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mcnach

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Everything posted by mcnach

  1. If it's new from a shop, I'd get them to fix it. Unless I really liked the bass. All it likely needs is a tiny tiny shim. I notice some here think that's a problem, but I disagree. It's a very effective and common way to fine tune the neck angle on mass-produced bolt-on neck instruments. Many include a shim from factory, which you only find out when you remove the neck, and I'm not talking about budget instruments exactly. So... if that were my bass and all I didn't like was that, I'd keep it and address it myself. You can get the shop to take care of it but either you'll have to wait, or you'll have to wait AND receive a new instrument which you may like more or less than this one you have in your hands: so if I really like it, I'd keep it... and depending on how impatient I feel I'd either do it myself or talk the shop into sorting it out.
  2. [quote name='ead' timestamp='1483620538' post='3208710'] I was looking at these and contacted one of the shops. The say the supply came from Fender. Here's a pic of the s/n that they sent me: [attachment=235307:$_12.jpg] The prefix and everything looks right, but I can't find a reliable source to say whether the first two digits refer to the yob as the shop is saying it's 2015 (which I thought was after they were discontinued). Can anybody shed any further light? [/quote] The first two numbers indicate the year indeed. That's a 2011. edit: I found I had a picture of my 2014 Matt Freeman made in the same factory, as an example:
  3. [quote name='LukeFRC' timestamp='1483537780' post='3208009'] You meantion a blend control... in the middle position is it both pickups at 50% or both pickups at 100% (mn type I think it's called) that will make a difference to the sound of it [/quote] I have noooo idea. Chris McIntyre did the initial conversion for me and when he asked "hey, how about a blend rather than VVT configuration?" I said "hmmm, sure!". That's as far as that conversation went and I have no idea what kind of pot was used. I didn't even know there were different kinds! I do like the result now, 'though.
  4. as the original poster, I thought I'd add that... I got tired of them Nice feel and sound, but... I missed my usual stainless steel roundwound sound. So after I sold the ATK300 I haven't bothered buying those strings again. They do have their uses and I'll keep them in mind, but I personally prefer the good old roundwound stainless steel string after they lose their initial OTT brightness.
  5. [quote name='krispn' timestamp='1483509985' post='3207713'] Surely this bass should be renamed the Hack Freeman JJ [/quote] ha! I had thought of Huge Hackman JJ as it's been hacked at so much
  6. [quote name='funkydario' timestamp='1483474506' post='3207511'] Very very nice Filter...just got one today. Next is the Hub for the midi.. GLWTS !! [/quote] It is! I just get too distracted with pedals that have so many options I own the original bigger and plastic Bass Envelope Filter, without presets and simple functions, and it just suits me better. I thought I'd just dial my two favourite sounds into the presets of the Manta and be done, but I can't stop tweaking and messing about... so I thought I'd just keep the old one. If you give me too many options I just spend half my time twiddling buttons instead of just playing
  7. [quote name='fiatcoupe432' timestamp='1483345673' post='3206292'] Hi all , after 12 years living in the uk me my wife and our 2 yo son we thinking of relocating to Wroclaw in Poland . I'm italian and my wife is polish but we have been living in uk since 2005. Now...... I love the uk and I have a very good job , not good money but a job everyone would def love. I work on one of the most amazing place in uk Bantham . I work 6 month of the year full time 3 month only 2 days a week (weather permitting ) and 3 month off of course paid all year around around £18000 a year before tax . This job give me lots of time on concentrating on music . In 2013 me and my band realised our first album which sold over 80000 copies been voted iTunes best of 2013 , let's say I had axing experience and lucky to achieved this , played amazing shows tour America couple of times etc. then lots happened we took 2 years break and started writing again . However this is the part where my wife decided to move and i do feel a bit i need to supported me in this as she supported me in the last 5 years and i also could do with a scenery change btw we both 34 . Any polish people here know about Poland music scene?is it easy to find job , i speak English Italian Spanish a bit of French and still learning polish.I be been in Wroclaw lot of times and amaze me every time. Thanks for your advice [/quote] Sorry, I have nothing helpful to add... but my girlfriend is from Wroclaw and I love the place too. I never miss a visit (or five) to Spiz everytime I'm there Make sure you post here when you're settled in Wroclaw and gigging there, and I'll come and say hi
  8. Sorry I cannot help... lovely basslines on that album 'though. Voulez Vous, the album and the song, are favourites of mine.
  9. Oh no! I never met him personally, and my only contact with him was a few emails when I wanted to order a pair of TKS S112 in blue tolex... it was close to Xmas and he was so helpful and generally nice... Way too young to go.
  10. [quote name='TrevorR' timestamp='1483314374' post='3206189'] That configuration has a really great look to it. Nicely proportioned - which given how far the pickup has moved is a real surprise. Nice! [/quote] Thanks! I thought it might look a bit off, but it seems it works alright visually. I think having both pickups equidistant from the pickguard edge makes it look balanced.
  11. [quote name='dannybuoy' timestamp='1483306652' post='3206138'] Next mod - triple pickups! [/quote] Ha ha! no, I think I'm done with this one now although it could be cool to have three pickups and a 5-way pickup switch like a Stratocaster where you can also get the two outer pickups on, for 'Jazz' sounds... Maybe next Xmas if I spend too much time at home without anything else to do
  12. [quote name='Fisheth' timestamp='1483302310' post='3206081'] Nice one, I'll have to hear you play it sometime! [/quote] If we play near you I'll let you know! I'm really liking it, so much so that I'm thinking I should have maybe left this one as 'Jazz' and have the Maruszczyk be the JJ... ah well! I do want a 'nice' Jazz, which the Maruszczyk will surely be.
  13. [quote name='SpondonBassed' timestamp='1483282457' post='3205873'] I can understand the guitarist wanting more top end but unless you are slap-happy, as a bassist I'd imagine it isn't such a problem. Let us know what you think? I like the idea that you aren't injecting sound into your ear with those. Additionally, taking the eardrum out of the process altogether might turn out to be advantageous in my case. [/quote] Well, I want to hear everything, not just myself ;)It's an issue for everyone in the band, not just the guitarist, if it means he ends up turning his amp or his monitor higher. Las gig was at a place with a very bad stage, very boomy box type of stage... I turn down the low end in my bass a lot onstage and we generally avoid a lot of bass frequencies onstage or everything becomes mush. If you have high volume onstage there you have the same effect. It's just not ideal. As for hearing the bass better... I don't know about you but what I need to hear from my bass is something that gives me a good pitch recognition, not masses of low end. Pitch recognition is all on the midrange. It may sound bassier overall, but if the pitch recognition is not improved...
  14. Two gigs now with the bass in this configuration... and it's a winner. I ended up just leaving the two pickups on (parallel) and it has enough oomph and enough definition and sounds very good. A very different sound from a Stingray or a Jazz. Nice slap tone and fingerstyle. Success! It'll stay as it is
  15. [quote name='Beer of the Bass' timestamp='1483194099' post='3205346'] [media]http://youtu.be/3vmPwZT-9zY[/media] [/quote] After Cato's message, that's the song I had in my mind, yes... thank you soooo much
  16. Flare earplugs... my guitarist last night admitted he's not liking them after the initial honeymoon period. He says he cannot hear his guitar as clearly as he needs and that's the reason for extra loud guitar in his monitors, which is starting to throw us off.. Apparently they are very comfy, that's true... and they look great.
  17. [quote name='Cato' timestamp='1483120231' post='3204882'] The P-Sting? Sounds a bit like an STD. [/quote] I hate you! Now I can't 'unsee' that... I was going to go with P-Ray but I didn't want it to be mistaken with a religious message. I'll do my best to forget what you said... but the bass is already ruined for me
  18. As I said, I didn't want a Fender logo or anything like it, but I didn't want an empty headstock so I had to come up with something. I'm no graphic designer and my ability is very limited, so I just made something very simple and sent it away: At least it indicates its provenance, and what it tries to be Not the prettiest logo but it'll do.
  19. [u][size=5][b]Background:[/b][/size][/u] I bought a Matt Freeman precision a while ago, as backup to my Fender Classic 50s, which was my 'goto' bass for a while. It was a lovely bass. It looked like this: I played a few gigs with it, but lovely as this bass is, its role as 'backup' was not really required, as I soon had my Maruszczyk Jake P/JJ which was a fine bass indeed and between the Classic 50 and the Jake I really didn't need three Precisions. However, I liked the idea of a Jazz with a Precision type neck. A lot. It led to my briefly owning a Roadworn Jazz with a RW series maple Precision neck... but I really prefer the smaller Precision body. So I converted the Matt Freeman to Jazz. There's a thread about it here: [url="http://basschat.co.uk/topic/289660-not-quite-nbd-matt-freeman-precision-to-jazz-conversion/page__hl__matt%20freeman"]http://basschat.co.uk/topic/289660-not-quite-nbd-matt-freeman-precision-to-jazz-conversion/page__hl__matt%20freeman[/url] It essentially ended up looking like this: I later changed those Nordstrand NJ4SE pickups for a set of my favourite DiMarzio Area J with cream covers, and since I was at it I put cream coloured knobs too: I used the bass in this configuration in most of my gigs in the past couple of months or so. For some reason it does not have that Jazz tone. I'm very familiar with those pickups, and they were placed at the correct positions... I checked and double checked... but it sounds nothing like my Squier Jazz with Area J pickups. The bridge pickup was very nice, the neck was also very very nice, but both together had a weird resonance that was not very Jazzy... I can't understand it. Still, it had a lovely spot where I turned the blend knob slightly to the bridge, just where it changes from the "two pickups full on" but without getting to bridge alone sound... and luckily that position was achieved by aligning the knob marker to one of the pickguard screws, so I could get the sound easily everytime. It was lovely. But I have a Maruszczyk Jake with Jazz configuration coming soon and I have time in my hands right now... so I decided to go for something different here. [size=5][u][b]Episode IV: A new hope[/b][/u][/size] I had a new pickguard made by SIMS and I'd move the neck pickup closer towards the bridge. My experiments with an old OLP suggested this could be quite cool. It may get a bit of a Stingray-ish vibe, but pretty distinct from it, and a very focussed type of sound. Let's see. The mod would also be quickly reversible in under 10 minutes: loosen strings, swap pickguard, move pickup, screw back on and tighten strings. Ok, so I removed the pickguard to reveal the routing underneath: I placed the new pickguard on top so that I could mark the new pickup position and know where to hack away... and I mean hack, I'm not a subtle wood worker A lot of the space needed was already empty as the original P pickup routing overlapped with the new position. I started chiselling softly with a wide chisel to mark the boundary. I used masking tape to help me avoid chipping the finish too much (note: use VERY SHARP chisels!!! mine weren't that sharp anymore and I didn't do great). I marked also the edge of the pickguard to make sure I don't make the hole too big: And with the help of two smaller chisels, I started to carefully remove wood... Ok, it is not a very elegant job, but I didn't remove much more wood than needed and the bottom was reasonably flat and level with the existing route... that would do! Time to reassemble it! And the Matt Freeman JJ LIVES!!!! Sounds? Well, the neck pickup in its new location has a lot of midrange bark that reminds me of a Precision, but it does not sound like a Precision... In its original location it sounded fat and was reminiscent of a P, here the sound is a lot more define, a lot less bottom end, but that Precision midrange 'bark' is there... it's a different sound. Panning between the two pickups is almost like having a wide peak mid-range semiparametric EQ control. Both pickups sound very different, but they're both two flavours of the same type of sound, if that makes any sense... With both pickups on there's a slight mid scoop, but nothing like on a Jazz. I found a sweet spot where I turn the pan slightly towards the neck pickup, where I get a very defined tight bass sound with just enough low end and the right amount of mids... It doesn't sound like anything else. Does it have anything in common with a Stingray? The line between the pickups is pretty much where the middle of a Stingray pickup would be, just a fraction higher towards the neck, and the pickups are wired in parallel, as the two coils in a Stingray. The area covered is a bit wider than that covered by a Stingray pickup. So does it remind me of a Stingray? Absolutely not. Nothing like it whatsoever. I'm surprised just how different it is. When I played in the OLP I could get sounds that had some 'Stingray spirit' in them, but this doesn't. It's true I never placed the two coils so far apart as in this example. Well, I put new steel strings on, and I'll be using this bass at tonight's gig. Let's see how it behaves live!
  20. [quote name='blablas' timestamp='1482948475' post='3203713'] The sellers store name was louyuan yan, but his store is not active anymore. [/quote] thank you. I chose my seller based on the feedback and reviews. The only one thing that made me a bit nervous was that there were a couple of reports of damage in transit... but the seller seemed to act quite fast to correct the issue either through replacement or repair/parts... we'll see
  21. [quote name='Meddle' timestamp='1482943323' post='3203666'] [...] the Chinese instruments are built to deceive. I think the key difference is that the Japanese manufacturers were trying to score sales by producing a good quality product, whereas the Chinese builders on Aliexpress are deceiving the buyer and hoping to win sales by simply offering a Gibson Les Paul for sub-Epiphone money. You are buying into a scam, ultimately. [/quote] It depends. Some instruments attempt to look like Fender, Gibson etc instruments. I don't think they try to deceive the customer. The customer knows full well what they're buying: a counterfeit, of lower quality, which may look the part. I'm not a fan of that kind of business. Some builders offer you options that just are not available in bona fide instruments, or are willing to build something that does not resemble another manufacturer's instrument. They're generally build cheaply, but again, the buyer has a good idea of what they're buying. There may be someone who thinks their left-handed Les Paul in a completely unseen before colour is a real Les Paul despite costing only $200... but that's not going to be the average customer and that person is simply deceiving himself. A while ago I bought a Sue Ryder Precision. I did not expect it to be as good as a Fender, for example, and it wasn't. But it's an instrument that with some minor attention works well and I still use it. I turned it into a fretless and it's an instrument that does its job well. Sue Ryder did not attempt to deceive anybody, and the headstock shape and name reflected that. You can get the same sort of treatment from many builders in Aliexpress. Counterfeiting is not what they're about. They're about sales and will sell anything you want if they can make it... You want a cheap custom spec bass... you can certainly order that. [quote name='Meddle' timestamp='1482943323' post='3203666'] Chinese luthiers can, and will, produce brilliant faultless instruments, but that is a different market to Aliexpress.[/quote] Not at $200, of course not. It would be ridiculous to expect that. Some sellers do give indication that they can, if asked, built something of quality. They don't charge $200 for those, 'though. I think the problem is too many people have been blinded by greed and somehow convinced themselves that they can get a $2000 worth of instrument at $200 because it's China, and it just doesn't work that way. [quote name='Meddle' timestamp='1482943323' post='3203666'] From what I've read from people who have gone to the effort of commissioning Chinese-built products, you basically have to watch them like hawks and communicate clearly about every aspect of the build you want included. They may try and swap out components with inferior equivalents, or simply install the pickups in the wrong place or finish in the wrong colour.[/quote] Having dealt with Chinese businesses at my job, I'm very aware of communication issues. It can be a real nightmare. It pays to write concise and clear instructions... but even then misunderstandings do arise, it's true, ha! Still, they are not stupid and they want you to be happy so that you give them your money. They will work with you, you just need to remain focused, feed information in bite size chunks, and remain polite. Trying to give you lower spec components than specified? There are crooks in every country. If I commissioned a serious instrument I would have researched the builder and I'd be satisfied they are genuine. If you commission a budget instrument, there are no such issues, yes, of course you will get cheap components. You can see on eBay pretty much what kind of components you'll get. They will work. But if you buy a budget instrument with view to upgrade and modify it, that fits the bill perfectly. Wrong colour or pickup in the wrong place? They don't get paid. Simple. The seller I'm dealing with asked me for colour examples, he saw them, and was happy they can get something close enough and his words were something like "I'll send you pictures after staining. If not happy, we will change it". Aliexpress does not release the funds to them until I receive the item and I confirm it's ok. [quote name='Meddle' timestamp='1482943323' post='3203666'] However there is no reason for you not to get a good instrument from China at the end of the day; it just simply isn't the same as getting a British luthier to build a custom bass at a fraction of the cost. [/quote] Absolutely. Nobody suggested otherwise. There's a reason why I have an active order with Maruszczyk right now and I didn't think of going to Aliexpress for that one: I wanted a *good* serious instrument on that one. I also paid quite a bit more (although I still think it's a steal, those guys make superb instruments). There are many reasons you may buy say a VM Squier bass. Usually you don't buy it because it's the best you can buy. You buy it because for whatever reason you don't want to spend more than X and you are happy with the quality of that instrument even if it's not the best. However the selection is limited. If all you want is a Jazz or a Precision and you like the available colours, you're in luck. What if you would like a budget instrument in another configuration, colour, whatever? Well, if you're one of these people who enjoy taking instruments apart and doing work on them, some sellers in Aliexpress may just give you that possibility. That's my approach, anyway. I could be wrong! Time will tell.
  22. [quote name='blablas' timestamp='1482937630' post='3203624'] Something like this? Been there - done that. However I needed to do some work on it before it was a player. - Aligned the pickups to the strings, the bridge pu was moved over by 3 millimeters, the neck pu by 1 millimeter. - Due to the moving of the pickups I also had to move the pickguard. - Reshaped the nut, they just put on a right handed one so this needed to be seriously modified. - Gave the tuner bushings a few knocks on their head, they were mounted crooked. - The fingerboard had several less good looking and finished spots, re-finished these. - Crowned the frets where needed and polished them, they were level but rough finished in a lot spots. I just can't and won't cope with this reversed crap! - Done a full shielding of the controls cavity, there was none whatsoever. - Made a thumb rest. - Made a new truss rod cover. - Replaced the strap holders, what was on there was mounted with very thin and short screws, to leave those would have been waiting for an accident to happen. - Checked if all the screws and bolts were tightened and if they weren't tightened them (more often than not they were loose!). - Did a full and thorough setup. Rebuild diary can be found [url="http://theharleybentonclub.proboards.com/thread/669/lefty-rickenfaker-4005-aliexpress"]here[/url]. [/quote] very interesting read! and those truss rod covers are fantastic!!! well done!!! ah, I wish I had access to that kind of technology! Glad all the misaligned parts were easy to realign. My pickup will be routed onto the body, no pickguard, so no much room for misalignments there! Although it would be easy to create a pickguard for it afterwards if needed. Hey, I bought a Retrovibe that had its bridge pickup misaligned with a slightly enlarged pickup route, meaning that it fit nicely on one end and left an unsightly gap on the other. Fortunately it was easy to fix by modifying the pickguard so that it was a bit larger, and David from Retrovibe was happy to pay for it. It's the kind of work I am well prepared to do. It doesn't scare me... heh, in fact right now I am taking a rest before I tidy up my Matt Freeman Squier Precision... I had it converted to Jazz configuration, and now I just moved the neck pickup towards the bridge. I got a new pickguard done, and I've been chiselling away making room for the pickup where I want it. You can't leave tools near me when I'm not at work or gigging... I'll have to do something I had to laugh at the nut, 'though. Really? A right handed nut? It does show how little the person(s) making that guitar knew or cared. Do you remember what seller was that?
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