mcnach

I thought someone here might like this. I have no connection whatsoever with the seller... [url="http://www.gumtree.com/p/for-sale/musicman-stingray-bass-hard-case/1037894688?mpch=ads#photo-content"]http://www.gumtree.com/p/for-sale/musicman-stingray-bass-hard-case/1037894688?mpch=ads#photo-content[/url]

[quote name='allighatt0r' timestamp='1383554078' post='2265653'] I have the receiver on the floor, next to my amp and next to my TC PolyTune. I did have a big fan next to it on Friday, which may have made the difference there, but that fan was other side of the stage on Saturday night. I also tried moving the receiver to the top of the amp but it didn't seem to make a great deal of difference. Maybe I need to get a bit scientific in the back garden, test the actual line of sight distance that I get and then call Line 6 support with my findings. [/quote] Hmmm, that does not seem very different from what I do. It's either on a pedalboard infront of me, or beside the amp on the floor, protected by whatever seems convenient (pub gigs: under a chair, typically). Or I put a guitar stand over it so that nobody steps on it. Sometimes even behind the amp. At home I tried it set in one room and I just walked about the house. I could still play on the other side of the house, several rooms and doorways away, so no line of sight whatsoever. You're a little far from me to offer to test both side by side, but maybe someone else can help you. At least try what you suggested, in teh garden, and see how far you can go. You should be able to get more than 30 feet in any situation, I would imagine. I have not personally ventured terribly far while playing, only testing it. But my guitarist is a bit of a show off and constantly tests its range. Once we played at a beer garden, and he went outside on teh street, a good 25m or so away (the G30 is supposed to reach 30m) then went into the bar through another door, and climbed on a side external staircase to play a solo on the roof ( ). In another place he just ran around the pub (single isolated building) again without losing signal... I think the 30m they specify is a conservative estimate, so for you to struggle with 10-20m, I think there may be something wrong (batteries all charged up?), so if you can test it and report how far you get in your garden and it's significantly less than 30m, you may be able to exchange your unit...

[quote name='allighatt0r' timestamp='1383499587' post='2265103'] Yep, I got one recently, and have done three gigs with it this weekend. The sound quality is excellent, no loss of bass or top or tone. Two AA duracell batteries lasted two and 3/4 gigs (changed them during second set last night to be on the safe side when the battery indicator on the receiver went down to 1 bar). I'm a little disappointed by the range to be honest. Had visions of buggering off to the other end of the pub, but it managed about 30 feet on Friday, and 50 or 60 feet last night before cutting out. Mine might be a bit of a duff unit though, as the guitarist has a g30 and never has any trouble. [/quote] That's unusual, both myself and a guitarist in one of the bands I play in use the G30. He regularly takes trips pretty far from the stage... Even playing outside the pub on the street. Do you have the receiver tucked in somewhere well hidden, maybe?

CV Squier Stratocaster (or Telecaster!) yummy. A little over budget, 'though... hmm.

I was really looking forward to watching this!!!

The James Lomenzo Drive is a surprisingly good pedal for the price for rock/metal. I would recommend the VT-Bass (version 2), it covers a very wide range of tones with a powerful EQ section. I like it so much, I have two, for low gain and higher gain sounds. The Xotic BB is very cool for low gain fat gnarrly sounds, but I found it a bit limited. The Darkglass Vintage is a little too dark, but it is smooth. I sold mine to get the second VT-Bass just last week... I think it's overpriced for what it does. The Darkglass BK3 is a very interesting pedal. If I were in a metal band, I would have probably kept mine. The James Lomenzo is a decent substitute if the Darkglass seems too expensive. The Aguilar Agro... I haven't made up my mind about that one yet. I find it takes too much bottom end from my tone and I cannot really restore it. It also gets far too fizzy with the saturation past half way... But you can get a couple of really really good tones out of it if you tweak it enough. Still, not too happy about the bottom end loss. If you want to leave it on all the time for a song, it's ok, as you can compensate in other ways, but to switch on and off I found it hard to get it right.

[quote name='skidder652003' timestamp='1382879177' post='2257441'] So at last nights gig at a particularly sh*te pub, there's these 2 rather lovely very skinny but generously upfronted (?) girls, very drunk, dancing when one goes up to the guitarist/singer and shouts mid way through a song (like they always do) if she can sing. He smiles and shakes his head, so she moves on to the drummer and yells if she can have a go on the sticks. He shakes his head, she takes one look at yours truly and just walks away... charming. The girlfriend of said guitard then throws a punch at skinny girl and all hell breaks loose, guitarist amp dies and we set of the smoke alarm with the new haze machine, all for £60 each in a storm. Rock n Roll. [/quote] I hope guitarist finds a new girlfriend or bans her from future gigs...

Nice one! I just bought the album and the MP3 is currently downloading

[quote name='Lowender' timestamp='1383236268' post='2261969'] It LOOKED great! Gorgeous glossed maple fingerboard with white pearl inlays and white binding. It sounded pretty good too. But it just felt cheap. Tight. Couldn;t get the action low without buzzing. And I do set ups so that wasn't the problem. [/quote] I agree with the CV vs VM, the CV series just seems consistently a significantly better quality instrument. But, about getting the action low without buzzing... you know that's just because of some slightly uneven frets (something not that unusual even at instruments costing a fair bit more) and that it has a simple solution too, right?

[quote name='Thunderpaws' timestamp='1383257050' post='2262372'] Classic Grand has downstairs too, a bit smaller. [/quote] Yeah, I have played there, it's actually pretty good, I liked that venue.

Scott Devine... I love this guy [url="http://youtu.be/-vUNUo3TbyI"]http://youtu.be/-vUNUo3TbyI[/url] If you only watch the first 3 minutes...

Although not a Glasgow band, you might get in touch with "Minds of Montage" on Facebook. I came across them last year and they were doing well and played a few Glasgow gigs. I tried to get them a couple of times to play with my RATM band in Edinburgh and they seemed like a good bunch, but busy playing out of town. Hmmm. Although it appears they're a duo now rather than a trio... no bass player??? [url="http://youtu.be/jOSzKnRsK2w"]http://youtu.be/jOSzKnRsK2w[/url] [url="http://www.youtube.com/watch?v=b_3DKMlyyLw"]http://www.youtube.com/watch?v=b_3DKMlyyLw[/url]

[quote name='Lowender' timestamp='1383079501' post='2260033'] No, not made in the U.S. (Indonesia) but sold in the U.S. I picked one up and the finish is poly and the bass is incredibly good. If it cost 4 times as much no one would bat an eye thinking it wasn't worth it. [/quote] I have to admit that on looks alone... the SBMM SUB (Indonesian) with surf green body and maple fingerboard is an incredibly tasty bass... They've managed to build some really nice looking instruments, not just the usual sunbursts, black, natural etc... and if they're half good, they'll sell lots.