clauster

Cheers, exactly the advice I was after.

More of a question than a tip or idea. Am I right in thinking IRs are only active on outputs set to recording? I want to use just a couple of the effects before my amp in one of my bands. If I turn the amp module off and don't have recording set on the output, then I just get the effects, right?

Nope, a good luthier, familiar with your specific instrument of choice, who will discuss with you what you like in terms of feel, response, tone and choice of strings along with your style of playing, will always hand you back a better playing instrument than a mere machine ever could. If you don't have access to a proven quality technician, or know what you like in terms of the above variables for discussion, Plek is an option worth exploring.

The One10 with Activier been available to configure on the website for a few weeks now. I was able to have a play through this one before Christmas when I paid a visit to Barefaced HQ. The bigger stand-alone amp is still in development, this has not replaced it. The BF team are making sure it's 100% as good as it can be.

Oh, and there will be more Machinist pedals at some point.

Alex also brought in the active One10. Impressively loud and bassy for a teeny tiny box. It will drive loads as low as 2 ohm. If I was using my modeller with my band I could easily have been tempted with one of those and a Two10 in portrait orientation

I spent a couple of hours with Alex at the BF workshop a couple of weeks ago, deciding which cab to get to replace my old 15" Compact. I'm fortunate in that they are less than a 5 minute walk from my office. I didn't expect an invite when I asked, but we'd been exchanging emails for a couple of days, so I asked if I could come in and Alex kindly agreed. I had a great time, spent some time with Alex in the studio room and also had plenty of time on my own to try different cabs, different setting on my bass and amp etc etc. Alex came in for a bit and played through my amp while I was playing with the controls to see what sort of tones I could get from each cab. We also spent some time while Alex got his pedalboard out, had a look at the collection of guitars and basses in there and just generally chatting bass and all things music. It felt more like spending an afternoon with a mate than auditioning kit at a manufacturer. No pressure at all to make a decision there and then. Here are my thoughts on the cabs I tried. My amp of choice is an Ashdown ABM so just on aesthetics, that ruled out the Mini, Compact and smaller 10s. Most of the time was spent trying out the Three10, Super Twin and Big Twin. All three cabs are exceptional. But in different ways. The Big Twin was loud, clear and deep. Make that DEEP and LOUD and clear. A lot of fun to play through unless I misfingered a note or other error crept into my playing. What you put in really does come out. It's a glorious cab, but far too revealing for me. The Three10 sounded like I expect a bass cab to sound, but more so. Loud, great bass and definition but smoother than the 12" cabs. Far more forgiving of my poor technique. The tweeter (which I'm never a fan of) could be dialled in to bring a bit of top end. I was surprised how good it sounded as usually I turn tweeters off within minutes if I'm using a cab that has them. The Super Twin was, to my ears, somewhere in the middle of the two. The tone reminded me of my old Compact, but more so. Really great bass, but less warm, more clear. If I was still using my Hartke, I may have ended up with the Super Twin as it's always sounded great with my Compact in a way the ABM doesn't for me. At the end of the afternoon I came away knowing that I was going to order a Three10. It suited the Ashdown really well. I'd arrived knowing I didn't want a tweeter, definitely wanted a painted finish and steel grill. I spent a day or two considering my purchase and ended up adding the tweeter, and chose black cloth and tolex. It's going to be long few weeks until I go down to collect it!

Jim bought a tuner pedal from me. Deal was quickly and easily sorted.

After a long time of wanting a BB, I've finally joined the club with a BBP34. I've tried a couple of 734s and enjoyed them, but have been waiting for a used P34 to come up the right price. Glad I waited.

And if you have the CORE, it's version 2 you want. Just lost an hour of my life trying to update to version 4 for the GT-1000

If it needs a battery, I'm not interested.

I'd say if there was crackling when the knobs were touched, there's a more fundamental problem.

Hi Smanth. Did you manage to get it running on your M1 Mac? Works fine on mine. It was a bit fussy when I was using an old USB and the Apple USB-C to HDMI/USB adaptor. Once I bought a decent USB-C to Micro USB-B it's been rock solid.

I'm in the same boat. I have the Boss GT-1000 Core and am barely scratching the surface. 90% of the time I'm on a patch with comp and preamp only. The other 10% has some fuzz. I keep thinking I should sell it to someone who'd make better use of its capabilities and replace with discreet pedals, pedalboard, PSU etc. But then, it's going to cost a lot more than I'd get for it even if I just replace with the Boss comp, tuner and Pre.

Thanks Kiwi. All good now.

Not sure if it's related to the update, but just tried purchasing a subscription. I can ad it to the basket and view the basket, but when I go to review and pay it says basket is empty. Tried on Chrome and Safari.

I just found about Andy's passing. I saw the Smiths live for the first time almost 40 years ago and they were breathtaking. RIP Andy.

Apologies if this has been posted before, but I was looking at guitars on the Gordon Smith and came across this - https://www.gordonsmithguitars.com/shop/guitars/gs-bass/

Fairly short list for me, but I keep coming back to the P bass every time I try something else. Satellite Hondo II Fender US Fender MIM Warwick Ibanez Epiphone

Very few compared to some - Park practise amp Peaver TKO Trace Elliot BLX Ashdown EB180 Barefaced Compact 15" Hartke LH500 Ashdown ABM 600 Evi IV Fender Rumble 40LT I'm thinking of moving on everything I've got and going back to a combo like the Ashdown Studio 12 for jamming, rehearsals and small gigs.