Jazz so that needs some more thought.

Phew... I had a sudden worry having said 21 when what I have is 20, so it'll fit a 20 pocket with an overhang

Not a bad night. Worked through arrangements for two new numbers, one new, the other just as a change of style. The new one took a while but it was all good stuff to sort the ending and work through arrangement of links between verse, chorus, etc.. Then we were looking for a different way of finishing the set for the next gig - landlord (who plays) has the occasional sideways comment of 'always the same songs'. There are certain standards, but we do change the set around and regularly add in new stuff, added to which the guitarist writes the sets and keeps track of what we play and where so things change around. We have, however, been running through variations of: Don't Stop Believing, Don't Stop Me Now, Final Countdown, Living on a Prayer for a while now. Works well, and all bangers for a crowd up for a dance and a sing but it's good to mix it up sometimes. Difficulty is shifting stuff around the set like that in 1) finding equivalents to replace them with, 2) adding some intros; and 3) if they are being moved back in the set not peaking too soon...sticking them into encore options seems a waste. So decisions, decisions that ended up with a suggestion of finishing with the newest song we'd been working on near the end of the evening and quickly sorting tweaks for intros. Runs the risk of falling apart putting it there as its first outing or just being met with blank looks and a killed evening, so fingers crossed!! Good news was that the Tokai Hardpuncher that I acquired recently was bang on it. Sounded great through the studio's Ashdown head / Eden cab combo. Great solid fundamental tone with lovely zing and bite on top of that. It's slightly strange that after years of active 5's I have come back to loving my first J (albeit a FrankenJ with an active pre) and now a P copy with noiseless EMG's. Hipshot d-Tuner/Extender now added to both as I love those.

…and done 😁

The FrankenJazz - Geddy Lee Jazz body, Status neck, Audere Jazz pre, Hipshot d-tuner/extender Line6 HX Effects - I was going to sell this but have started using instead of the bigger pedalboard where space is limited. Rochester compressor always on, a couple of synthy patches, flanger, chorus and a switch for a 6db boost that I managed too step on instead of the chorus at one point 🤦‍♂️ Darkglass Microtubes 500 Barefaced BB2 with the horn at about 50% and stood on the amp case Most of it hiding behind me and our youngest ‘fan’, one of our drummer’s granddaughters

Outside under a gazebo & windy. Down one guitarist - not a problem as we have managed as guitar bass & drums plenty of times before, and evolved out of a band yonks ago that was just that - but guitar was having problems with his TwoNotes pedal switching that gave him a load of alien abduction moments in the first couple of numbers, but we soldiered through and all in all a good afternoon. No IEM's for me but you work with what you have for those gigs. Back to full strength and the usual PA next week. Reasonale crowd up dancing and singing by the end which is always nice. Vocalist again said to me "Your rig was sounding awesome tonight" ... and I have to agree. Had to push it a bit more as no PA support, but a nice twangy growl.

If there's a bit of time still I may have rather more immediate interest for a P than I did at the start of the week 🫣

Hot one tonight minus one guitarist who had to go to see to a plumbing emergency at the London flat. Ran through a couple of new songs that are fine but not a lot for me to do other than AC/DC root note pedalling. Works for the song but … Annoyingly something more interesting I had suggested that I saw mentioned in the “how was your gig” thread and thought ooo we could do a good version of that - the Lillian Axe version of No Matter What - drew a load of blank stares and “never heard it”, so I guess that’s a No then 🤬 Got home and said to wifey “do you know this song” and she said “yes I love it and I’ve been telling you to do it for months” (not to my knowledge she hasn’t but that probably just proves I never listen) 🤦‍♂️🤷‍♂️

Only slightly shorter than ‘Thunderbirds are go’ our opener years ago. A song that had a longer walk on tape intro and generally left pub crowds confused 🤣