deepbass5

You need a 4 x 10 and kick one of the cones in, should sound just like him. Well thats what the man said.

[quote name='paul_5' timestamp='1327447375' post='1511566'] I did once, just outside of Filey. My mum made me go outside to play. [/quote] wasn't you with the football as well was it ?

Just got an MB 500 fusion from Markorbit, So went off to find a padded Gig bag, Found this in Staples. for £20.50p bargin fits like a glove and can take my wires too. It's a Targus clamshell Laptop case -XS 10" Worth noting. I checked out the valves fitted and they are the new JJ Tesla ECC83-s ( note the S) I was thinking of raiding a friends shed and wacking some Mullards in there but these are getting good reviews both sides of the pond, despite being eastern block copies of the original Tesla, which upsets the Valve buffs, they sound great so musically have no reason to change, less i get curious later.

I think it is a mixture of language and the fact that so many woods are categoresed under the Rosewood family My shack had a Padouk board really nice Lefay do basses with complete Padouk necks, this was considered in the rosewood family. more red than brown, would love to try one [attachment=98005:schackash9.JPG]

Can't help saying why a 2 x 15" and a 4 x 12" ? Having said that is the amp 100Watt? You could use[size=1] [size=4][b]Kirchhoff's [/b][b]Current[/b][b]Law[/b][/size][/size][size=4].[/size] The 2 x15 will be two 8ohms in parallel = 4ohms and the 4 x 12" will be 8 ohm speakers in a series- parallel configuration. It’s all maths after that, Without putting pen to paper it looks like you may get away with it. as the higher wattage speakers are the two 8ohms in the 15 cab, but check how the 4 x12 is wired to be safe. I assume four 8 ohm speakers two in series parallel to another two in series. 8+8=16 8+8=16 in parallel = 16/2 = 8 ohm

I'm Paranoid about my band gear period, as I also own the PA and Monitors, Lights etc. I set up two basses on stands to acclimatise and tune them prior to going on, and I surround them with things to avoid clumsy people squeezing by. And that’s basically it; there are clumsy people and considerate careful people. You get to know those around you and which are which. Have you noticed the same people packing away are the ones that will just pull a mic lead till it comes free or snaps? They will fell drum and Mike stands in their haste phew!! I gunna lie down for a while, I've come over all angry for you .

would still like to get this right, winging it at present just can't hear it to nail it

You need to come back and re define your question. Again assuming you mean Big band = Miller, Basie, Heath etc. First thing you need is an MD. This is where you realise you cannot run a band as a democracy. So you need a good guy out front who knows his onions and all sections can respect. Next, you had better hope the musos you have got together can Listen. Listening is the most important skill, then feel. If you are really lucky the MD will teach the brass players how to listen to a Rhythm section and what you are there for. This probably will not happen and each section Sax, Trumpet and Bones will gang together and blame the rhythm section for both speeding up and slowing things down. Because they think they know best and individually have all grown up competing with each other to be the loudest, fastest and highest player. So when the MD has spent a few years trying to get them to play as a section, you may stand a chance they start listening to you. Think that’s enough to be going on with. Is great fun if you don't weaken

Looks all built down to a price, rather than a vision of what the company should want to aspire to. shame, count me out. Lots of key info missing to back up the designs

I have been running the PA in our band for 23 years now ( 4/5 piece functions covers) Just vocals and we use back line so similar. If you get it right and you all are listening musos fine. That means not too loud for the audience or venue. I find having vocals through the PA which is closer to the audience and back line behind, can, with the right attitude, be self limiting. Meaning If you can't hear the vocals turn down your amps. That said Drums can be the thing that sets the volume the Guitar and Bass then has to match. Go for second hand, i would say Peavey Black widows as they are efficient and that means you will get away with a reasonably sized amp to drive them. 15" and horn i use now but gigged hi-sis 12" for years with a 300 watt mono mixer amp. so check out PV Hi-sis range with black widow speakers not the newer cheap ranges, A peavey mixer amp 300 watts a side with graphic are very versitile and can be split to drive monitors if you like.

Should re name it " Thu Rrock Shop "

Mr Shuker may also be able to help you

Could try http://www.luthierssupplies.co.uk/ he should be able to advise even if he can't help