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Everything posted by mcnach
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Yup. Most don't seem to put the MM pickup at the Stingray position. Weird that.
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No EQ issues here, but I suppose you can use an EQ app and have a preset saved that you can apply when you're using your phone with the NUX? I have a handful of different EQ presets, depending on what speakers/headphones I'm going to be using, so maybe this is why I didn't notice any bass-heaviness on mine?
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That's the very same one I got. Same seller. He was just advertising for a bit more, so I got mine for £135. Love it. Now that the tuning is pretty stable it's a lot of fun. It took several days of constant retuning to get there, 'though. Warning: I like it a LOT... but it's making me look at the Gold Tone 23" solid body basses with lewd (not literally, but you know what I mean )... I might get one of those too. They can take standard flatwound strings too. Labella makes a set specifically for the Gold Tone basses.
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Mine looks much like the picture above.
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What desktop studio monitors size amplification for home practice ?
mcnach replied to basskit_case's topic in Amps and Cabs
I've got the 4.5" version. Pretty happy with their sound. -
Mine also came with a few too many turns of string on the A tuner post :shrug: Fun little bass eh? Amazing how well built it seems to be.
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They vary. The MB-5 SBK (black 'stealth' Stingray style) is 16.5 mm. Mine weighs about 9.5 lbs. The JJ55OP/PJ55OP are 18 mm. I've got one of each. The JJ is around 9.5 lbs as well and the JP closer to 8.5 lbs if I remember correctly (there is a thread about those basses and I stated the actual weight there).
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SBMM SUB is 16.5 mm. The USA SUBs were 17.5 like the Stingray 5.
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YouTube Bass Play-Alongs and Bass Tracks + TABS
mcnach replied to Bart Funk Bass's topic in General Discussion
Merry Christmas! -
morning or afternoon?
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That's the seller I got mine from. Took 2 days to arrive.
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The first few days were the worst, the first week even. After a week or so, I still retune it everytime before I use it but it's now just a very small adjustment and typically only on the D and G strings. Of course, now that it is stable enough... I just received the Aquila Thunderbrown strings, so the whole process will repeat The Ashbory with silicone strings took a lot longer to settle, but it was a cool bass. I wish I had kept it, it would sound a lot better with the strings available today.
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This Royal Mail strike is really something....
mcnach replied to lidl e's topic in General Discussion
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Looking at their username, I bet they forgot.
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The tuners are not great, it's true. The ones on my girlfriend's PB-20 SBK were equally bad. One chewed itself out the first time the bass was restrung. The tuners on the MB-5 SBK look exactly the same. Mine are doing ok so far, and I've used the bass a lot (gigged with it over the summer too), but they won't last long. At least it's a cheap bass. I've seen the same on £1300 SBMM Ray35 basses, which is insane.
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Not exactly NBD as I've had it for just over a week... and that's nearly as long as it took for the strings to stop stretching and the tuning to stay relatively stable. Which was great, as I was starting to think that I would never ever be able to play this thing in tune! I've been curious about these things for a while. I owned one of those Ashbory basses with silicon strings years ago. It was ok but never really gelled with it. However I have listened to a few of these 'uke' basses and they often had a 'doublebassiness' vibe that was missing on the Ashbory. I recenly came across these "Batking" basses (made by a company called Musoo, you sometimes find them under the Musoo label and others) and for £135 delivered... I had to bite. There's a channel on Youtube where you can see this (and others) in action. The woman does talk a lot but there's good info in her videos... It's great fun, it's got a basic 3-band EQ and tuner built-in, standard 1/4" output socket and an XLR... and sounds pretty good once the strings settle in. There's a fretted version too, and a solid body one as well. The solid body may actually be a good thing if you're planning to use it live. I took mine to band practice last week and it worked great but there were a few times when I got terrible feedback... you need to be careful the amp is not pointing at the bass, easy to avoid, but a solid body would probably make life easier in general. That's the very bass, with the strings it came with: and this is the same bass with some rather tasty Aquila Thunderbrown strings:
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It's not hoarding if you remember their names and their favourite strings.
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Narrow, 16.5mm.
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I see no problem with people not wanting to post, when they clearly state so. EBay gives you more exposure, even locally, than Gumtree etc, purely because more people use eBay. Regardless, it's the seller's choice. People have different priorities/preferences, there's little to understand.
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It seems likea lot of effort when a simple no would suffice :shrug:
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My story is a little similar but with different outcome. I've tried 5-string basses on and off over the years. Didn't gel with any. The MB-5 was cheap enough and I like the Stingray type of sound... but I never like 5-string basses, do I? I hesitated and my girlfriend bought it for me. I loved it. It was well balanced, reasonably light, and I loved that neck. Of course, it had to sound good, and it did. I considered putting a preamp in there to make it more like a 5-string version of my main bass... but I enjoyed the passive controls. So much, that I just kept playing it and I finally 'clicked' with the 5-string and now I am "ambidextrous" 😝 The MB-5 led to a couple more Harley Benton 5-stringers, a JJ and a PJ (JJ55OP and JP55OP), and more recently a Ray35, so I get the versatility of the preamp for when I want that stuff, and the MB-5 for others. Aaanyway, I sound like grandpa and his stories... To answer the OP, I've kept mine stock. I'm not shy when it comes to mod instruments, most of my guitars aren't stock. But sometimes an instrument just fills a niche as it is and I don't want to change a thing. The MB-5 is one of them. The one thing I'm tempted to change is the bridge. Not that there's anything too wrong with the existing one, I just would like a slightly wider spacing and the fingerboard is wide enough to allow that... but I'm not in a hurry. Oh, I lied! It's not stock... I didn't like he tortoise-shell effect type pickguard and had a matt black one made:
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Can't really pick one... ufff... Some of my favourites are Walkabout, from One Hot Minute... an album that doesn't get much love but I think it's got a lot of great stuff. Hard To Concentrate, from Stadium Arcadium Suck My Kiss, from BSSM (I could have picked any of another 6-8 from that album) ...
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I tend to put it first, followed by an HPF/LPF pedal (actually a Broughton RFE, so it's LPF+HPF with adjustable resonance peak and EQ for mids (semiparametric)). Essentially I place it where I would place an overdrive, regardless what else I add.