Yep it’s all part of the development as a player - I didn’t find out about intonation until I’d been playing for about 10 years so 2 months in you’ve a head start.
Simple songs, with simple melodies, that brought joy to many around the world. Could be describing a pop band, but no, The Ramones were def a punk band, and one of the best imo as for me punk has always been about the music and image, I wasn’t that fussed on the behaviour and anti-many-things. Re the bass itself, I hope a true collector gets this one, someone in the world of music maybe, rather than someone corporate.
I found the SPB-1 to be lacking in oomph, there was just a massive lack of mids for me, however the STK-J2B I thought was great, although I only used it in conjunction with the Precision pickup in my Aerodyne.
I hope he`s successful in getting it back up & running, The Odds is a great little music venue, and Brett is a decent guy, knows how to run a good music venue.
Cheers Dan, not doing anything at moment, have a project where me & some mates meet up (prior to lockdown) once a fortnight to play classic rock but it’s not a gigging band, more a social get together.
My 2015 black/black/maple US Fender Precision, no contest. Recorded our last 3 albums on it (two of which were voted 22nd best of the year albums in the punk genre in the years they were released) did my first few Rebellion Festivals and first few European tours with it. Too much sentimental value attached to it to ever move it on. I love all of my basses but that one also plays the best so aside from sentiment it’s my best bass as well.
Not exactly but on a tour I did in ‘91, on the first gig of the tour we pulled up in Barnsley and the driver asked for directions to the venue.
And was told “I’m not sure where that is, I’ve never been to Bradford”.
Well they are both in the North, and both start with B so he was on the right track...
The Aerodynes are good basses, nice and light and easy to play necks - Japanese Fenders seem to have great necks for some reason. Personal preference I`d go for a non-export model as they have flush-mounted jack sockets rather than Strat-style ones, and fretboard markers.
Re Herrick pickups, not sure which one I have but it’s more scooped sounding and higher powered than my Custom Shop 62s, essentially more modern sounding (but nowhere near like the SD Quarterpounder).
Agree, on one gig where I recklessly took only one of my 6 basses it had a problem with the electrics, leaving me having to borrow one. Lesson learned, take a backup to gigs.
I find if someone were to ask me how so and so song went that we played years ago I might struggle, but if I were to play along with it muscle memory would come to my aid.
I went through the swapping to hi-mass bridges a few years back, and although not massively different I felt that the mids were somehow slightly subdued and both top and bottom end made a tad sharper, so making the sound slightly more modern. And my overall thoughts were I preferred the sound with the BBOT bridges, so they went back in and I sold the hi-mass ones.
I paired an ABM600 with a Barefaced Big Twin 2 and it worked very well, however I found I preferred the more baked in sound of the Ashdown ABM cabs to the relatively clean/flat Barefaced.
I often find myself with these thoughts Crawford, you’re not alone in this. I just rationalise it as playing bass is my hobby, and given that I neither drink nor smoke, well I may as well spend my spare cash on my hobby. When I drank I’d spend more in a year than what my whole instrument collection has cost me, so I don’t look at it as wasted money.