Jump to content
Why become a member? ×

andybassdoyle

⭐Supporting Member⭐
  • Posts

    529
  • Joined

  • Last visited

Everything posted by andybassdoyle

  1. it is a great bit of kit, haven't got my act together to do any more with it though so here's a Monday pm bump!
  2. absolutely matey - just added the headline details - please shout if any additional specifics are needed I will also add better pics of the rear and closeups later today
  3. Gorgeous Sei PJ 4. I'd had my eye on this bass for around 6/7 years and finally got the chance to purchase it summer last year. It is wonderful in every respect but somehow I just don't gel with it, I can't explain that.... As you can see it's a traditional P body style and a very retro tele headstock. Every other aspect of the bass is pretty modern though. Finish is burgendy mist, matching headstock Alder body, maple through neck Rosewood board, beautifully figured 24 fret, 34 scale (it might be a fraction under 34 - 33 7/8 ish..) Slim jazz neck - I would describe it as a racing neck Weight approx 4kg based on my not particularly accurate scales Satin chrome hipshot tunes, drop key on the E string East preamp - vol/blend, passive tone w push/pull for passive, bass/treble stack with high frequency boost pull, mid/mid freq stack White side LEDs Nordstrand pickups Comes with a retro tweed hardcase sale or trade, I’m looking for a quality 4/5 p or j, passive. Molloon for example…
  4. Used one of these for a while now. Great double bag.
  5. MJJS - yes! Lots of pms re the spec, have found this which should answer most questions. The preamp also incorporates a passive tone (which is also a push/pull for passive bypass). And in answer to the other question, yes trades/px are all possible.
  6. Belter killer tone, killer neck
  7. You should know matey!
  8. Yes, it needs a good home!
  9. Beautiful 6 and a pleasure to play. Slightly shorter scale but the construction of the neck makes it superstiff, great B but a sweet C as well. ACG filter system plus passive tone. Wonderful voice for mids and fingerstyle imo. It's a truly wonderful instrument and perfectly fitted what I was after last year, unfortunately though my musical circumstances have changed hugely and I rarely play this outside of the house now. My sense is to move it on but let's see what happens. I'll leave it here and pickup on any questions you may have. Quick pic for now but will add some more in due course: x
  10. Ok so this is a bitsa. Based however on a very nice ash body from Philip Kubicki. So you could almost call it a Fender. Not that I would. But you could. Perhaps. I picked this up some time ago from Beedster at the start of my voyage into precision basses. I'm pleased to say this has developed into an obsession so strong it makes a serious class A addiction look like a take it or leave it weekend thing. As a result I have too many P basses now. Same old story. The neck is a very nice allparts from Walshy, hipshot lollipop tuners. Works very well with the body. Kigon loom V/T + V/T. The P bass pickup is a fairly hot bartolini, the bridge a fender I believe (would need to check this though). All in all it works well as a P bass. To my ears the bridge pickup has never really worked that well, it lacks 'mass', but it does add some bite if required. 95% of the time though I stick to the P pickup. The plate is much redder in real life - I've tried to capture it but no luck! Price is ex shippin but includes a basic gigbag. I could post with the case it's pictured in if you like but would ask a few more quids for the case pls. Any questions let me know! x
  11. Lovely 90s Yamaha bought here earlier in the summer: It is in absolutely GREAT condition for a bass of it's age. Everything works perfectly, I've set it up with a lowish action strung E-C. Does the Yamaha 'thing' really well imo - both pickups, bass/treble etc. It does not feel as refined as one of their pedigree models of course but the quality is still very good indeed. Lots of bang for buck. The nut is cut very helpfully so minimal tweaking to go back to B-G if required (in fact I could probably do this for you if you want). Basic gigbag is included. Asking what I paid for it exclusive of any shipping costs. Very relaxed to keep it, just one of many basses that I'm not really playing and trying to make some room! X
  12. Chris - out of interest is it routed under the scratchplate as well as the control cavity or could you remove the plate and have it as a 'nude' jazz so to speak.... It is a beautiful body after all!
  13. Last call - will probably go to bass bros shortly Shout now if interested!!
  14. Awesome. Would love to try this, didn’t realise they did 5ers
  15. Anyone? might be interested in a decent jazz 5er….
  16. Wonderful piece of kit. Great sounds and a pleasure to use. Downsizing but may well end up with another one in the future, you know how it goes. Minor marks from usage but well cared for and in excellent condition. Protection racket softcase as shown. Latest firmware. I may have the original box - tbc on that. Any questions let me know - cheers x
  17. phew, dodged a financial bullet there! glwts though - thing of beauty for sure
  18. The C string gives you some great options, but options which take you outside of the core role of the bass. You could argue the same is true of the B string, personally though I think the B gives a more logical extension of the bass role as it adds the additional 5 bass notes whereas the C adds 5 additional notes above the regular range of a 4 string These are not notes that most of us would use often which means the C essentially opens the range of the bass 'horizontally' for lines and voicings (as does the B of course). Nothing invalid there but you could reasonably argue that this is not the regular function of bass in music (I mean any bass as opposed to the job of the bass guitar). There is of course a physical dimension to all of this too. Wide necks and longer scale lengths can be more challenging to get around - 4 string regular scale is generally easier and more comfortable. Bottom line for me - I love the options the high C gives and I'd like to think I can integrate it reasonably well into the music I'm playing. If I asked them which bass to use though, the majority of musos that I play with would say 'just bring the normal one' meaning a 4 string P or J. I suspect if they would also say 'with flats on' if they knew what flats were.
×
×
  • Create New...