Rayman

[quote name='bigthumb' post='533375' date='Jul 5 2009, 10:21 PM']That Precision had a bit of a rough time with some dodgy chancer from Telford. I really hope you dont pick any of them vibes up![/quote] I read in the papers he'd been locked up for crimes against music.

[quote name='Shaggy' post='533630' date='Jul 6 2009, 11:22 AM']Lindy Fralins - just my pennysworth - I put one in my Precision P/J and get a nice growl with it, hi-fi but warm. [/quote] Lindys [i]are[/i] very very nice indeed. I had some in a Lakland JO4 and loved the thing to bits.

[i]To me[/i], Janek is a great player, and would be a valuable member of this community if the same old clowns didn't just rip him to bits every time he writes here, and it's the usual suspects every time. On the subject of BGM, I think it's improving all the time, and I'd rather have it on the shelves, even with it's little mistakes, than not have it at all. On the subject of Fodera, if I could afford one, I'd love to have one. On the subject of Encore, my 8 year old daughter would love one, and she's just as relevant a bass player as anyone else on here. Horses for courses.

Wizard 84s are bigger, darker sounding than the 64s which are supposed to be simillar in sound to a standard Jazz pickup. Good pickups whichever you chose. I went for Villex in my Highway One Jazz, they're massive sounding although passive, and provide a great range of tones. As far as the bridge is concerened, it has to be badass for me, although any high mass bridge is believed to improve sustain and tone. I have to confess, I'm far to thick to notice a massive difference between any of them in terms of sound, but the Badass sure does look nice.

Gah... I'm seriously GASing for a Stingray 5 right now, and that's very purdy indeed.

Well I like old Fenders of course, but really, as pointed out before, there are so many better basses around these days, better made and with a much better range of tones and playability. You can't buy the vibe though. I can't put my finger on what it is with an older instrument, after all, it's just some wood lumped together with screws, but there's some kind of history there that leeches out of them. Do you believe in ghosts? Well I can feel the vibes from all the music my Precision must have played over the years buzzing through it....it's very strange, but very inspiring. Maybe that's all bollocks, but I believe it. I've played plenty of really really beautiful basses, expensive and built with outstanding craftsmanship, but many of them felt sterile and bland. My lumpy old Precision just begs me to pick it up and play it. Why? Dunno.

[quote name='alexclaber' post='525123' date='Jun 26 2009, 06:19 PM']Cunning way to get people to your site though[/quote] Hmmm yes.

Cobblers, ah well, they sound like erm......a difficult outfit to work with to put it tactfully. You're best off out of it.

Outstanding. Totally love that, pricey though no?

I've recently moved back to four strings from five, but only because I had a hankering to go back to basics. To be honest, I've missed the low B quite a bit since . As far as high end gear being aimed at 5 string players, can't say I've noticed. I think 5 strings are a necessity for session players because of the versatility they provide. There's an awful lot of what I would describe as high end four string basses about though, I see a lot of Lakland, Musicman, Warwick etc (high end? you decide), but I don't see a lot of boutique stuff on TV etc period. I guess because touring players like to have a reliable beater on the road with them rather than the expensive gear, might be wrong on that though.

www.musicdojo.com I believe the courses they do over there are really goo. I'm biased because Adam Nitti is one of my favourites. Worth checking out at least. Personally, I believe that you can't beat one to one contact with a tutor in the flesh, rather than online.

Good man, you've done all you can do, fingers crossed once again. Of course a nice 1970's Precision fitted with flats would have given you the edge...........

[quote name='Gary' post='523839' date='Jun 25 2009, 04:38 PM']had a my first little one born lat last year so he is keeping us busy at the moment[/quote] Oh nice one, they keep you busy don't they? I'll bet you haven't got that nice music room in the cellar all to yourself anymore !! Looking forward to BD '09, I'll be there for Adam Nitti alone, can't wait.

Brilliant, missed last years, but hopefully not this year. Hope you're well Gary, it's been a while, I don't think I've seen you since Bass Day '07, the first one at RNCM, or maybe the Jem gig at the academy, can't remember. Russ.

What he said. It's a Fender Jazz bass at the end of the day, and similar in tone to many other similar models. They do however have a consistently high level of build quality though, I've never come across a bad one and I wish I'd kept the one I had, it played and sounded wonderful. Made in Japan, which mostly means superb quality, and with US pickups fitted it's a very very nice bass indeed, and highly recommended.

Just remember, you're checking them out too. If it's going to be a chore for you, and not fun at all, there's no point really. I'm assuming you're not a pro needing the money of course? That'd be different, then maybe you'd bite your tongue to get the gig and give them what they want. However, if this is meant to be an enjoyable experience for you, and you have little or no input into your own sound, then I'd have a problem with that. If it was me.....I'd see how tonights jam goes, and if at the end you're still not getting the vibe, I'd say thanks fellas, but this aint for me, and leave. They aren't taking the bull by the horns so you might have to.

Possibly my favourite bass player ever? I love Marcus, and at the top of his game he's the best for me. I recently went through a bit of a downer on "lead" bass playing. I started finding it irritating, prefering to hear bass players playing a simple [i]groove[/i] instead of lead lines, which for me, should be left to the guitarist or keyboards etc. That said, I still love the guys playing. When he's on it, he's on it, and he's fabulous.

Well of course I like a bit of sunburst, but the Geddy just has to be black and white for me. I'd like to see the red one too actually, but the sunburst version just isn't quite right somehow.

That's one beautiful looking bass, perfect colour combination, and for me, the pup has to stay black, I just don't like white covers, regardless of the rest of the colour scheme.

My old Marcus......[i][size=1]sigh[/size][/i].......... I've tried a few of them, and owned another one since, but that first one I owned had something the others didn't. One bass I really regret moving on. Very nice setup there sir, very nice indeed.

[quote name='jezzaboy' post='519548' date='Jun 20 2009, 08:11 PM'][attachment=27429:SUNP0044.JPG][/quote] Ahh, is that the one that you just sold to Barry? Nice.

I like the ashtrays in their full splendor. For me they don't get in the way at all as I always play with my fingers just behind the pickup cover on both a Jazz and a Precision. Personally I don't think you can beat the look of a Fender bass with all it's ashtrays on.