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clauster

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About clauster

  • Birthday 28/04/1969

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    Hove

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  1. Cheers, exactly the advice I was after.
  2. More of a question than a tip or idea. Am I right in thinking IRs are only active on outputs set to recording? I want to use just a couple of the effects before my amp in one of my bands. If I turn the amp module off and don't have recording set on the output, then I just get the effects, right?
  3. Nope, a good luthier, familiar with your specific instrument of choice, who will discuss with you what you like in terms of feel, response, tone and choice of strings along with your style of playing, will always hand you back a better playing instrument than a mere machine ever could. If you don't have access to a proven quality technician, or know what you like in terms of the above variables for discussion, Plek is an option worth exploring.
  4. The One10 with Activier been available to configure on the website for a few weeks now. I was able to have a play through this one before Christmas when I paid a visit to Barefaced HQ. The bigger stand-alone amp is still in development, this has not replaced it. The BF team are making sure it's 100% as good as it can be.
  5. Oh, and there will be more Machinist pedals at some point.
  6. Alex also brought in the active One10. Impressively loud and bassy for a teeny tiny box. It will drive loads as low as 2 ohm. If I was using my modeller with my band I could easily have been tempted with one of those and a Two10 in portrait orientation
  7. I spent a couple of hours with Alex at the BF workshop a couple of weeks ago, deciding which cab to get to replace my old 15" Compact. I'm fortunate in that they are less than a 5 minute walk from my office. I didn't expect an invite when I asked, but we'd been exchanging emails for a couple of days, so I asked if I could come in and Alex kindly agreed. I had a great time, spent some time with Alex in the studio room and also had plenty of time on my own to try different cabs, different setting on my bass and amp etc etc. Alex came in for a bit and played through my amp while I was playing with the controls to see what sort of tones I could get from each cab. We also spent some time while Alex got his pedalboard out, had a look at the collection of guitars and basses in there and just generally chatting bass and all things music. It felt more like spending an afternoon with a mate than auditioning kit at a manufacturer. No pressure at all to make a decision there and then. Here are my thoughts on the cabs I tried. My amp of choice is an Ashdown ABM so just on aesthetics, that ruled out the Mini, Compact and smaller 10s. Most of the time was spent trying out the Three10, Super Twin and Big Twin. All three cabs are exceptional. But in different ways. The Big Twin was loud, clear and deep. Make that DEEP and LOUD and clear. A lot of fun to play through unless I misfingered a note or other error crept into my playing. What you put in really does come out. It's a glorious cab, but far too revealing for me. The Three10 sounded like I expect a bass cab to sound, but more so. Loud, great bass and definition but smoother than the 12" cabs. Far more forgiving of my poor technique. The tweeter (which I'm never a fan of) could be dialled in to bring a bit of top end. I was surprised how good it sounded as usually I turn tweeters off within minutes if I'm using a cab that has them. The Super Twin was, to my ears, somewhere in the middle of the two. The tone reminded me of my old Compact, but more so. Really great bass, but less warm, more clear. If I was still using my Hartke, I may have ended up with the Super Twin as it's always sounded great with my Compact in a way the ABM doesn't for me. At the end of the afternoon I came away knowing that I was going to order a Three10. It suited the Ashdown really well. I'd arrived knowing I didn't want a tweeter, definitely wanted a painted finish and steel grill. I spent a day or two considering my purchase and ended up adding the tweeter, and chose black cloth and tolex. It's going to be long few weeks until I go down to collect it!
  8. Jim bought a tuner pedal from me. Deal was quickly and easily sorted.
  9. Forgot to say, proce includes P&P
  10. Sold pending the usual.
  11. Great and versatile drive/distortion/fuzz for bass. Boxed, cable for connecting to Neuro hub (never used) and 9v power supply included. Velcro on base of pedal.
  12. Classic Korg tuner pedal. £25.00. No rubber feet on bottom from when I added velcro to attach to a pedalboard.
  13. Hi Basschatters! I'm selling my Rumble LT25. Bought a few months ago for an acoustic project that folded after one rehearsal. It's back in the box now so is in great condition. Sounds great for such a small box. The effects are fun too. You can record via USB into a DAW, but it doesn't do playback through USB.
  14. After a long time of wanting a BB, I've finally joined the club with a BBP34. I've tried a couple of 734s and enjoyed them, but have been waiting for a used P34 to come up the right price. Glad I waited.
  15. And if you have the CORE, it's version 2 you want. Just lost an hour of my life trying to update to version 4 for the GT-1000
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