Lozz196

Been there, it’s infuriating isn’t it?

Apparently one of that band did an about turn and is now far left. I remember mistakenly going to my local one night when they were playing, a very hasty retreat was made.

I don’t think any of us in my bands would be in bands with someone who held far right/homophobic views etc. I’m not sure about far left as aside from myself everyone in my two gigging bands dress to the left so to speak.

I think two BB3s should work just fine, from recall, having had both, two of the BB3s would stack approx the same size/height as the BT so essentially the same cab, but in a more convenient to move set-up.

I`m wondering if it was a "snide", happens with strings, maybe people are getting in on the act with leads & stuff now.

Check out Shake Some Acton promoters - based in West London obviously, but put gigs on all over London, mainly garage rock & psychobilly stuff. Some good bands on that scene, many of similar ages to yourself @Agent 00Soul, new personnel often needed, put your name about, you never know.

I decided after many years of playing to treat myself to a Whirlwind lead. Plugged in, played, didn’t make 2 minutes, it’s going back, sapped loads of top and bottom from the sound. Gonna stick with my fairly cheap Fender Professional leads, which sound the same as my BOSS WL20L wireless kit.

I saw a YouTube clip of the Okko Motorbass, as well as full on Lemmy it looks like it can do a pretty decent low-level drive.

I don’t know why, as I used one as a provided amp at a gig and really liked it. Maybe people are wary, following the SVT 7-PRO and PF500 issues? Shame, was a really good sound, just tweaked eq slightly on line check and away I went.

They look very interesting

Incredibly so!

Making sure you’re fully up with the material is the main thing imo.

Having recently bought a Sandberg I’d happily recommend them, very good instruments, only thing is their necks are 39.5mm so slightly bigger than Jazz width.

I’m sure you’ll be more than happy with it Trevor, good score methinks

It’s amazing isn’t it, the weight of the gear that we used to have to cart about.

Although I use a preamp pedal - Sansamp or Behringer BDI21 - in one of my bands, I prefer the sound of my bass just into an amp which is what I do with the others. It just seems more, for want of a better word, natural.

Keep hold unless you need the money.

Can’t remember exactly, quite proud of myself that I’m sure it wasn’t the day after I said I was in though.

I can`t remember details but if I recall correctly I think after a specified period (determined at time of registering or something) music can be used irrespective of the artist? I may have this wrong though.

Def, packed 100 Club gigs are great, really good atmosphere in there.

Ideal gig for me is: A 45 minute set, as main support to a bigger band Guaranteed parking at the venue Some form of backstage/dressing room (not so I can be a pop-star, but just somewhere I can sit down, due to back issues) Provided back-line (again, not so I can be a star, just so that I have as little to carry as possible cos of said back issues) Venue has at least a 3 feet high stage (so moshers don`t end up on-stage/knocking me over when they get over- excited) Two monitors for each band member Proper sound-check Bottled water for on stage

I’m out I’m afraid

No matter whether someone who knows how to set up a compressor or I (who doesn’t) put one in my signal chain to me it never sounds as good as when it isn’t there. But that’s live, in the studio it always makes it sound better in the mix.

Loving my Sandberg TT Superlight, have now used it in both my classic rock band and my street punk band, radically different sounds for each and it delivers for both really well. And being a Superlight it’s so easy on my back & shoulders too.

Just got in from a Knock Off rehearsal. Used my the Sandberg as back really playing up at the moment. And very well it did too, no matter what I’m playing this bass just adapts so well.