Lozz196

That’s a good shout, may well look into that

I should have but as I knew we’d have to go out to get grub was dubious about leaving it without my beady eye keeping an eye on it, even though we did grub run in shifts.

I put my dislike of compression solely down to me being too rubbish to know how to use it properly.

Yep, at many gigs I did where the promoters hired in gear often it was Ashdown, which was the reason I started using it as the sound was good, but there is also the thought that hire companies will want reliable gear on their books, which was another factor for me.

Just got in from my last Spacewasters gig as a full band member (I will be depping for them next year for one gig). Was at The Milton Arms, Southsea, Portsmouth, supporting The Witchdoktors (great band btw). The Witchdoktors provided the backline which was very decent of them, we only had to provide cymbal stands, so made for an easy gig, our drummer drove so all good there. We played well and went down well, though it wasn’t as large an audience as when we’d previously played there, even on pay day, maybe people holding onto cash for Xmas. I played my JMJ Mustang through an Orange Crush (I think) combo, which sounded very nice. Footwear was DM Chelsea/Dealer boots. And now back indoors, well I hurt all over, really reinforcing that my leaving is the right decision, a real shame but I’ve had 4 great years with the band, am so glad I joined them for those years.

That looks ideal

Yeah a studio I know has Ampeg heads and 810s at moment, they’re looking to change the amps to TE Elfs. I do wonder how long before someone pilfers one.

For myself I’ve taken similar action, albeit the opposite, I’ve quit my gigging bands as just find it too much now, and am going to concentrate on doing less intense things which I enjoy and sitting back and enjoying life at a slower pace.

I’ve got my non-gigging classic rock band to keep me playing, Dave. It’s ideal as we play 4 or 5 songs, take a break, then repeat throughout the rehearsal. Never get to the point where fatigue sets in. It’s my ultimate aim to get down to just the one Berg (the one I’ve commissioned), the current two being interim instruments. Though will possibly keep the latest Lionel as well.

Earlier on this year I temped for my old band. They`d decided to let their bassist go, and asked me to go back and cover, in that order, which for me is the right way. As a courtesy I messaged him to let him know that I was covering and that it wasn`t skullduggery to get my old position back, to which he thanked me for the message, and said he was aware of this as they`d let him know. I don`t see the need for all this underhand stuff, if it`s not working act, don`t plot, what my old band did above worked well, and because everything was up front there are no issues and we can all be grown-ups (well as grown up as The Inbetweeners perhaps) and get on with each other.

Agree, their material is instantly recognisable and many really like them but I just can`t get Coldplay.

At last nights rehearsal Last I used a Hughes & Kettner 300w 1x15 combo of some sort, sounded really nice. Usually the rigs at the rehearsal room are Orange, which are ok, but was nice to have a different one for a change.

Had my last rehearsal with The Spacewasters before I leave the band last night. We have a gig on Friday which will be my last gig so was a quick run through the set to establish anything we needed to work on. Answer was no, as all sounded great. A bittersweet evening for me, I have to leave as gigging just knackers me in so much now, but the band sounded so good and I really enjoyed it. Still, plenty with far more to moan about than this so won’t complain.

Yeah those old Peavey - think TVX? - 410s were great cabs, but agree with Muzz, I`d never be able to shift one, I had the 115 version about 25 years ago and that was over 90lbs, wasn`t the ideal cab for living in a second floor flat (without lift).

It all sounds much like our current and previous governments.........

Well the SL TT might end up for sale, great bass that it is I think this new Lionel will fit better for me.

I have Dave, fingers crossed the Superlight Lionel when it lands will be even less than 6lbs.

Def different now, whilst they were sorting my new bass out they just said go & have a wander, so I did, unaccompanied, all over the shop. They’ve some great stuff there.

At the moment next up for me is Deep Purple at Hammersmith Whatever It’s Name is That Day in November next year.

Just a quick shoutout re the above. Many shops/chains have gone recently, and many of those left have a few token basses at best, not these guys though, a great selection and very good customer service.

Sansamp are fairly scooped, whereas JJ sounded quite mid-boosted on the earlier material. You could look at the Tech21 Para Driver, which has sweepable adjustable mids, set it anywhere from 2kHz upwards and boost, doing that with the Dirnt should get you nicely there without needing the Ampeg.

Just got myself this little beauty today. Had been looking for a 7-pounder (or under) and this came up at exactly 7lbs. Although it’s heavier than my Superlight TT I’m finding that playing full scale basses standing up is becoming a bit of a stretch hence my search. Got it from Guitar Village, my first time of dealing with them which I have to say was excellent. Sounds and plays beautifully, as I’d expect. I’m not really into fake relicing or blocks but somehow these just seem to really suit this bass.

Just got myself this little beauty today. Had been looking for a 7-pounder (or under) and this came up at exactly 7lbs. Although it’s heavier than my Superlight TT I’m finding that playing full scale basses standing up is becoming a bit of a stretch hence my search. Got it from Guitar Village, my first time of dealing with them which I have to say was excellent. Sounds and plays beautifully, as I’d expect. I’m not really into fake relicing or blocks but somehow these just seem to really suit this bass.