mcnach

I don't think it has anything to do with being harder or not... both metals are considerably harder than fingertips How rough a roundwound string feels is a function primarily of the wire gauge used to wind around the core. There's quite a variety out there. If you then get coarse strings that are also less flexible (they feel more taut)... fingertip killer, until you get used to them

It could be that they're rougher, not necessarily a 'chemical' reaction. There are some strings that seem like a lot more work on my fingers because of their coarseness, while others have tighter windings with lower gauge wire and they feel smoother. Over a couple of hours that's noticeable. If you play a couple of gigs during the weekend, on Monday the fingertips may feel a bit... sensitive.

are there any strings that aren't steel or nickel plated? (apart from obvious ones like tapewounds etc)

I find that in newly starting bands THAT is when you need eye contact the most...

How long are you into yours?

I don't know... I can learn 10 songs by Saturday, but I doubt I can write 10 songs with the band by then. We're not Status Quo

Indeed. But they work for YOU. So you have to make sure they know what YOU want, and that they do what's needed. If they are reluctant or refuse... move along and find someone else.

He doesn't seem to care to set it the way YOU want it, or maybe he doesn't know how to. Unfortunately the name 'luthier' is tossed around without regard for its real meaning and covers people who really know their stuff and build superb instruments (acoustic or otherwise) and people who barely know how to use a screwdriver. Definitely find someone else. And if someone says what you want is not achievable, ask them why. Just saying "due to build quality" or something like that is not enough. If it's a bolt-on instrument and the neck is not completely screwed up (very rare even for the cheapest instruments), it would be very strange if it could not be set up to have low action across the fretboard.

Quite a different animal. I had a pair of BB2 which were ok but I never loved them. I tried a Two10... and now I have two. Love those.

I was kidding, of course... my phone does capitals too. The user, however...

I'm guessing you mean Devine? I saw him with a funky coloured One10 somewhere, yes... But I think he's still very attached to his Vanderkleys.

I was using a phone...

8-10 weeks was what I was quoted the 3 times I had a bass made by them. Every time it was within that range. I think that was crazy quick for a completely custom-specced instrument. 20 weeks is not that long for an instrument you really want, but it may sound like a lot for an impulse buy.

When I lived in the US I saw drunken patrons too... (maybe not as much...). There is walking (I know, crazy, eh?), and when distances too long there are taxis. I don't know anybody here who relies on their own car for 'nights out in town'.

I asked because I'll be at Stramash on Saturday. In case you were there, to catch some of your set at least The Orange Terror will be set not too far from your settings above Maybe people are starting to notice.

Next Saturday? Not in Stramash by chance?

oh god... really? are we having snowflakes here too?

a phone without full stops?

Good price too. (I don't need one 'though... I have a J-Retro, a U-Retro, and an MMSR in my collection from when I had a few more basses)

I just noticed that the knob spacing on the control plate is exactly the same as in the J-Retro preamp, which is my all time favourite preamp for a 2 pickup bass and they are easy to find used...

I recently removed the PBXN from this bass (see OP) and installed a set of Fender Originals I had, as I wanted a more 'traditional' Precision sound now.First thing I noticed was... Those PBXN were loud!!!! I'm keeping the pickup, I just wanted a different vibe (to use with Labellas White Nylon copper strings)... I'm sure I'll use the pickup again.

I thought the shop would have to refund you and it's for them to get the money for whoever they bought it from? (as in, they need to record the details of any used gear they get and their owner)

so true! my main band was hired once for a casual dining/drinking place, supposed to play between 9 and midnight. Even 'though we kept the volume down (using an electronic drumkit etc), our music is not exactly soothing background. A couple of tables asked to be moved away from the improvised stage, unsurprisingly, as they were to have a meal and chat. It was embarrasing for us to be there, to be honest. We finished the gig (later in the night it got a lot better, volume was turned up and people danced) but the interesting thing was that it was *us* who had to tell the venue that it may not be a good idea to host this kind of gigs at that time of the day... some venue managers don't seem to be very much in tune. Others think that hiring the cheapest 4 guys with guitars will be a hit, and get surprised when the audience doesn't really get into the music they're murdering...