WalMan

[quote name='OutToPlayJazz' post='475618' date='Apr 29 2009, 11:51 PM']There's a thread about one aspect of this on Statii.com at the moment. Nathan King (guitarist from Level 42 & brother of Mark) is playing bass for them at the moment on tour.[/quote] Thought it was [url="http://www.itbites.com/leepomeroy.html"]Lee Pomeroy[/url] with his bizarre left handed upside down playing style? Still says so on the current site. Oops! hang on I mised the [url="http://www.itbites.com/news.html"]News page[/url] - forget that! Love the new album, where all the bass was John Mitchell or John Beck I believe

Perhaps I shall give some thought to some general notes for the wiki sometime this week

[quote name='jbwaddy' post='471701' date='Apr 24 2009, 04:54 PM']my old head of department at perth college once claimed for a cassette radio for her car as she argued that in order to get through all the assesments on time she had to listen to them in the car. she said she wouldnt normally have a cassette radio in the car as she deemed them to be dangerous(a bit of a lie) and wouldnt normally have one for that reason. outcome from the tax man? yes thats fine you can claim the full amount of your in car stereo!! amazing what you can get away with isnt it.[/quote] I doubt she'd get away with it now, but with some of the muppets left on the darkside nothing would surprise me.

[quote name='BottomEndian' post='471691' date='Apr 24 2009, 04:47 PM']I could be out of date but as far as I know, as of 6th April 2008, businesses have an Annual Investment Allowance, meaning they can take 100% allowance for the first £50,000 of assets purchased in the financial year. I'm not sure what the caveats are in the AIA scheme, but I think instruments, amps, IEMs and the like should be allowable -- as long as they're solely for business purposes, of course! So in terms of profit and income tax, it doesn't make any difference if you claim them as an expense or as a capital investment. Either way, the whole amount's tax deductible! I've noticed that HMRC don't seem to have made a song and dance about the AIA, to the extent that some accountants are still unaware of it![/quote] No your not so for most capital out lay (amps basses etc) you can get a full deduction for the outlay. Bear in mind that when you sell you will have a tax hit for the sale proceeds as a balancing charge, so for a bass that holds its value you will get a hit in due course it is only a timing saving. Be prepared for that. Earplugs for IEM's I would say are almost a consumable as they could well not last more than a couple of years with gigging wear & tear. Custom moulded ear defenders are just that, moulded to your ears so no use to anyone else and whilst they might just be argued to be capital should easily fall within the AIA so be fully deductible. Computers, you would need to make an adjustment for private use, same for cars & telephone calls. I too am amazed that some accountants seem to be unaware of the AIA. It's been coming for a while & if they are keeping up with their CPD they really ought to know.

[quote name='ped' post='469839' date='Apr 22 2009, 06:35 PM']Different strokes :0) I did make a grindy patch called 'SVT grit' which many people, like Walman, liked. I will upload a sample of it EDIT - no I won't, can't find it! these were all recorded with a pod though, except the last one which was direct [url="http://www.freewebs.com/mrped/facethemusic.htm"]http://www.freewebs.com/mrped/facethemusic.htm[/url][/quote] Ped its on the tracks [url="http://basschat.co.uk/index.php?showtopic=45987"]HERE[/url] and [url="http://basschat.co.uk/index.php?showtopic=46386"]HERE[/url] if possibly a bit in the background

Hmmmm looks like I am playing every weekend in June, so can I get a pass for an early birthday bass bash?

[quote name='jonthebass' post='467399' date='Apr 20 2009, 12:57 PM']Surely it's a 'horses for courses' situation. There's nothing wrong with the POD and IEM setup, if there's enough P.A. at your gigs to cope. If not then having a powered monitor or power amp & speaker cab there to cover things would sort it. Good luck on your quest! BTW I always loved the idea of a backline and monitor free stage setup, with electronic drums, pods and IEM's instead. I think it was Garbage that toured like that some years ago. It must be wierd taking an earpiece out to hear...nothing![/quote] This was what I was after, but unless all the band use IEM's you hit a potential snag as above. And if you are using IEM's you need a good set of earphones - for example Shure E2C's And finally for a nice gritty rock sound, Ped's SVT Grit patch

[quote name='ARGH' post='467140' date='Apr 20 2009, 12:46 AM']Yes get a head..get a cab..... Pods..are not the way,if they were,the amp industry would have died..thay are made of plastic,plastic breaks onstage..dont do it.[/quote] My xt Pro hasn't broken yet and has been sat in a rack as the front end of my sound for 4 or 5 years now. As mentioned in your other thread it runs into the MB combo for stage monitoring as well as the PA for FoH. Don't do what I did initially, which was just run the BOD to the PA and rely on the PA monitors. It was OK for me but there were mutterings of a lack of presence (ie earth moving bass) on stage that led to my getting the MB combo. And make sure you check a BOD out with the powered monitor in a gig situation if at all possible because you may find that the monitor does not give you what you want being designed for something other than pure bass.

Oops this came out longer than I realised (as the bishop etc etc) Messing with a few clips found on my HD in the limited version of Live I have. Any good to you? E - 90BPM [attachment=23842:Reggae.mp3]

I used to run a 122H and was never entirely happy with the sound I got, but it was better when a 15 went underneath on occasion.. Then I got the Bass Pod and ran that straight to the PA. Finally added the MarkBass combo to the mix, plus the Epifani a little later that has added a bit of depth to the overall sound, and left me with a rig plenty loud enough for most pub gigs backed up with the BOD through the PA to allow a bit of variation (though I only really use 4 patches max). The MB is run pretty much flat and for me it's all in the pick (3mm big Stubby) 'cos my picking hand is messed up and fingers get on top of each other. For a while I ran the BOD into the effect in on the 122H. I should have thought a 15 rather than more 10's would help with depth

Might be worth adding links to the [url="http://basschat.co.uk/index.php?showforum=41"]Groove Library[/url]

Latest mix from the Fountain gig - cock ups & all. No fixing it in the mix here [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_Wayward_Son.mp3"]Wayward Son[/url] Spent most of today tinkering with mixes to get the first set done & a copy burnt while the family slowly awoke from their slumbers. Ain't it strange how things change between the mix on the monitors used with the DAW and played back on the hi fi. Listening back to the CD the tracks got there and then, presumably as my ears got tired, became a bass players mix with the vocals slipping away a bit.

Now with added WPOD [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_WPOD.mp3"]White Punks[/url] It's v rough and ends with everything louder than everything else, but hey, r'n'r!! ....and the other two songs referenced in this version are.................? To continue, or not, hmmmmmmmmm? Probably needs a weekend to sleep on it and decide whether to chase down some of the level changes on certain channels from the original multitracks.

[quote name='johnnylager' post='457076' date='Apr 8 2009, 08:47 AM']Excellent mate. More bass in 'Ready To Rock' please! Are you putting WPOD up? [/quote] Cheers. I have found that my set up at home often leaves me with bass heavymixes elsewhere so obviously erred to far on the side of caution with R2R to start with WPOD will come later. For some reason I started with the second set!? I must have a go at normalising the first set tracks and then have a look at WPOD. Nothing on the box tonight so there's a job to be starting on

...and it is very rough at the mo [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_Ready_To_Rock.mp3"]Ready to Rock - Thin Lizzy[/url] [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_Steal_Your_Fire.mp3"]Steal Your Fire - GUN[/url] Bass is the L2500 through the Bass Pod using Peds "SVT Grit" patch

[quote name='William James Easton' post='452551' date='Apr 2 2009, 04:30 PM']Free cd with all the 'licks' and 'tricks' on featured in said rag.[/quote] I think they are on the website - at least I'm sure they were once

Saturday. The sign of a good gig. 3 litres of water whilst playing & absolutely no need for a pee at the end of the night! Few alien abduction moments, but that'll be because the multitracker was in the rack under the mixer and the red light was on - even though no one was told for fear of jinxing it. Otherwise a blahdy good night. Guitarists teenage daughter was sneaked in with the managements full knowledge & was noticed looking aghast at the drunken rampaging being carried on by a select few laydees (?) a little nearer her fathers age during the evening

[quote name='Clockworkwar' post='446985' date='Mar 27 2009, 11:26 AM']You were on here at 1 in the morning [/quote] Aaaaaaaaand? Gig wind down

Depends what style you want. I have a load of round up DVD from Music Tech Magazine that have a load of free drum loops on them

Used to, but without the hassle of loads of cabs & amps, just a Peavy [url="http://www.peavey.com/assets/literature/manuals/80300567.pdf"]Megabass[/url] head & 1516 cab. Not sure I ever [i]really[/i] noticed the difference, but it still sounds good on some old cassettes of gigs I have

And another happy customer having relived him of the 2U rack in the current cunning plan to reorganise my rack into two that can go in the required places at gigs Great comms & superfast delivery. Cheers again

Shame. Basingstoke is probably just a bit too far for me from where I am on the south coast.

WPOD made it last Friday & will again at least Saturday as that is a mammoth gig that pretty much EVERYTHING gets played at. Loads of water and a decent warm up are the order of the day there!

Have you looked in the control cavity yet? There is often a bit of masking tape with some more details about the bass, woods etc.

So since the Admiral Drake we have had:[list=1] [*]The Half Brick, Worthing [*]Red Lion Stubbington [*]Cheers Bar, Bognor Regis [/list] Half Brick - hmmmmmmmm. Started quiet, and got quieter. Still a paid rehearsal. To be fair there were a few souls about who enjoyed themselves and took the time to say so after, and some of those coming out of the function room do behind us were dancing around. Got paid & offered a support to one of the name bands he is putting on a gig for to get us in front of a few more people so that [i]hopefully[/i] the next gig we get on our own there will be better attended Red Lion - not a bad night & a few other bands in to find out how it should be done Cheers last night - An OK night. The gaggle of girls on a birthday night out moved on to their next port of call in the break. Sound was good for me and now Max is mixing up the set to keep us on our toes it gets interesting when stuff we haven't done for a while gets put in. Found it funny that for a rock band (and a bunch of aging rockers at that!) there seemed to be mostly girlies up and dancing at the front pretty much all the evening - which was nice. Most enjoyable view from our side, it probably looked like a bunch of old lechers from the front The tour continues next week with The Royal Oak, Whitehill Friday & The Fountain, Chichester (our favourite gig) Saturday - mind you it does mean I shall be good for absolutely nothing but kipping & bathing my aching joints on Sunday