As above, tools for the job, songs in the set require the low B string so best it’s there & available. I rarely use the G, and in my last band I rarely used either the D or the G, doesn’t matter, play the instrument you like.
Oh they still sound like flats, but are easier to be pushed to a rock sound than others.
My flats faves are Dunlops, find them to be really nice to play. 45-105 are less tension than Roto rounds tho.
Well at heart I’m really not a flats guy, but they’re a bit more scooped in the sound than most other flats, and can be pushed to sound quite “round” and aggressive as the top end is pretty decent. Apparently Phil Lynott used them so have a listen to some live Lizzy perhaps?
I`d reckon it`s possible that the owners/sellers are trying to offload whilst they think that people still have some money left. Either that or they happen to need the money themselves, or due to increase in interest rates think they may get a better return with the money invested in accounts etc.
Darkglass Microtubes B7K
Orange Bass Butler
GK Plex
Tech21 Geddy
All got my vote
Which is rather annoying as I have the Sansamp and Ampeg SCRDI. I liked the Sansamp in that clip, wouldn’t rave about it, but not keen on the SCRDI at all (tho love it when I use it at home).
I think it’s the reassuring presence. Tho strangely enough last week I used both my Jazz and my Precision at rehearsal, I preferred the Precision as there was that reassuring solidity to the sound whereas the band preferred the Jazz as it has more lows.
I wish I had an instrument (ideally a Precision) with that much history, must be great. I have my fave Precision which I’ve owned new since 2015 and have a lot of great memories/experiences with it but 40 years, I’ll bet there’s some stories there.
I`ve got a couple of the 2013-16 Fender US Standard Jazz basses, the necks are deeper on these than any other I`ve tried. Still nothing like a Precision of course as the nut width is regular Jazz, but still quite chunky.
I’ve currently got the v2 Sansamp, which isn’t as scooped in the sound and has a mid control as well. I find to get a weightier sound on the higher notes/thinner strings that backing off of the blend, treble and presence, then increasing the gain gets this. The gain seems to add in high end as well as thickness so I end up with the same eq, just a thicker version.
I’m a Precision man through & through. I do really like Jazz basses though, have learned how to get what I need from them but when it comes down to a what’s my fave only Precisions enter my mind.
That’s a great way of describing it @miles'tone
I have a (ahem) few US Fenders, all great instruments but the true feeling of joy that I get from playing my 2013-16 series maple fretboard Precisions just doesn’t happen with the others.
That would be the wealth.