WalMan

[quote name='wmsheep' timestamp='1326305860' post='1495259'] Brilliiant intro music It's available from [url="http://freedownloads.last.fm/download/300095148/RosFest%2BShow%2BIntro.mp3"]HERE[/url] That Mr Godfrey is far too clever!! [/quote]I knew I'd found it somewhere - though not there, it was Frost* Toys I think - and yes, dmn him, he is

[quote name='Count Bassy' timestamp='1326136780' post='1492821'] Just remembered that I lent this to a pick player on a few occasions. Would that be why the coating had peeled off? [/quote]Yes. That's what mine do. Still last a good six months+ before they go off, and that is gradual so it is often only when I think "these have been on a while I probably ought to change them" and a new set brightens things up. Elixirs all the way for me. All coated strings are not the same. I tried a set of D'Addarios I picked up at the bass show last year and hated them. Sound wasn't great and they didn't seem to last long, mind that could be because I didn't like the sound so changed them back to Elixirs

I used a Markbass CMD121H for a long time. Gave more than enough for stage monitoring and into the PA for larger places. Compact & light

[quote name='Johngh' timestamp='1325766368' post='1487232'] I'd love to be in a band that could do Black Rose, awesome track. [/quote]We played that for years. It got dropped in the end but lasted as a staple in the set at some places for many years. Still get asked for it now, but time & set songs move on

[quote name='Clarky72' timestamp='1326020619' post='1491009'] I would need a nice middly 80s pop tone out it too, have you managed to get something like this out if it without it sounding too modern and clinical? [/quote]Not sure. It's not the sort of stuff I do, but if you could find somewhere to A/B it I would add the Streamliner to the (evergrowing ) list. The STM has bass, middle & treble controls with a selection of three bands for the mids so you might well find it there. The Shuttle probably has more overall control, but like I say for me it wasn't what I wanted.

Only experience with those is the Shuttle when I A/B'd it with a Streamliner 6 into amy Barefaced Super12. Great amp with loads of options but I went with the Streamliner (that I had gone with a view to buying anyway) as it had the warmth I wanted more easily. The Shuttle sounded good, was by comparison the brighter of the two and more transparent/glassy, just too much so for what I wanted. The GB's are, I believe, the only ones that have a low pass built in that works like the Thumpinator and takes out the sub harmonics that stop large speaker excursions without adversly affecting the overall sound

[quote name='Musicman20' timestamp='1324726609' post='1477339'] This raises an important topic for me. Have we covered tax on earnings on Basschat before? [/quote]Yes. I know I have commented on this before. Must have a search back And as for insurance I have the MU cover extended through the policy with Hencilla Canworth. Cost me aroung £130 for about £8k last year IIRC

[quote name='ShergoldSnickers' timestamp='1325839184' post='1488436'] Take a look at the Genz Benz Streamliner range as well. Capable of clean or overdriven with three pre-amp valves feeding a lightweight Class D power section. Very suited to the S12T, having heard the combination. The streamliner 600 should be within budget. [/quote]This. When I got my S12T I paired it with a Markbass Little Mark Tube that worked well and sounded good. Not tried the LM Rocker with the S12T but tried one at the Bass show last year and for me it was too dirty for most of the use of the Tube dial, BUT that was not a test in the best conditions. Anyway in Nov I sold the LMT and got a GB Streamliner 6 and I love it with the S12T As mentioned elsewhere in a similar thread to this one when I got the Streamliner I took my S12T & basses down to Nevada to try out the Streamliner with what I would be using, and took the opportunity to try a Shuttle 6 as an A/B to the Streamliner. I had gone to look at the Streamliner but it seemed ensible the try botrh. Again for me the Shuttle was a much brighter & clinical sound. Good, but not with the valvey warmth I was after, and I turned the tweeter completely off. By comparison, the Streamliner was warmer and I then dialled a bit of the tweeter back in. I had one intending to get the Streamliner, and that is what I came away with So far I have used it for classic rock, prog & country/Americana gigs and it has been great for all styles. Then againit is all subjective to rach of us. I feel the Streamliner was better suited to getting what I wanted than the Shuttle on a test, and the LMT in gigging use, but the person I bought the LMT off had gone to a Streamliner, and I know has gone back to the LMT as he preferred that. Sooooo, the sum total of all this is try the Streamliner, and LMT as well if you can, and if you can find a dealer that has both (Nevada do both MB & GB gear) and will let you bring in your bass and cab to test then I should add those two to your testing list. Enjoy

I have been looking round for a better unit to be driven by my Roland PK5 pedals to provide a bit of earth shaking bass for the prog band I work with. I picked up a Roland D110 rack really cheap on eBay and it is OK but not great. So with a bit more free cash burning a hole in my pocket I had started thinking of getting a [url="http://www.moogmusic.com/products/phattys/slim-phatty"]Moog Slim Phatty[/url] however in a bit of surfing tonight I have just chanced upon the new [url="http://www.moogmusic.com/products/taurus/minitaur"]Moog Minitaur[/url] which seems to have only just been released, and has got me thinking. Looks interesting, but the only thing that is still tipping me towards the Phatty is that for not a great deal more on current prices (presumably largely down to the fact that the Minitaur has only just been released to the wild) the Phatty has memory slots that would probably make life a bit easier in changing patches mid gig. Possibly #2 son & even I might be able to make more use in recording as well. So really my question is; has anyone seen / used either (possibly difficult for the Minitaur) or any thoughts on relative merits of the two? I suppose I ought to save a bit of cash and look for a Minitaur, but at the best price found tonight the difference is around £70 for what looks like quite a bit more in faciliies on the Phatty. One other question for anyone more used to using synths than me, CV input pedals; is that just a standard volume / expression pedal like the Technics SZ-E1 I already have kicking around at home or is there more to it than that? I was looking to be able to control the volume for fade in/out as the Roland pedals set to Hold (as I use them so I can just hit a note and it keeps going without needing to keep holding the pedal down) seems to kill the note dead with the D110 so there is no tail to the sound, just an immediate off.

I have been looking round for a better unit to be driven by my Roland PK5 pedals to provide a bit of earth shaking bass for the prog band I work with. I picked up a Roland D110 rack really cheap on eBay and it is OK but not great. So with a bit more free cash burning a hole in my pocket I had started thinking of getting a [url="http://www.moogmusic.com/products/phattys/slim-phatty"]Moog Slim Phatty[/url] however in a bit of surfing tonight I have just chanced upon the new [url="http://www.moogmusic.com/products/taurus/minitaur"]Moog Minitaur[/url] which seems to have only just been released, and has got me thinking. Looks interesting, but the only thing that is still tipping me towards the Phatty is that for not a great deal more on current prices (presumably largely down to the fact that the Minitaur has only just been released to the wild) the Phatty has memory slots that would probably make life a bit easier in changing patches mid gig. Possibly #2 son & even I might be able to make more use in recording as well. So really my question is; has anyone seen / used either (possibly difficult for the Minitaur) or any thoughts on relative merits of the two? I suppose I ought to save a bit of cash and look for a Minitaur, but at the best price found tonight the difference is around £70 for what looks like quite a bit more in faciliies on the Phatty. One other question for anyone more used to using synths than me, CV input pedals; is that just a standard volume / expression pedal like the Technics SZ-E1 I already have kicking around at home or is there more to it than that? I was looking to be able to control the volume for fade in/out as the Roland pedals set to Hold (as I use them so I can just hit a note and it keeps going without needing to keep holding the pedal down) seems to kill the note dead with the D110 so there is no tail to the sound, just an immediate off.

Just me then

I may have posted this before but I love the intro section of this. It starts around 4:15 or so. Marvellously silly/tongue in cheek. Curse that Jem Godfrey he's a clever bu99er. We used to go on to assorted intro tapes years ago, don't bother now, what's the point frankly, but oh to be able to work up something similar http://www.youtube.com/watch?v=VfJ7lIBzu7E

[quote name='Monckyman' timestamp='1325427486' post='1483010']I just hope I don`t spend the fee too quickly [/quote] I'd spent mine before I got there Had one song where the drummer said "I don't know it" - Peaceful Easy Feeling. "Don't worry it's a straight 4" says I. So off we go, then I remember the stop part way through, so there's some mouthing of "there's a stop coming up" "after the lead break" "aaaaaaand now....2 3 4" nod ...and noone died

Got there early as I had been told 1st set 8:30. Only one guitaris there so we ended up not getting on 'til 8:50. The "disco" was a TV blasting out HeartFM Drummer turned up with one ex and another was there as well...which was awkward. Funnily enough he was packed and out the door in about 20 mins after we finished. All right I 'spose. Played OK but not a huge turnout so a quiet affair. MrsW was clinging on at the bongs to avoid a kiss from the local scary monsters Still. Local(ish). In and out reasonably quickly and home by 1:30 with a reasonable wedge, so it's not all bad

Sad news. Like others here I met him a few times when he did work on my Pro1, the main being to upgrade it to Custom back in '96. Went to the workshops for an overhaul and had chats and coffee and a try on various basses that led to the upgrade (at a very reasonable price) instead of the overhaul. PB1680 will definitely be going in the gig bag for tonights gig to celebrate a life that produced a great bass that has been a faithful workhorse and a joy to play for getting on for 30 years

My "main" lot it's me & the drummer - though he seems to have let that go to rebooking existing gigs for next year. He's now in a funk band as well where someone else books and is getting plenty of work. I can only assume we (the main band) are sh1te as I cannot seem to get us arrested for new gigs and have frankly rather lost the will with the BS that's involved. Ring, get a contact, send a CD & blurb (well it's a live CD, but fair quality IMO and better than sending a studio CD that's been polished to within an inch of its life and proves nothing re actually recreating it live - again IMO) give it a week or so, ring, to follow up, "not there", "not listened yet", get that run around for a few more calls and then sink back into "AH F**KIT" mode I'm afraid. Ringing back at 10:30-11 in the morning is also awkward for me as I am also at work then Probably explains why I am now working with three other bands where I just turn up and play. Some doing more than others, but its work, and has got me past chucking it all together - which I had been feeling like for a while. I wish I could get the other to give it a go, they've all got access to the Google Calendar. Wish I hadn't opened this thread up now. It's opened woulds and depressed me.

Use what is needed for the song

Not too bad. At a tiny pub about half a mile from my house (as the crow flies) but my journey there was a 40+ mile round trip to drop MrsW off at one of her old school chums house to their annual Christmas party, and he same after to collect her (and get a bit of scoff). So for a gig that I was packed up and away from by 11:50 I didn't get home 'til nearly 3. Started quiet but picked up fairly well. Americana/country (poppy) band last night, and with one thing & another we had not got together since the previous gig 2-3 months ago, added to which my USB stick with the bulk of the songs to practice to on is with the drummer in my main band so was clawing for memories of how a few things went, but we got there. Not sure what is happening with this lot next year, which is a shame as it's nice to be doing a few different styles to mix it up, but three more bands on the go (some more regular than others) I should be reasonably busy next year anyway. Wal all night again, bar one on the L2500 fretless (mainly 'cos that was Black Velvet in the original Eb so I had the fretless detuned for it). Was pleasantly surprised that the rig still sounded good rolled back quite a bit for the size of the venue.

I have a Super12T and have just swapped my Little Mark Tube for a Streamliner 600 doing the same sort of stuff a you. As a combination it sounds bleedin' marvellous, and IMO better than with the LMT. Demo'd the Streamliner and a Shuttle when I was in the market. The Shuttle needed the tweeter right off. With the Streamliner I have a bit of the tweeter dialled in, more so with the Wal than the L2500's EAD's look interesting, but I have not actually heard one so cannot comment, but for me theS12T works brilliantly with the Streamliner

[quote name='JTUK' timestamp='1323703746' post='1466001'] [size=5][sub]Anyone got a good recommendation for lighting software and the dev it needs to run from a laptop..?[/sub][/size] [size=5][sub]I was thinking software and a USB/DMX type converter device?[/sub][/size] [size=5][sub]I want to program a set....only pretty basically....at first.[/sub][/size] [/quote]If I remember right one of the guitarists in my main band (which is that nowadays I'm losing track) used to go out as a duo with his ex about 15+ years ago and had the backing tracks for the set programmed to MIDI but then went on to develop an interface that allowed the lights to be programmed and loaded along with the MIDI track. I think it may even have gone into production. I shall have to ask him when he is back after the holidays

[quote name='Slipperydick' timestamp='1323714959' post='1466197'] I had a bout a couple of years ago, but as it happened I left the band I was with, the enforced rest cured it. but see your GP and make sure thats what it is. Some GPs will offer you an injection that cures it, but I bottled out as I'd heard its painful. [/quote]I have been getting grief in my right elbow - the one I cracked slipping on a wet floor at work cue [url="http://www.youtube.com/watch?v=d6s994jOFuY&feature=related"]Butterfield DIRECT[/url] methinks. Last time I saw the arthritis specialist he did a cortisone injection which has helped for about 6-9 months and did not hurt at all

You might consider a prepaid $ card like those from [url="http://www.caxtonfxcard.com/"]CaxtonFX[/url] They reckon their rates are competitive and they are also recommended for things like booking budget airline flights as you tend not to get the card charge. Obviously you don't get the "time to pay" that a credit card might give you but I was converted to them when MrsW & I went away for our big birthday/anniversary holiday. For that they are great. Load before you go and you can do it pretty much instantaneously by text too.

[quote name='silddx' timestamp='1323617072' post='1465052'] I think we played a blinder, although I made a couple of silly bum notes through taking the odd risk, like a two and a half octave triplet arpeggio that I hadn't played before but I really felt the need for those notes and an unrestrained compulsion to do it. It sounded good too, apart from hitting the last note flat [/quote] Think it was a similar problem for me Nige. Second night running with the longterm dep and feeling that the first night had been pretty good and fluid for me I got cocky and got lost at the dusty end a couple of times The "bass solo" break I get thrown (and I don't like solos) didn't go quite so well (some semi pentatonic w@nk basically) and the little fill that gets chucked in "Sultans of Swing" I completely missed. DOH!!

[quote name='nemo' timestamp='1323616490' post='1465046'] Thanks, I will try it on Monday. Now trying if any of the basschatters seen them around.. [/quote]Otherwise my L2500's live in a MONO Double bag, which is the dogs danglies - just doesn't have the logo

Have you tried emailing one of the [url="http://www.glguitars.com/distributors/index.asp"]European distributors[/url]