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deepbass5

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Everything posted by deepbass5

  1. deepbass5
    Your quite right MB, Sorry Darren
  2. deepbass5
    The best most missed - My swamp ash Schack with Padauk board, I modded it with additional J pup and a pan pot + a tonstyler tone pot. light great neck profile sounded like a 60's P bass + some
  3. deepbass5
    Hi Where are you based and do you have any other personal photos of the neck - makers etc.always interested in Bassline
  4. deepbass5
    They should have gone for a second take, shame to take your frustration out on your bass
  5. deepbass5
    bump
  6. deepbass5
    I'm back to two now - MB500 and the Markbass LMK have gone and just have the SWR and D800 so can run my two 4 ohm cabs off either Just need to sort the three PA's out now
  7. deepbass5
    Not the best Stranglers cover i've heard, I'd recognise it with the lyrics
  8. deepbass5
    bump
  9. deepbass5
    Owned from new complete with manuals - sort of bump
  10. deepbass5
    Hi Guys as pictured is a chance to grab a 1U rack space SoundTech PS802 digital amp = 400w per side also a Q150 soundTech dual 15 band equaliser also 1 u rack space. There is also an Ultrafex valve enhancer / exciter I used this to warm up vocals but yes works great on bass valve driven warmth. The only thing i am keeping is the Numark CD player So you get Rack 6U case - Amp - Graphic and Ultrafex or £350 or For £300 Now £250 Cash only please Pick up or meet Berks/ Oxon/ Wilts. 8 ohms Stereo mode 230W + 230W 4 ohms Stereo mode 400W + 400W ]8 ohms Bridged mode 800W Frequency Response: 5Hz - 65kHz ±3dB [fTHD 0.05% @ 800W Damping Factor at 8 Ohms: >240 Channel Separation: 85dB S/N: 120dB Input Sensitivity: 1.23 +4dBm Slew Rate: 42v/μsec Maximum Voltage Gain: 36.3dB Input Impedance: 7.5Kohm unbalanced, 15K ohms balanced Protection: In-rush current, output muting, DC sensing, Short circuit, thermal Indicators: Temp/Protect/Bridge/Power/Peak/dB cut Cooling Fan forced air cooling, dual variable speed control fan through a massive heat sink. Dimensions H x W x D: 1.72" x 19" x 15.4 Weight: 15.8 (lbs.)
  11. deepbass5
    Nice to see so many European manufacturers attending this year Can we get the Rheingold Boys to do a spot next time https://youtu.be/1o6XKBSjgwI https://youtu.be/VawvBE8zaD4
  12. deepbass5
    My original price reflected my love for it and cost of the bag, and is so much more useful than the standard single channel - So would a drop to £430 tempt anyone make me an offer cheers for looking Trades a Pram Dinghy yes thats right a small row boat
  13. deepbass5
    Forgot to say price includes this quality padded gig bag i bought for it, holds all the Amp cables and more
  14. deepbass5
    Gone sorry
  15. deepbass5
    Thanks Tony - now sold subject to meet up etc. next up will be the Mark bass LMK for you doubler's, will check it over and try and sort photos later today. on a fresh post.
  16. deepbass5
    Sold I seem to have four Amps which is a little O.T.T, so two have to go. First up the GK MB fusion 500 Great little amp to grab on your way out of the door, so has been my go to amp for most of my Big band rehearsals over the last couple of years, and a few Jazz gigs. Full working order well looked after and comes with a padded computer bag. just big enough to keep it snug and take the wires. foot switch and cable included but not used in anger. yours for 425 posted to you in UK.
  17. deepbass5
    They were the first band i got into big time, think i have every album - my rebellious youth period i guess, can still sing along to all the words. who couldn't fall in love with "Changes" great lyrics at an age when no one loves or understands you ------- That's the album version by Ozzy not his daughters rendition of course
  18. deepbass5
    Done
  19. deepbass5
    Spot on as usual Chris, before looking at the replies i was just thinking about the music played on the Radio in the late 50s early 60s and it was very safe. Roger Whitaker, The Seekers with Puff the magic dragon thrown in for the kids. and American standards were the norm until Brit POP really took off. To answer my own question - we didn't have a record player in the house until my Sister got one in her teens, Then Motown hit me and I think I was destined to play bass from then ten years before I ever picked one up. Ain't No Mountain high enough just blew me away, despite being a brass player at the time it was the descending bass line and bass counter melodies that hooked me. and thanks Lowdown, its probably only a matter of time before that appears, well I am just gonna switch the amp on and get back to it.
  20. deepbass5
    Like most questions in life you know the answer but its easier to think there is some external influence working against you. I had decided to get down to some serious shedding on the number last night, but my mind wasn't in the right place. It was easier and more enjoyable to switch on the computer and moan to you guys. There is a lot of unison parts in this piece so the Bass is playing the same phrases as the Keyboard, Baritone and trombone section. If you are out it is pretty obvious. I'll check that book out - tinyd I added the John Patitucci clip because I recalled how smug he had looked having nailed that particular number As you say you don't get that without putting the work in.
  21. deepbass5
    As i sit here desperately trying to play the Gordon Goodwin arrangement of MUEVA LOS HUESOS I pose the eternal question to you, as a "white boy" an old "white Boy" at that, am i just the wrong colour or ethnic Anglo Saxon mix to be playing Latin. God knows i've have had enough trouble over the years trying to master some the Blues derived music of our African American brothers, I often feel i lack the groove of those Jazz, RnB and funk artists I have grown to admire. But I get by. [b]But Latin[/b] !! i just can't feel it, i can't count it either. Is it genetic or can it be taught, or is it more about being immersed in that music and soaking it up over time. Your comments please https://youtu.be/dRjzCKJN6sM https://youtu.be/IWBkVucVMCY another jem in the pad - some make it look easy,
  22. deepbass5
    That first clip was amazing you can actually see the D string oscillate to the frequency of the note as a sine wave up and down the board, the scale length of the double bass adds so much to the sound and harmonics, just cannot be duplicated on a 34" electric, however much we try and boy I have tried most things. great clips thanks for sharing
  23. deepbass5
    Great bass sounds available, nearest i have ever got to an upright. seeing The Squaronaires bass player use it live made me get one. Sort of Royal approval to play synthesized electric bass in a Big Band Have a bump from him 43 sec in https://youtu.be/0sfnAvFzDjw
  24. deepbass5
    There are some very good players in the former Yugoslav' countries, great jazz festivals too and bar music to be found, on talking to the bands many of them are working the Croatian coast because that's where the work is and they are in Europe. It also attracts many eastern European muso's as well who can drive down there. I'm booked up for another holiday and will be enjoying their local wine and Jazz again this year enjoyed the clip, have always loved local traditional music - a good find - he knows his way round that bass I must check out these guys when i am there at some point http://www.wreckguitars.hr/
  25. deepbass5
    As i have a very nice picture of mine waiting for me under a spot - I'll share the moment with you. and i played a blinder
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