Lozz196

Yeah of course, always forget the preacher is compression, for some reason my brain automatically registers it as fuzz.

With what else you`ve got there not sure if compression worth a try. Might be a bit of a strange suggestion, but what`s the one pedal you can`t do without/is integral to your sound? Maybe double up on it. I`ve seen other people adopt this approach when a pedal forms literally the backbone of their whole sound.

Def got an Indie sort of vibe going on

Back in 91 the band I was in did a UK tour, as a support band. First gig was in Bradford. All pile in the van which had been rented & modded for the tour, driver sets off with the band in fine mood. Pull up, driver says everyone out as he’s having trouble finding the venue, asks one of us to go into a petrol station to ask for directions. Before that happened I asked “Isn’t the gig in Bradford” to which the answer was yes. My next question, which wasn’t so well received was “ well why are we in Barnsley”. Aaaaaarrgh!

Classic colour scheme, congrats

Wow, great band and great they’re playing smaller venues when they can easily fill bigger ones.

Having read through this I think the way the venue are behaving is potentially going to ruin the brides big day. It seems they don’t care one iota about her, the customer, who should be having the best day of her life.

Henry’s currently doing XSLF, with Jim Reilly (drummer on Nobody’s Heroes album) and Avi on bass. Current SLF drummer is Steve Grantley, been with them for over 20 years now, Ian McCallum completing the line up on rhythm guitar.

Yes that’s right, Ali is back in the fold now.

Great looking bass Nick, & great history with it.

Many years ago, in a Motley Crue originals type band our bassist got us to play his works Xmas do. Started soundcheck and this guy came running in from the other bar shouting at us to be quiet. So in accordance I quietly told him if he spoke to me like that again my guitar would meet the top of his head. So not a good start. And it continued. We were just not the right band to play to regular office types ranging from the young girls to the old guys, none of whom it seemed had ever witnessed an 80s style glam band with questionable lyrics to match. The only applause & dancing was when we did Twist & Shout. Still the bassist didn’t get fired from his job so they couldn’t have hated us that much.

Stiff Little Fingers & The Professionals at The Roundhouse, March 26th, rescheduled from March 2020.

My Sharona by The Knack, but check out the awesome version by Phil X & The Drills to hear how good it really is on bass & drums.

A true classic

I bought one of these last year to try and organise my spare - as in read junk - room. Worked a treat. Has sliding doors, comes from Instrument Furniture, it`s part of their CLEO range, they delivered and assembled, pain free all round, would def recommend both the company and the product.

I’d reckon so, probably ideal for reggae

QPs are pretty high powered, usually emphasis is on both top & bottom end so sound modern/scooped/bigger sounding than stock Fenders. If the bass is a good ‘un and priced well I’d go for it, see if you get on with them - if not get a set of the stock ones, you’ll easily move on the QPs.

Paul bought some pickups from me, swift payment, good comms including letting me know when they arrived.

Bought a pedal board power supply from Andy, great comms, swift delivery, great transaction.

Good rig, and imo a good pairing with a Precision, work well together.

My one of each would be Precision Jazz Stingray Thunderbird Rickenbacker Semi-acoustic (not knowledge enough to name one) As we can see I’m more for the ‘classics’ than modern.

Should be fine, nice low action there

Def worth a look, they`re great amps

Short sleeves for me, in previous band it was Fred Perrys, in current band a short sleeved Ben Sherman undone, over a tee shirt for the American blue collar look.

Fender Precision with fresh Warwick Red Label steel rounds, into a Tech21 Para Driver, into an Ashdown ABM600, connected to an Ashdown ABM410. All eq was from the Para Driver, eq switched off on the ABM600, but the Valve Drive engaged and at noon. Two feeds, one taken from the DI on the Para Driver, one from a mic on the 410, then blended, was about 60/40 DI/Mic. Sounded like this: