Lozz196

I used one of these amps last week, was very easy to get a very good sound from it, GLWTS.

Warwick Red Label steel rounds are quite high tension. I switched to them from Rotosound and instead of getting 4 weeks out of a set of Rotos got 8 - 10 weeks from a set of Warwick’s. Cheap too, currently £12 for 45-105 at G4M.

There’s a certain irony there isn’t there, and I suspect many players with nitro instruments feel the same, get some wear on this thing, makes it unique to the owner.

He should turn up at the game today with his kit & ready to play, after all not like they told him he wasn’t successful.

That’s a beauty

I know a fair few who’ve done similar with swapping their Les Paul Customs for Tokai Love Rocks.

You can break up if you ever manage to all get together……

That’s what I always tried to do.

None

Yup, for pickups Tonerider. I’d also consider changing the electrics at the same time to a KiOgon (Basschat member) loom with Fender US specs. For one it makes the install of new pickups easier and secondly in many cases the reason Squiers sound twangier than Fenders is the pots, often 500s as oppose to the 250s that Fender use.

Very good point, I love my JMJs, they’re amazingly good instruments.

A few years back I played a Master Built Strat, it was hands down the best guitar I`ve ever played. I`d gone to buy an SG from a private sale and although it was a good guitar I left with it feeling decidedly disappointed after playing said Strat.

They`re the ones that make the new Fender Blingycaster

I’ve only played one Custom Shop instrument, a Pino Palladino Precision. It was awesome. Not sure I’d pay £5k for one (not that I could anyway) but it really was a superb instrument.

C - accept that these things happen. If it could be specifically determined who damaged it then take it up with them but if not then keep schtum.

I think @Baloney Balderdash has got it right, position C to approximate where a J pickup would most likely be situated.

Yep, 125 watts (assuming it’s exactly half power of the 250) into a 112 is a big ask in a band scenario. That amp might be ok with two of those 112s as a temporary measure but I’d be wanting a bit more I think.

Good call Dave, it’s not a race but a journey of hopefully enjoyment. For the amount of time I’ve been playing (43 yrs) I’m sure I should be better than I am but I’ve never not been able to play something that I needed to which to me is what counts.

I use Wenger backpacks for this, they’re waterproof, incredibly hard wearing and have multiple sections to put things in. I am going to be selling one (poss two) soon, let me know if interested (am fully paid up on here for selling items so not dodging anything).

Best me to it.

When I started out I took lessons to find out what the notes on the fretboard were, from there I bought the songbook to my fave album, Nevermind The Bollocks by The Sex Pistols and learned to play it. Very inspiring learning the songs of your fave band.

When playing at home I always have my compressor - Zoom MS60B set to the 160 Comp - as it really evens things out and is especially good for helping me on new material. But try as much as I can I can never get one to work for me live. I suppose I need someone to show me the right settings when I’m playing then to nail them into place so I can’t ruin them and mess them up.

See if you can borrow a short-scale bass to see if that helps. If movement is the issue then less movement than usual might be beneficial.

I think I’d capitalise on the Fender Rumble 112 by getting another one, then add in an amp head of choice - to be safe I’d look at a 500 watt head so as to not have to push it. Plenty of choice out there, and especially on here.

JMJ is your friend