Lozz196

Mark at Classicandcoolguitars is a UK dealer for Sandberg, may be worth seeing if he can help on this?

The only downside to these - the earlier ones, maybe the current ones are ok - is the tweeters weren’t particularly good, and could sometimes rattle with notes lower than low E. But it’s a cheap easy job to swap them out (I got Ashdown to do mine( and then you have a nice sounding light portable cab for not much money.

If you’re ok with regular Guinness then give it a try, I used to drink it whenever I could get my hands on it - only place I could find that sold it regularly was an offie at Apex Corner, Edgware.

Whatever bass or amp I use I sound like “me”, with me being scooped mids and boosted highs. I set up like this as in general I play rock/punk in bands with humbucking guitars so lower the mids to not congest that area, and add highs to sharpen/tighten the sound and not be flubby on the lows.

I’ve been pretty much coasting along in comparison to many in this thread. I did meet up with a bunch of old mates from the 80s that I hadn’t seen for years and sadly one is now in a wheelchair with MS. I already knew this but actually seeing him like this wasn’t that pleasant. One of the others was due to have stent fitted but refused the op as apparently he could suffer a stroke (he’s already had 2). Oh for those days in the 80s when we were all young and seemingly indestructible.

Only thing music related was a DVD of the Bob Marley film One Love. Which is excellent btw.

That does sound pretty amazing.

Not good, fingers crossed it’s just a touch of seasonal lurgie, Chris

Indeed, Merry Xmas

That makes perfect sense 😀

On the RM I leave compressor and sub off, drive on about a quarter to just blur the edges on the sound, on the ABM I used to have drive about halfway. Wasn’t so much for noticeable drive but for the added thickness and harmonics.

To all Sandberg fans, just checked out Guitar Village website and they’ve got some very nice Sandbergs in stock, including some short-scales. Please buy them as I don’t need another but can do without the temptation.

So last week I used this bass at band practice and noticed that the D & G were lacking in depth, though the volume was there. After reading on here that a few had found this too it looked like the stock strings - 40-100 steel rounds - might have been the issue. So I bought a set of 45-100 D’Addario Chromes, however this didn’t work as was reminded that I just don’t like flats. Next step, a set of D’Addario 45-100 XLs, and I think this has solved it, there’s just much more tone and depth to them, with the added bonus of them being so nice to play, I’d almost forgotten how good D’Addario rounds feel when playing. Another added bonus is I’ve not needed to change the setup, though may need to adjust intonation, will check this out over the Xmas break.

Yep if I weren`t in a band, albeit a non-gigging band, I`d be quite happy being a bedroom player with my fairly weighty Fender US Precision. But being in said band I need a bass that is lighter, and shorter scale, hence my Sandberg.

First gig I was ever meant to go to was Mud, think was Nov/Dec 1975. As was usual for that time of year I got a rotten cold so couldn’t go. Bah!

If buying new I think I`d be looking at the Mod Shop, as the range of choices are pretty good.

I’d say the Ashdown ABM600 is worth a try, I found it much livelier than the other Ashdown ABM & MAG amps I had, louder too. I used a Tech21 Paradriver with it much like how you use the Darkglass. The warmth & solidity of the ABM matching well with the more clinical Paradriver. It’s 12.5kg but due to size much easier to cart about than the 3-PRO.

That’s a beautiful colour scheme

Could just be a tall fret.

I prefer traditional VVT, that way I can of course get all things Jazz but also get very near Precision if needed by neck full, bridge 20%-ish, tone 80%-ish.

I`m sure I`ll be able to hear that from here!!!

Funded by us, apparently.............