Lozz196

If you like the Markbass sound the NY121 cab is a great little one to have - so two of them would be very good to have. I gigged for ages with the CMD121 combo with an NY121 cab, which is essentially the same cab as the combo, and it was plenty for pub-sized venues. Nice and portable too.

In general for rock covers, especially if using the Precision I`d start with everything flat, then knock back on the low-mids and add in treble. If an option also add some high mids but at 2kHz or above. I`ve found that for pick use with a Precision the low-mids really jump out and can really get in the way, especially if guitar is a Les Paul. I know live sound is different to recorded but our producer also said that too much on the low mids gets in the way of the kick-drum, and gave me a demo of this. Was quite enlightening really. Simply backing off of the low-mids at around 400Hz suddenly gave the kick-drum a much better presence and also the guitar had a much better sound.

The Tony Butler is an excellent bass, a real quality instrument, and a real chunker of a neck. It`s pretty much an exact copy of a 70s Precision.

I think I was guilty of doing this until my brief period of playing Thunderbird basses. The neck dive into my pints cured me.

That`s a really good, powerful recording.

It looks like it’s been squashed.

Congrats, great basses the V4s, and am sure the VJ74 is equal in quality and playability.

Pretty much nails it for me too. We`re a 3-piece, both the other guys are my mates.

I`ve a set of Precision ones that I`m not using - if interested PM me.

I have a list of serial numbers but think that`s a good idea, photos and serial numbers.

Looks great, Si.

Think it’s a good idea, mainly for flying gigs where the bass currently has to go in the hold as the case is too big for the cabin but where they’ll let guitars on no probs.

Ok, just bought a new amp! But in fairness it’s the newer, lighter version of my Ashdown RM500. Looking at it I’ve bought a new amp and a new pedal, but both are newer versions of the ones I had, and both old ones are going to be in their way. So I don’t see this as adding to the fold, just updating, which makes me feel better.

They do feel and play really nice, but do think the price is more than their worth. But then I also think that about the US Standards, which are my fave btw, I’d say they should be marked at a grand, not £1500/£1600, I don’t think there’s a thousand pounds worth of difference between them and the Mex basses.

That’s exactly the way I use my Para Driver, it makes gigging life so easy.

I must admit I’ve never really understood the Pledge thing anyway, it doesn’t cost that much to record an album and release it - as the sales come in you recoup your money pretty quickly.

They`re meant to sound better when stacked vertically but I just look at that as an accident waiting to happen, be it with clumsy punters or clumsy bandmates. Horizontally would cause me less stress at a gig for sure.

Probably the best......

Very likely I’d say

No, from what I understand then each cab will get the same amount of power, so effectively each cone in the 210 will get double what those in the 410 get. That’s not to say it can’t be done though, both my 210 & 410 are 8ohns but I don’t put too many lows through them, nor have them too loud. If anything adding in the 210 is more for show than anything.

I’d say so, yes, but look at it as an achievement rather than negatively 😁

For me it was The Sex Pistols, as an 11 year old their sound was like something I`d not heard before, at that point I knew what type of music I wanted to make when I got older, and that`s what I did once I turned 15 and got a bass. Started a band, playing punk songs, wearing DMs and Fred Perrys. And at 53 not a lot has changed, pretty much zero development. Which is nice.

I’m pretty sure that @stewblacks post is spot on to the reasons why I’ve never bought an SVT as am sure I’d find most amps afterwards, well not quite so good, shall we say. Ive used them in the past at gigs and really like how solid and big the sound is. The only other amps that have slammed like that have been Ashdown ABMs, so I went that route - well I can lift those, after all.

Totally agree, seemed odd to me that people who support a music that essentially was an “up yours” to everyone would be so sensitive at having the pee taken out of them.

That’s an era I would like to have been around in. I was 11 when punk came in, but would have loved to have been able to be in the pubs watching those bands, especially Dr Feelgood.