Lozz196

And am now currently tinkering around with The Immigrant Song.

Markbass are good sounding amps, in a mix they fit very nicely.

Well it’s much easier in an originals band on a shared backline gig Dave, we turn up with our guitars and whatever bit of kit is our part of the shared backline, from there good to go. I do remember the days of setting up PAs, lights, removing furniture from stage areas, sound checking in a busy pub/bar. Great days but too much for me over last few years.

That’s a good point, the only compression I’ve ever used that I was competent enough to use was the one knob compressor on my old Ampeg PF500. Cue the claims of one knob using one knob………

I’ve been the same over the last couple of years too, in my efforts to make gigging as easy as possible. And you know what, I always managed to get a decent enough sound irrespective of whatever the rig was.

It’s amazing that such good instruments can be made for this amount, with the difference in quality between these and their big brothers not being as much as the price tag would suggest. Starter instruments when I began playing really weren’t up to much at all, whereas nowadays these could easily be first but kept hold of and gigged regularly instruments.

I shall watch these later when not at work. I loved the stuff you put up during lockdown, it was a real treat to see that a new Alibi clip had been put up.

On a vid on YouTube they said that SH specified an 80s sounding pickup for this bass, not being that knowledgeable about him does that fall into how his bass would have been before any mods, similar to the bridge?

Peach Guitars have one, 10lb 14. My vertebrae crumbled just typing that!

I’ve not used my Lionel with the band yet but I certainly like the sound of the pickup at home. Yes it’s a bit more modern sounding than Fender pickups but don’t find it to be that much more.

That’s really nice, and the colour looks great with the tort. Looks good in the pic with the other two basses too.

Has `Arry ever used a black P-bass - not that I`m a major fan or anything but only ever seen clips of him with the blue or white ones.

Matches my truly nasty voice nicely, lol.

Love The Fleece, great venue.

TC Electronic Spark Booster, or Ampeg Scrambler would both work, adding in just a tad of gain to the sound but not changing the tone.

I used to have an SM58 but at one gig used a Behringer XM8500 and preferred it with my voice, I only do backing vox mind, maybe it’s not an ideal mic for lead vox but it works fine for my uncultured yelling.

Think it looks really good

If I were into pedals I would try and do that. But even carrying one Sansamp around I now consider to be a mammoth task.

Thought this episode was very good. I’m not a particular Foo Fighters fan but they’re my kind of music so nice to see Nate go through his stuff.

I did Bas, the warmth of the P-Bass and Ashdown combined nicely with the more clinical sharpness of steel rounds & Sansamp, was ideal for my then punk band.

Two things I really like from last nights episode were for one the appreciation from bassists re those who can do lead vocals when on bass, and secondly the comments from MADM about how much she enjoyed her role in a band when she didn’t have to do any vocals and could just play bass. I really get that, just sitting back and providing the groove/foundations for the song.

So an update on this bass, after tinkering around this week getting it set up as I like earlier on this morning I played it for about an hour and a half, just along to fave songs on YouTube and when I put it down I was absolutely buzzing, I’d enjoyed playing it soooo much. Safe to say I consider this was a good purchase.

As with most of these queries Bill is the one with the knowledge making a good point, if the gear has been ok everywhere else then it’s venue issues. As well as you would need to adjust to the room so would the others, sounds like little co-operation there.

Tonight’s episode is Nate Mendel, looking forward to this one (plenty of Precision!!)