Lozz196

If looking for a more modern sound back off of the Drive and use your Gain for any fur/hair to the sound, the lows and highs are more extended. For more vintage sounds do the opposite, back off of the Gain and use the Drive, this seems to raise the bass frequencies and drop the high-end frequencies so more like an old valve amp.

A dark red tort would lend a vintage air to it.

Back in the 90s the rock band that I was in played a gig in Birmingham, on a Sunday night, to the bar staff for the first half of the set, then to one drunken middle-aged lady for the rest of the set. Our singer had a fairly husky voice, so in between songs said drunken lady hollered "Rod Stewart, give us another song".

Nice little amps, I had one as a backup for a while, surprisingly powerful little beasties.

I used one of these at the SE Bass Bash Cab Shootout, had a very warm responsive sound to it, as you say not much brittleness about it.

If a HW1 then from what I`ve read you have your hands on a good bass, not really read anything to the negative about these.

Looks like Fenders subsidiary company Fugly are making this one..............

You may be right Steve, at work the younglings seem very offhand to the ideas of bands etc. Now it may be cos to them, at 52, I`m old, but when I mention gigs/albums/recording sessions/video shoots etc the response is a polite "that`s nice" or similar. Whereas in my youth if anyone at work had been in a band touring, releasing albums, irrespective of their age I would have been listening to it all with both envy and admiration, hoping at some day I could do the same.

Pretty nice Highway 1 Jazz up for grabs: https://www.ebay.co.uk/itm/fender-jazz-bass-usa/142936735556?hash=item2147b17f44:g:bBMAAOSwXk9bmir6

That`s a really good idea. I use a different bass at home and the thought of a set of strings lasting 2 or 3 times longer on that bass is a good one. I`m sure I can get near the tone I want with coated strings, good call @Dad3353

Def, I switched allegiance to these this year and they sound great, plus they last much longer than any other strings I`ve used.

A guy I used to work with like Jazz, so this proves to me that people actually do. Because if he hadn`t said it I would have thought it an elaborate conspiracy theory.

That is some serious neck movement, if that`s happened without any adjustments I`d be taking it to a luthier who knows what they`re doing, I`d expect some kind of movement with the weather changes in autumn/spring but not that much.

All very interesting, will give it a try

Well it should all be fine, a 500 watt head into a 500 watt cab, plus you`re also leaving the option open to adding another of the 210s later on if you feel you need it. As the power from the amp is equal to that of the cab in theory you should keep an ear open for it struggling if you have a lot of low end in your sound but in all honesty if you use all of those 500 watts your ears will shut down long before the cab. Having a more powerful amp won`t necessarily mean more lows, in fact if you want a bigger sound I`d keep the current amp (provided you like the sound of it of course) and get another identical 210 - more speakers = bigger sound, which in turn sounds like there`s more low end. Doubling up on the number of speakers is one of those moments that is just grin-inducing.

I`m yet to try that but I know a few basschatters who do and they rave about it. Similarly I love the sound of my Precision/Para Driver straight to FOH. My amps have eq-bypass so I`m pretty near (I hope).

Yep, I`m a play-for-the-song player, far more comfortable laying down a good foundation for the attention-seekers singers & guitarists to wield their magic over.

Def new roundwound steel strings, then I`d go for boosted treble and upper mids (somewhere between 3 & 4kHz), drop some lower mids, then add in a Sansamp with eq set flat with some gain on it. Most studios have a Sansamp type plug-in.

They`re great little bits of kit, really punch above their weight. Although a Sansamp clone, as the tone isn`t quite so full-on they`re probably easier to get a workable sound with quickly. A mate of mine uses one with his Squier Matt Freeman Precision and it`s a really good combination.

Most important thing in my life at 20 was getting drunk. Playing bass/guitar, playing in bands and listening to music, were pretty important but without the getting drunk bit they didn`t hold any appeal. Now at 52 my very mature outlook on life dictates that the most important things to me are my health, being able to play my bills, and then playing in my band.

Sounds like some form of chemical reaction, happens with some people and certain strings. D`Addario are on here, and are very good at joining in on these types of posts, wouldn`t be surprised to see them along soon to offer advice.

Yep that woolly-ness that people associate with Ashdown is way off the mark imo. Sure they can make that sound, but it`s not all they do, I find them to be very flexible. I get my eq from my Sansamp Para Driver as I use a lot of shared gear etc, but I can get very near/virtually there on my Para Driver sound from both my RM500 and my ABM600. Much more versatile amps than many give them credit for. And a lot more cost effective than a lot of other brands too.

Nice one, glad it worked out Dave.

Yep, Vintage V4, and if you like a chunky neck, the Tony Butler version is excellent

Buy a used Epi, see how well you and said T-Bird fit together, as although they look/sound great they`re not for everyone due to the size and unwieldiness of them. If you decide all is ok, then splash for the proper one.