stingrayPete1977

He might be new favourite you know, How does he make such small alterations to a line sound so different? Master blaster has 8 bars to the looped verse bass line, he only changes a pair of 8th notes to a triplet on the 3rd bar the second time round and it just works!

I would keep one of the 2x12s for sure

New finacial year brings with it new prices, old stock can probably be sold at the old price?

Just Nathan Watts, What more can you say? Jeez

If you ever find yourself up a creek you will be laughing!

Devour the site Lynottfan has linked mate The one I sold andytoad was a bargain, I doubt another one will come up for that money anytime soon it also sounded epic!

No one has ever learnt to play an instrument, we are all just at different points along the way to getter nearer, even the best players in the world will have a weakness somewhere. Interesting example in what Clarky said before is that I have found some jazzers or classic players might struggle to pull off a convincing Ramones style, that statement applies for all genres in all directions and only the very best players in the world could nail every style imo. Certainly not me that's for sure

Oooh I will check! I know it makes a nice noise when I brush it past the corner of or bed.

Ok let's leave it at that then, ps2

[quote name='chrismuzz' timestamp='1364658004' post='2029325'] Yep. I had CTS at 18! Completely gone now [/quote] There must be a w***ers cramp joke in there somewhere

We have both the Jam nights where it really is a jam, put your name down for bass and get thrown on with who ever to play something (I like these) and we also have ones similar to that in the advert where it is more of a showcase 3 or 4 songs by set groups. If you have 20-30 people waiting to have a jam then I find it hard to watch one person take up 20 mins on their own as a solo artist, there are plenty of open mics more suitable for folky one at a time performers IMO. I lost interest with proper jams after every one I have been too usually involves the idea that each regular bassist brings their amp every say 5-6 weeks, I have no issue with that but it normally turned out my week most weeks as the others were "stuck at work" "ill" "running late" etc but always managed to get there about 30 mins after all my gear was setup. The last local jam someone started and I agreed to the 1 in 6 week idea I think I did 4 weeks then the jam folded anyway! Back OT what I was getting at is that if someone is going to setup the whole thing other than your bass/guitar/drum sticks and vocal chords I can see what an arse that would be every week/month.

I have measured both the Stagg and my DB and the stagg has approx 10cm extra length behind the bridge, the scale length is about 5-6mm longer than the regular upright. Thinking out loud here then, so if you fit 4/4 strings designed to be weichs to the stagg the shorter scale length will make the strings floppier than the manufacturers intended so a set of 4/4 starks might give something more like a medium tension and mittels more of a weich tension, weichs then not being suitable. I have 3/4 weichs and they work well, lighther to play than my DB but not flappy or rattling etc. Hope that makes sense?

I thought about cutting a square of wood off the bridge to just move it up about 10mm and only need to countersink the ball ends by about the same thus leaving plenty of wood. If you made a new block then it would be easy enough to just drill the holes at a slight angle so the strings exit at the same angle as the factory spec one. TBF once its done most people are talking about 10 years for a set of Spiros anyway

I will have a measure tomorrow and see what's what.

Well I presume you will need 4/4 strings in any brand unless you want to do the alteration I did, putting 4/4 strings on will obviously muck the desired tensions around so it might be worth drilling the block out, once it's done you can fit anything then.

http://basschat.co.uk/topic/196792-spiros-too-short-l130-wasted/page__fromsearch__1 Here you go, I have since tidied up the frayed silks with some clear nail varnish.

The standard 3/4 strings were not long enough, the silks were on the fingerboard by about an inch. I took the string block thing off and drilled the holes deeper so the ball ends are now nearer the bridge but the remaining wood left is not very thick, others have done the same with no long term problems but I might get a custom block made to fit with that inch added so standard strings will fit without the worry of it splitting, I will look for my old thread......

[quote name='Dingus' timestamp='1364577177' post='2028442'] Live shoes ? [/quote] Has anyone else got samsung swype? rubbish!

[quote name='bubinga5' timestamp='1364578301' post='2028466'] i must be getting old then.. i remember my dad saying to me when i was 18ish. i was listening to alot of house music.. he said whats that repetitive rubbish.. this was in the days of chicago house when all the recordings were played live with live instruments.. i never wanted to get to a point where someone says im old because im not hip with the new stuff.. imo the greatest new stuff is not in the charts... its somewhere where you need to dig a little to find it... [/quote] I think superstar and chart success go together so I'd stick with what you like and not worry about it too much

I had to countersink the ball ends to get 3/4 spirocores to fit because of that, I might get my mate to make me a mahogany block that sits further forward with a recess for the body shape.

I think anyone that thinks this way is just getting old, I thought Jessie J and Katy Perry were both known for being song writers that had sucess writing for other people at a young age then decided to take a bit of the limelight for themselves? Lady Gaga is a great vocalist, pianist, songwriter and to top it off can dance too. The latest Justin trousersnake song is quite catchy if I remember and he can dance too. I'm not really into that sort of music but people just toss these names into these discussions because their own record collection ended when they left college in 1984, people have said it since the birth of popular music, rubbish, can't tell what they are singing, hair like girls blah blah.

Take your amp and bass to bassdirect, dont forget your wallet!

[quote name='thebassman' timestamp='1364547083' post='2027893'] Oh, that's a nightmare about your wrist. I'm using mine with a Boogie 2x12T and my Stingray 5, it sounds insane. [/quote] A fine set up there Sir Ray5, loads of power a pair of 12's and a tweeter whats not to like? FWIW I have never heard a bad Berg cab either.

Yeah the foam under the strings behind the bridge is the most important mod anyway if you ask me, cool.

Why dont Mayones do a nice P5? Im sure they would get a mention here if it were a jazz topic. I still want a Jabba Classic5