bassbiscuits

For me its been a mixture of old fashioned methods. My missus put a notice up in a music shop (wow remember those?) next to a notice from a band looking for exactly the same thing. We got in touch, went for a few drinks and I ended up playing with them for 12 years! Rest has been word of mouth from people who've played with me recommending me to others; or people who've seen me play asking me if I'm available to do stuff with them. That in turn has just led to plenty of different dep jobs with various bands, which is what keeps my diary ticking over at the moment. EDIT - my search for my first proper band about 20+years ago, again in response to an advert in a shop, led to me speaking to the singer for about an hour on the phone one night. We got on like a house on fire. Eventually, we realised that we'd actually been in school together about 10 years beforehand, and from then on it was pretty much a done deal that I was in!

Went to see Ginger Wildheart about a fortnight ago (epic gig) and for something completely different, Emeli Sande on Saturday night. Gospel/soul/pop isn't really my thing ( I went with my wife ) but the vibe was really good, and the drummer, a chap called Jermaine Whyte, was brilliant.

I'd have thought that the original neck heel position is safer, being anchored in a solid block of wood, rather than screwing into the hollow upper horn. I sympathise tho - my JC was a nightmare for tipping forward and neck diving, but i just accepted it as a quirk of the bass as best i could.

Yes i'm reaching the age of needing a belly contour too - maybe i should follow your example ha ha. It looks stunning in that blue with competition stripes I get a lot of interest taking my (plain white) Mustang to gigs - mainly from other band members who start off going: "What's that little thing?" and a few songs in go: "Wow that bass sounds great!" Gotta love a Mustang.

How do you find the real thing compares to the MIJ red Mustang? I've only got a 1970 P and a 2015 MIJ Mustang to compare, and the old P has something more resonant, deeper and perhaps softer about the tone, but there's not a huge amount in it (especially when cranked live).

I love my MIJ reissue Mustang, but that is truly a thing of beauty, plus some good vintage mojo thrown in. And undoubtedly the best Mustang colour scheme. Nicely done sir.

Cool. I just need to find a good one near me and I'll be happy.

You're right - it's about 24 kg but it is awesome. I've got my eyes peeled for another 1210L or 1212L but they're surprisingly scarce.

Good work sir - I play some if I have to while depping but in my solo stuff I have a blanket ban on Oasis. I figure people can go anywhere to hear Oasis songs. They don't need to come to see me. And yeah, a lot of punters can't fathom that I don't know any ha ha!

Surely these days Wonderwall must be among the cheesiest, most overplayed songs ever? A Brown Eyed Girl for our generation, if you like. I remember nipping out from a pub gig to a cashpoint at half time and passing a beggar playing Wonderwall in the street with his dog. I got back to the pub and our band opened the second half with it.

I've still got my Sony hifi from 1997. Works perfectly apart from one tape deck button that's broken, meaning i can't do mix tapes for any members of the opposite sex I might be trying to pull. Hasn't really been an issue...

I used to lug around an Ashdown 8x10 and only this summer sold my Aguilar GS410. Both lovely sounding cabs, but just way too much for me to move around (usually by myself). Down to a single Schroeder 1210 now, and would love to go even lighter (with the neodymium version of the same cab maybe). I love the sound of a big, trouser-flapping box but not for me these days, or my poor back. It's inevitable I'll explore the lightweight route as the years since my 40th birthday fade into distant memory...

Have just come back from watching Ginger Wildheart playing at the Y Theatre in Leicester. Brilliant as ever - great mix of genuine warmth, witty banter and openness about his mental health problems. And a knack for writing absolutely cracking songs. Glad I made the effort to go.

Bonjour Monsieur Geserarien, et bienvenue a Basschat.

Tricky. I suppose my number one bass in terms of the one I've had longest, which means most sentimentally etc is my old precision, and I don't want to swap that for anything. The bass I rely on most though is a Yamaha BB604, which isn't worth much, and therefore I also wouldn't swap as for the same price I doubt I'd find anything I prefer. So for different reasons, I'd say stick.

Only used to be? World wide live was one of the first albums that got me into music back in the mid 1980s. Still sounds great!

Nice one - I've heard lots of good things about these and quite fancy them myself (I've got a shortscale Fender Mustang Bass).

Greetings from another Midlander (well Leicester anyway).

Hello Lololita, and welcome. Good to see you have the awesome Matthias Jabs as your profile pic too!

Worth adding that they are both really good variations on the same theme. Just depends which particular features the buyer is particularly looking for.

I'd imagine it differs as follows: 63 reissue probably has vintage frets, 7.25" radius fretboard, big vintage-style tuners, a simpler vintage bridge, probably vintage-spec pickups and possibly a nitro paint job. 2014 USA will have medium jumbo frets, 9.5" radius fretboad, the modern tuners, high-mass bridge, and poly-based paint job. I can't tell from the pics, but the 62 might have a wider nut than the 2014, whereas the USA might have a slightly narrower nut, but chunkier neck than the 62 (purely on my experience of USA Standard Fenders v vintage ones) So not that similar, other than them both being Fender Precision basses. I guess it depend what your buyer is after.