mcnach

[quote name='Painy' timestamp='1436978583' post='2822537'] Just ordered one of these from GAK as I needed a distortion pedal for when my band covers Ace Of Spades (just doesn't quite work with a clean sound). After watching the various YouTube demos and reading this thread though, I'm now thinking I may actually use it as an always on pedal for warmth and growl and just crank it when I need a full on overdriven sound. Should arrive tomorrow so looking forward to having a play with it at Saturday nights gig! [/quote] I'm not sure it would be the right noise for Ace of Spades, its strength lies in lower gain sounds. But with the treble knob up a bit you do get a pretty dirty sound, who knows? Let us know how you find it!

[quote name='Jus Lukin' timestamp='1436969056' post='2822431'] After some judicious use of masking tape it does appear that lots of the switches and sockets weren't airtight and were causing lots of the noise. As I'll likely never use most of them a little tube of silicone will probably help no end! The wheels do rattle a little bit too which wasn't unexpected- I'm sure they can be damped somehow if it proves intrusive. The only other thing is that distortion kicks in pretty early either on battery or mains even with a passive bass. It's only when playing out that I'll be able to tell if I can get enough out of it, and how much bass I can cut before I lose the right spot in the mix. In my living room I've been running it with the treble fully cut and bass at 12 o'clock. Thanks for your help so far, but again, how's yours for clipping/speaker breakup, Mcnach? Mine seems to have trouble after about 9 o'clock on the volume with a P-bass with rounds. It's always hard to gauge volume out of context, but at that point things in the living room were rattling sympathetically, so hopefully it will be adequate! [/quote] I think I'd try for a replacement, that doesn't sound right Mine does not distort, and I have played it with passive (Precision & Jazz) and active basses (Stingray & Jazz + J-Retro preamp), including some bass boost from the onboard preamps on the active ones... I also used it with a Zoom MS-60B, using some of the synth effects... It's not the best bass amp in the world, but I had no issues with rattling or distortion or the noises you mentioned. I'd get a replacement, really. Someone I know has recently bought the 12" speaker version, and he seems to be ok with it too. I think you got unlucky.

John bought my 1996 Fender Jazz 75RI today. Couldn't have been easier! Thank you, John! I hope you enjoy that bass... I'm missing it already, but it deserved going to someone who would really use it.

[quote name='KevB' timestamp='1436894861' post='2821836'] I probably should qualify that all my observations about overrall bass tone are strictly for my 'real world' situations. I play rock n pop covers in pub bands. If I can hear subtle differences in sound in isolation but they are not translated into a difference in sound when I'm playing in the band at gigging volume they are irrelevant to me. I'm only really interested in what the audience hears. This just doesn't apply to strings but changes in pick ups, amps, cabs etc. It's only when they make big enough differences to be noticeable in the 'real world' that they are of any consequence to me. I never practice at home using my gigging rig. [/quote] same here! to be honest, a large part of what makes me like a string is the way they feel, the way they "bounce", as well as the actual sound, so for a pair of string types that sound the same to me, perhaps I still prefer one over the other based purely on feel. Feel is very important as it affects the way I play even if they sounded the same. Some strings just don't have the "meatiness£ that others do. This also means that I may prefer different strings for different basses depending on their setup and what sound I go for (different sounds for different bands...). I agree that much of the audible differences are lost by the time you get the full band going in a bar environment, but the way they feel will affect the way I play, or the way I feel about playing, which affects the final result and my enjoyment of a gig, of course.

[quote name='Jus Lukin' timestamp='1436892769' post='2821816'] Finally got round to ordering the QTX, and it arrived this afternoon. It has many features I don't need, but seems to sound fine for it's intended purpose. I'm having some real trouble with noise coming from the back panel though- did you find any thing like that Mcnach? There are some definite points of air leakage (I can literally feel it puffing from a couple of the switches!), so hopefully it's just a case of plugging or gumming up the right spots. Not sure I'll take it to rehearsal tonight, just in case it is a faulty unit... [/quote] Hmmm, no, mine didn't do that [1]. It did develop some rattling after a couple of months... it sounds like there's a loose nut/washer inside, but I had been taking it places and not being particularly gentle with it so I wasn't going to go back and moan It's still ok. There's some hiss, plugged/battery with/without instrument attached, but it's not audible on the street or in a bar with people around etc. [1] more correctly: I have not noticed anything like that. I have not checked, or felt I had a reason to check.

[quote name='KevB' timestamp='1436889574' post='2821766'] Someone bought me a set of Roto's for xmas so I swapped them for the Coban strings on my US precision, through my rig in a band context I couldn't hear any noticeable difference. The Roto's were just about done by last month so i changed back to a new set of Coban's. No one at a gig or in rehearsal has made any comment about any change in tone (other than a new set obviously sound a bit brighter for a while). I can't tell any difference in guage between them and the previous set of Roto 45-105's from the feel of them either. Not bothered to try to measure them. [/quote] enjoy them, by all means! I'm actually envious!

I wouldn't... if I wanted a 5-string, THAT Lakland would be it

[quote name='KevB' timestamp='1436781632' post='2820591'] I seem to have gone against the general consensus. After years of trying various manufacturers (rotos, elixirs, ernie ball, elite, fender own brand, others I can't even recall) I came to the conclusion that one 45-105 roundwound stainless sounds much like another, there were other parts of the process that were having far bigger influences on 'my tone' than the string. So I just looked around for a cheap reliable string of the type I wanted and ended up with these; [url="http://www.amazon.co.uk/Coban-Guitar-Strings-Deluxe-DCG3/dp/B00A3HGGP8"]http://www.amazon.co...3/dp/B00A3HGGP8[/url] No issues so far. [/quote] I tried them (at that price, I had to!!! ) They are not bad, but they didn't sound great to me. I replaced them with a set of Fender steel 7350M and the bass sprung to life by comparison. I guess if you like stainless steel strings after they've been on for a while, the Coban ones can be ok. The gauge seemed strange too, they did not measure what the packet said, but a little less. For cheap stainless, I like the Red Label Warwick. They're only about £11-12, and they sound pretty good. A little rough on the fingers, but I soon get used to it. This reminds me, I have a set of S.I.T. stainless strings to try, I should do that soon... my Jake needs restringing so it should be a good opportunity.

... and if someone is near Liverpool and wants one.. I just noticed this! [url="http://www.ebay.co.uk/itm/Squier-Black-Matt-Freeman-Signature-Model-Precision-Bass-/111716991312?"]http://www.ebay.co.uk/itm/Squier-Black-Matt-Freeman-Signature-Model-Precision-Bass-/111716991312?[/url] disclaimer: nothing to do with me!

[quote name='Twincam' timestamp='1436621051' post='2819598'] I do like rounds for tone but I cant get past all the string noise. I really admire players who can play clean with rounds. Maybe as I evolve and get better as a player I might come back to them. I know part of the problem is me dragging my fingers.[/quote] Try cutting down the high treble it helps me a lot