Rayman

Underrated: Captain Birdseye, his crumb coated haddock fillets really are amazing. Overrated: The Wombles. They're useless, I've been to Wimbledon, and it's covered in empty beer cans and crisp packets.

Bet you're made up you started this thread Pete?

I'll be round tomorrow Tony to record my new album.

I'd give [i]both[/i] my balls for a Brian Setzer 6120.

[quote name='bilbo230763' post='702513' date='Jan 6 2010, 10:04 AM']Its actually Kool & The Gang[/quote] NOW you're talking....git [i]DOWWWWN[/i] baby.

I need a dictionary to even keep up with this thread.

I had a Thunderjet identical to the one at the top, it was a work of art, just beautiful, even the Mrs liked it, BUT, as pretty as it was, I couldn't get on with it at all, neither could the chap that bought it from me. I used it live once, but couldn't get any kind of sound I was happy with, it was very middy sounding, no top end at all, no punch, and the rest of the band were grimacing at me mid set wanting me to put the Jazz back on, which I did, and hey presto, the bass could be heard again. Stunning looking bass, I was so happy the day I bought it, but I only kept it a month and away it went, shame.

I'm in a similar boat having just sold a bass with one of my Ritter bags, so I need a replacement too. These are pricey aren't they? My top of the range Ritter was only £90, and that's really as much as I want to pay.

I agree with everyone. I think to have a good grounding in theory is a big advantage to any musician, and any younger players on here reading this should do their best to do that in my opinion. For the rest of us clowns who can't be arsed, we'll carry on down our chosen paths, and have great fun playing and enjoying music the way we always have.

[quote name='Doddy' post='701173' date='Jan 5 2010, 12:02 AM']A mate of mine has got a great knowledge of theory,and regularly tours the world with some of the biggest names in Jazz,has done some major 'Pop' tours, is an in demand clinician,and is also a busy producer and MD. [/quote] A mate of mine is a professional guitarist who can read anything you put in front of him instantly. Try and get him to write a great song though..........he's clueless, no creative tendancies whatsoever.

Beautiful. Were you ever tempted by the hollowbody ACG Alan brought to the Moffat bash? It seemed to have found a home in your arms.

Of course, being a musical genius is a rare thing, and pretty much all of us on here could never qualify in that particular area, and I take no offence at all in anything you point out, we're just having a debate, and I must admit to be playing devil's advocate a little, but nevertheless, I still think there's an argument for those of us that [i]are[/i] theoretically illiterate, genius or not, that we have little or no need to understand theory to get as far as we want to go as musicians. I'm not a pro, I'll never be a pro, and I'll never be in the position to have to read charts. I have however been in semi pro bands for years, and in one case had 10 days to learn a two hour set when depping for a band which I did no problem, by ear. Yes, I could have stood on stage, Thunderbird around my knees on stage with said metal band, with a stand and charts in front of me if I could read, but I'd have looked a total twit. I'm perfectly at ease learning my way. I aint no Jaco, god I wish I was, but I'm too old to change my ways now. I'm off to learn a new song on my iPod for tomorrows rehearsal.

I need to learn some theory. Apparently.

I'm with Clarky, I don't have either the time or inclination to learn any theory at all. I too have tried in the past, but got frustrated and went back to my own way of doing things, maybe it's the punk in me. It would be great if I could read I guess, but I can't, and frankly, I'm not bothered.

I'm just making the point, not arguing against learning the theory. I understand that theory would help me be a better bass player, but still, after all these years of being in bands, I have no desire to learn any.

Do you not feel that reading the dots makes you stay within the box rather than think outside of it with your own creativity?

[quote name='redstriper' post='700374' date='Jan 4 2010, 12:37 PM']I love TI flats and I have them on a fretless, but I can't get on with them for reggae coz they don't go deep enough for me. I need heavier gauge flats and I don't really dig the precision tone for reggae either. I always come back to the jazz bass using only the neck pup with the tone rolled off, this is the closest I have found to my ideal tone but it's still not quite perfect coz I don't like the hollow sound at higher volumes.[/quote] Understood. Well I'm not a reggae player per se, but I love to play some at home away from the band, and certainly to listen to in the car. However I reckon the Sadowsky is to modern sounding, even with the the bridge pup rolled off, so I'm hoping that the Precision will give me more of an old school vibe for playing funk and some dub too. You're right about the TIs, they're quite bright and flexible for flats, and maybe LaBellas would be more authentic, but I just happen to have a set of TIs floating about the place so I may as well use them eh? I think you're right, Precisions can sound a bit [i]too[/i] woolly and dull with the tone rolled off, whereas a Jazz still seems to have a little punch and definition to it, even with all the tone rolled back.

Does the fact that I've been teaching myself by ear alone for 30 years make me a bad musician?

I know no theory at all, none. I started playing bass in the early 80's and taught myself by playing along to the Stranglers at first, then onto Talking Heads etc, all learnt by ear. I'm now 44, and learn the sets for the band the same way, totally by ear, it's the only way I can do it, forget TABs, they mean nothing to me, let alone charts, but give me the song on an iPod to listen to, and I'll have it sussed in minutes (most of the time). I see in the interview with Stuart Zender in the new BGM he says he sees shapes on the fretboard rather than notes.....well that's me exactly, I just remember the shapes on the board for each song, I really haven't a clue what notes I'm playing most of the time.

I just landed an old Japanese Squier Precision for my dub style stuff, once the TI flats are on there it should give me a nice thump. I do fancy a Hohner too actually.