mrtcat

You Can Leave Your Hat On - goes down a storm but can lead to mass nudity in the wrong venue tho.

[quote name='Mykesbass' timestamp='1437482289' post='2826348'] With the risk of getting a bit esoteric here, they're going on the list! [/quote] We do a bunch of theme tunes. My favourite is the Grange hill theme. Get to use an envelope filter. The Bill is also fun.

I think the thread is possibly showing us that there's standards in every type of band. Pub rock covers bands do songs like Sex On Fire, Dakota etc etc. Disco bands do tunes like Disco Inferno, Superstition etc etc. Wedding bands do many of the genres and then stuff like Mustang Sally and Signed Sealed Delivered etc. Maybe the question should be "Why do pub bands generally tend to be rock covers?" and that I guess is because that's what a lot of bands, pub customers are comfortable with. I don't doubt disco bands would go down brilliantly every time but if you're good enough to pull off disco tunes well then you can get more rewarding work than the local pub on a saturday. The bottom line is tho that these songs when played well go down really well with a wide spectrum of people and that's what it's all about surely?

[quote name='pjb13.bass' timestamp='1437458902' post='2826074'] They may well know f*ck all about music but generally they know a great deal about making money. [i]Most[/i] of them don't care what kind of music you play or even the level of ability of the band collectively or individually. All they are interested in is your potential to draw a crowd. Not getting your head around this concept is likely to be a big disadvantage. [/quote] +1 You also can't generally compare pub rock bands with the bands doing soul, funk tribute etc. These bands are usually a higher standard of players commanding higher fees and are playing in venues with a reputation for great music. Bands playing in the local pub have to be cheap and cheerful because for a landlord to justify a spend of £250 he / she needs to shift probably 250 pints more than they would if the band weren't there. On that basis they'd never be able to afford a tribute act or specialist soul band. Places like the jam factory can pull more unique / high standard bands as they have built a reputation as a music venue so will have a good crowd meaning they can pay OK and attract bands wanting the exposure. Any landlord that gets a band like Crez's will have totally lucked out because it's their good fortune that the band choose their venue as a place to bring potential customers down for a look.

[quote name='crez5150' timestamp='1437415828' post='2825829'] I find it highly amusing...... Not that I play many pubs but we do try and play around ten pubs per year so that we can invite potential (mostly wedding) clients too. I always go in with the same blurb that we are not your average pub band (we play predominantly Disco covers) and that always gets raised eyes from the landlords/ladys. That'll never go down well here mate, they love the rock'..... I always make a bet with them there and then. If we don't entertain your punters as well as the best bands you have in here then we'll play for free. So far (7 years) we've not had to go down that route. It does amaze me when you see 90% of the bands playing the local circuit that have a similar set.... why is it that bands think they have to do this.... Are they worried to go outside of their comfort zone? Any way here's our set list - [b]Carwash[/b] [b]Play That Funky Music[/b] [b]Ladies Night[/b] [b]Last Night A DJ Saved My Life[/b] [b]Groove Is In The Heart[/b] [b]Turn On Tune In Cop Out[/b] [b]We Are Family[/b] [b]Jive Talking[/b] [b]Get Down On It[/b] [b]Kiss[/b] [b]Kung Fu Fighting[/b] [b]That's The Way I Like It[/b] [b]Get Down Tonight[/b] [b]Night Fever[/b] [b]More Than A Woman[/b] [b]Signed Sealed Delivered[/b] [b]Pick Up The Pieces[/b] [b]Treasure[/b] [b]1999[/b] [b]Good Times[/b] [b]I Want Your Love[/b] [b]Le Freak[/b] [b]Move On Up[/b] [b]Superstition[/b] [b]Disco Inferno[/b] [b]Funky Town[/b] [b]Mighty Real[/b] [b]Long Train/Jagger[/b] [b]Uptown Funk[/b] [b]Staying Alive[/b] [b]You Should Be Dancing[/b] [b]I Wish[/b] [/quote]We are a wedding band and we do 26 of those. Great as they are I'd call them pretty standard covers. But it's standard covers that get you booked again and again.

[quote name='Lozz196' timestamp='1437426826' post='2825970'] Maybe look into getting that fixed - probably chealer than a whole new cone. Think it`s Wembley Loudspeakers that do re-coning and fixing speakers. [/quote] Your best bet as it's probably cheaper and there's a chance it was chosen for that cab for a reason. If you buy a new one you need to make sure you buy one that suits the dimensions / design of the cab. I'd worry less about power and more about compatibility with the box you just bought.

[quote name='discreet' timestamp='1437384936' post='2825408'] For a little more outlay you may want to consider the Behringer X32 Producer. [url="http://www.thomann.de/gb/behringer_x_32_producer.htm"]http://www.thomann.d...32_producer.htm[/url] I have heard good things, but bear in mind I have no direct experience of it. [/quote] All the X32 desks are great. Really usable and packed with features. We have a standard X32 which I also use to do live sound for local beer festivals etc and it's just brilliant.

[quote name='51m0n' timestamp='1437413536' post='2825794'] Exactly what looks dated about a properly set up 1x12 + tweeter cab with 800w power amp built in that you can easily lift above your head one handed?? [/quote] I couldn't care less about the appearance, like I said, I want them. I have gigged BFM DR200s for ages and they have a less than standard appearance. Our singist (who knows jack about PA systems) and guitarist both commented that they look boxy as tops like the ones they used in the 70s. I guess by that they mean they don't look tall and thin like compact array systems and they don't have smooth curvy grills like many other modern tops.

[quote name='ubit' timestamp='1437403963' post='2825689'] Maybe you shouldn't judge bands harshly if they have the same set list. It's quite likely that they have learned the hard way that that's what they have to play! [/quote] Agreed.

[quote name='alexclaber' timestamp='1437383934' post='2825390'] We definitely have to knock a load of these ideas up in photoshop - I can't help but think of your suggestion as being like a Big Twin 2 but with a megaphone bolted to each side and a big toggle switch labelled "drummer toasting direction" on top! [/quote] Perfect! How about a comedy boxing glove on robot arm too?

Yep Id go active speakers and passive mixer. As Phil Starr says above, RCF do some great stuff. If you're going for RCF I'd advise any of the tops with the number 2 as the middle number (322a, 325a, 722a, 725a etc etc) as these have the 2 inch hf driver which is far smoother at high volume. We picked up a used pair of RCF ART 322a's last year for £260 including the covers and they have been excellent. This sort of buy would leave plenty of budget for decent subs and a decent mixer.

[quote name='Number6' timestamp='1437402483' post='2825669'] Our guitarist created these band logos for our fb page and twitter feed. I was very pleased with them and they cost nowt [/quote] The 2nd one is particularly cool. Like it.

[quote name='jonnythenotes' timestamp='1437402593' post='2825672'] Is it because they guarantee a response from a audience who crave familiarity and a sing-a-long chorus [/quote] Yes - its frustrating but true.

Damn you 51m0n - I want this rig more than ever now. I showed the rest of the band and they all said the same thing "I'm sure they sound amazing but they look dated"

[quote name='Nicko' timestamp='1437400901' post='2825644'] Oh, I think he received the feedback loud and clear (I actually had to tell him I din't say "I F**** hate it" - rather than my more polite and uncharacteristically restrained "I don't really like any of them" - I was "outvoted" by the rest of the band. That's fair enough. I agree every band needs a doer, but sometimes they need to understand what needs doing. [/quote] Maybe a band meeting to form a to do list? Once he has that he can keep the progress going and in a more productive way.

Paul H, do it. If nothing else it'll be great for your harmony singing. I depped with a country band a few years back and loved the way the whole band could nail harmony parts effortlessly.

As said before, its a manufacturing imperfection which doesn't look like its going to be an issue. Wood is a very natural material and imperfections are to some extent to be accepted. Like others have said, if it was a high end £1000 + bit of kit maybe it shouldn't be acceptable that it left the factory that way but if a i sold a bass with a tiny mark like that and then the buyer wanted a refund I would agree but feel a little aggreived. That however is just me and these things are subjective. If it really worries you then maybe offer to return at your cost if the seller gives you your money back.

[quote name='Weststarx' timestamp='1437395648' post='2825567'] Personally I think its 10x better to have someone like that who goes and gets things done compared to the guys who don't make any effort at all. [/quote] +1 Every band needs at least one do-er. Without them the band goes nowhere and interest wains. As someone who is a do-er in a band it's really frustrating when others show little or no enthusiasm for progress. If you have feelings about the logo let them be known but remember that a do-er will want feedback swiftly so he / she can keep the momentum going so don't leave it three weeks before letting them know you don't like it and then be surprised if he / she starts to get frustrated.

Never tried it but I'd imagine you'd struggle to get a bad result. That said my experience of the nv cabs is that they love amps with heft so I'd be inclined to use something weightier.

How about something with drivers on three sides with the side ones being selectable so you can toast the drummer with a driver firing straight into his left ear if you want.

We sacked a pro drummer from our function band this year cos he was too loud. He had all the chops and, volume issue aside, was genuinely brilliant but he just ruined the mix. When he turned up at a Christmas gig for a big corporate customer with two China rides and 5 toms it was clear he had to go. He couldn't understand why when we told him and still maintained he wasn't too loud. We found a much more appropriate player pretty quick and a couple of months later our really loud guitarist quit because he stood out like a sore thumb. Whoever it was who said loud guitarists / drummers are less common these days clearly never worked round our way. They're bloody everywhere.

No point changing the drivers in your existing cab unless you somehow manage to find drivers with exactly the right q, fs, Xmax etc etc to suit the dimensions of your cab. As it's an old guitar cab you may find it difficult to match bass drivers. I use 2 bfm simplex 1x12s I built myself. They wipe the floor with the two Aguilar 12s I used to use. Not cheap with the kappalite 3012hos but they sound killer.