Lozz196

I’d recommend getting a used US one. Depending on preference for neck size: 2008-12 - not too chunky (quite modern sounding pickups) 2013-16 - chunky (and has Custom Shop 62 pickups) 2017 onwards - these are based on the 1963 which is apparently the holy grail of P-Bass necks, and they are really nice, not too chunky (pickups quite modern sounding)

One thing to be mindful of if touring in the EU, don’t take sandwiches as in the news today EU border controls are confiscating them from lorry drivers.

I just read about that, and given Sid & Nancy, have similar misgivings.

Yes that’s right, if plugging in two cabs each will get the same amount of power, however, in the case of a 1000 watt amp and a 410 & 115, each cab will get 500 watts but in the case of the 410 each speaker gets 125 watts whereas the 115 speaker gets all 500 (if running on full power of course). So it’s possible to overpower the 115, especially as in most cases that’s the cab on the floor whereas the 410 on top of it is more audible. Given how loud the Terrors are it’s unlikely you’d ever be anywhere near full power but it’s something to be mindful of. The theory is two of the same cab works the best rather than mixing speaker sizes.

A very good point, and certainly one that applied to me until only very recently 🤣

Just installed a Seymour Duncan Quarterpounder and KiOgon Loom (and a new set of Elixir steel rounds) into my Fender US Professional Precision. As I’m playing Classic Rock at the moment I wanted to make the bass more “rock” and having had QPs before - albeit 10 years ago - I thought this would be a good move. And it is, they’re voiced just as I remembered, though I had forgotten just how much low-end they have! A quick run through playing along to YouTube and I’m one happy bunny. Just can’t wait until I can use the bass at rehearsal.

Yep, doubling up on a cab that you like is indeed a grin-inducing move.

One of the best voices ever, effortless and so natural sounding.

Yeah, The Members weren’t up to much when I saw them.

I find them both pretty good at light settings (no more than 10 o’clock). The drive adds a nice bit of fur to the sound, with extra sizzle and harmonics, and the compression smooths and evens it all up a tad. Like this they both add to the sound but without significantly changing it. Also, as @BassBunny mentioned above, there are ABM users on the RM thread (I’m one of them) and the RM amps favour very well amongst us.

It doesn’t just happen to bassists. At a punk festival last year an ex England football captain was trying to get backstage - he had the right pass and everything - but one of the security guys wouldn’t let him through and had to radio through for guidance, didn’t recognise him at all.

Pretty much like my old band then, our record company was in Germany and we had started to do a lot more work over there.

I think my point/question has been missed, so maybe it needs to be more blunt: Are any of us on here directly affected by this in our bands? Theres no hidden agenda here, I’m just interested to see if any of us on here would have been ok with the 90 but that the 30 would make things difficult. For what it’s worth this new ruling will make things more difficult for my old band, as we only ever did 5 or 6 day mini-tours, however knowing them they will find a way to work with the new constraints.

Yeah I get that Pete, it was more my inquisitive nature to see if any of us were fortunate enough to be in bands that did such long tours (as that usually is an indication of success).

I’m a tad unsure on this re musicians being able to play within the constraints, where the UK wanted a 30 day limit, the EU 90 days. Would any of us on here have found the 30 day limit to be unworkable for their bands.

Although you’ve gone the IEM & DI route, having an actual amp that can do the whole gig/rehearsal on its own is an extra piece of flexibility. You loved the Markbass so I’d look at getting another.

Oh I get that Dave, personally if I buy something on here if I sell it I’ll only look to recoup what I spent, even if market value means I could get more for it. However if an item was up at correct market value that I wanted it wouldn’t bother me if the seller was making a profit on it. So in summary, I’ll never become rich via buying/selling on Basschat.

Pretty much the same for me, I know up to how much I’ll pay for something, whatever it cost the seller isn’t really my concern.

I’ve got a Broughton Hi/Low Pass Filter pedal on its way, can’t remember being as excited about an effects pedal before.

There was an 1100s on EBay for a fair while at £850. It was a black/semi sparkly finish, I remember lusting after those in the late 80s when I had my natural finish one. If it had been the same price as other 1100s up at the time (around £500) I’d have probably bought it.

Agree, Road Worn fits the bill, with the added bonus that I don’t think I’ve ever read a bad word about them, certainly my limited experience of the RW Precision backs that up.

Well now that @neilmurraybass has put up his score to Fool For Your Loving I’m going to take a revisit and learn it properly - or at least get as near as I possibly can that is.

In my last band I got recognised quite a bit at gigs, but to be honest in the punk scene everyone is pretty much the same, some of us are in bands some of us watch bands but we all mix & socialise together, def no “us & them”.

Agree, Nik, we need some young scruffy ‘erberts with guitars to make a racket and bring back some noisy music to the masses.

I’ve actually spoken to people at gigs my old covers band were playing and been asked if I go to see the band regularly as they’re quite good! But at a festival my punk band played some guys asked if they could have a photo taken with the band, and handed the camera to our drummer to take the photo. Did he not like that. Seems it’s only singers and guitarists that get recognised all the time.