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Lozz196

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Everything posted by Lozz196

  1. Lozz196
    Look at it as part of being in a band and something else that you have to practice at to get comfortable with. I’m sure that - apart from singists, as it’s all about them if course - that many musicians aren’t that comfortable in front of the camera. It’s not something that I was good with to be honest but acknowledged that it’s something I had to work at and now it doesn’t phase me.
  2. Lozz196
    I see what you mean, Blue, and think there’s def something to think about there, is it the gigs themselves or something deeper routes. After all, if musicians don’t like gigging why join a gigging band?
  3. Lozz196
    I can’t see that it will, at a recent festival I used my wireless kit through an Ampeg SVT set up with no issues.
  4. Lozz196
    Yeah the tone-shape button on the RM is pretty much an ABM switch. If you use the pre shape on your ABM then this feature on the RM gets you almost exactly the same sound.
  5. Lozz196
    Every now and then I look at my fretboard, but due to strap length it’s just a cursory nod to the left, no need to angle the bass at all. I find the need to do this more when we’ve got really bright stage lights coming straight into the eyeballs. It’s probably more for reassurance than anything, and it’s also why I switched to maple fretboards as found rosewood ones too difficult to see on such stages.
  6. Lozz196
    We have loads of different designs, and all have one of each but I rarely wear mine. The others in the band wear theirs often and it’s not like I think it’s naff or anything, it’s just I don’t seem to wear mine that often. Saying that though, am on hols in a couple of weeks and will prob wear a couple out there.
  7. Lozz196
    I’ve flown a few times to gigs with Easyjet, bass in the hold, no problems. I use a Hiscox case which apart from full flight cases are probably the cases that offer the most protection. I also don’t use my main bass, preferring to take one of lesser value, just in case. But to date no issues though I have to admit the first time I was very nervous.
  8. Lozz196
    Re Tonehammer query, I previously used one prior to Ashdown, with a Sansamp. to beef it up. I found I could pretty much get the the sound of the TH & Sansamp from the RM500 in its own (and of course from the ABM too). The RM does a very good ABM impression, in pubs & smaller venues/rehearsal rooms difficult to tell apart, but once you get on the bigger stages the ABM comes into its own, carrying the weight of the sound better.
  9. Lozz196
    Yes, they do have them on the top, if your eyesight isn’t dreadfully middle-aged, or you don’t play very brightly lit stages you shouldn’t have any problems.
  10. Lozz196
    I’ve no experience of the Darkglass but the Tonehammer is great if wanting a warm, vintagey, valley sound. Due to the immense hike in volume if you apply the AGS it’s not really any good to use as a 2 channel pedal but you could set a great eq sound from the TH then add in the DG for drive, or do the opposite depending on which pedals tone you prefer as your always on eq/sound.
  11. Lozz196
    Was that a Kay EB-0 copy Ian? I had one of those, action about half an inch high, certainly made me appreciate a good instrument once I got hold of one.
  12. Lozz196
    The only thing that put me off of mine was no fret markers on the board itself, other than that they’re great basses. I did a Duff and put a Seymour Duncan Hot Stack in the bridge, hum-cancelling plus a lot fuller sounding. I’ve recently been thinking about getting one again.....
  13. Lozz196
    You can buy the foam from places like Amazon, make sure you search for the stuff advertised for use under pickups, as you’ve noticed it’s denser/firmer than regular foam.
  14. Lozz196
    The MIM Classic 50s is a very good instrument so if these Vinteras top them then they must be incredibly good.
  15. Lozz196
    I have to admit that in a live band mix I think that flats can really work - I just can’t manage it myself though. Totally the wrong sound for my current venture, but I’ve been playing rounds for so long now flats played by me just sound wrong to me, pretty much like Stingrays, everyone else makes them sound great.
  16. Lozz196
    1 & 2 for me, which leads into 5.
  17. Lozz196
    Sounds great, I’ll def keep those in mind, especially for backup basses
  18. Lozz196
    That’s interesting, though the post mentions two pickups, Kent Armstrong Hot Vintage and Dimarzio Area P -which one is the one you tried?
  19. Lozz196
    Ah, I was hoping for a reply of “Get your trousers on son, you’re nicked”. in all seriousness it does look a plan though, I went there a few years back and managed to spend some good time checking all sorts of goodies out.
  20. Lozz196
    Been watching the daily reruns of The Sweeney have we?
  21. Lozz196

    Why?

    Lozz196 replied to Ant1972's topic in General Discussion

    When I was a young lad there was a song in the charts (Seasons in The Sun, by Terry Jacks) that had this sound that I liked, didn’t know what the sound was but listened out for it in other songs. Fast forward a few years I found out it was the bass, and at that time, when punk was at its height, the cooled - imo - people in the bands were the bassists. So the sound I liked was played by the cool people, good enough for me.
  22. Lozz196
    Probably that to date I’ve never had a drummer say they can’t work with me. Of course I’m proud of the material I’ve contributed to writing and of the reviews we’ve had for both that material and live performances but you have to be able to gel with the drummer first and foremost. Am particularly proud of the fact that the best drummer I ever played with said that my bass playing made his job easier.
  23. Lozz196
    Yep, been there, panicked unbelievably only for it to be something like that, hugely embarrassing.
  24. Lozz196
    Yes, I’ve got those in my Vintage Tony Butler Precision and they are near enough in sound to the 62s for me to have not bothered swapping them out.
  25. Lozz196
    You can’t argue with idiots, they’re generally far too experienced. Agree totally, they spend their whole lives like it, we don’t so are far too unprepared to deal with them when we unfortunately encounter them.
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