Rayman

[quote name='KevB' post='31215' date='Jul 13 2007, 12:50 PM']I remember this coming up back in the old bassworld forum. The guy's a bafoon.[/quote] Nuff said.

Yep, a 70's RI Jap jazz could be my next purchase, that's gorgeous. Luke, are you happy with Steve's jazz bastard?

I believe OBBM has one.

1 x amp 2 x basses bits box inc: leads, batteries, fuses, tools, allen keys etc 2 x bass stands 4 x bottles of Corona That's it. However, I did have a problem with the amp at a gig, after the guitarist spilled a pint of Guiness over it. We had it apart, and dried it out with a hairdryer, but it wasn't happy. After that, I always made sure I had an emergency DI arrangement, which was bassically a very long lead directly to the desk/PA, so that I could do a gig without an amp at all if I had to, which I had to do a couple of times. My foldback was via the wedges, and was pretty poor, but I'm told the sound out front was great when I had to do it.

Oh right thanks. Funny how music shops always seem to be around there, Johnny Roadhouse is there too I think, it's been a long time since I could be bothered going into Manchester, maybe I'll go and have a look.

Where abouts is the new shop then?

Wicked.

That's my dream bass, right there, perfect.

It was brilliant. I was in a classic rock covers band for a year, 4-6 gigs a month, and I needed something I could throw around, but would look the part, the TB ticked all the boxes. The fretboard was really really nice, smooth and dark, almost like ebony. The pickups, which I fully intended to upgrade when I bought it, were fantastic, [i]big[/i] sound, [i]big[/i] output, it was a rock monster, the band loved it too, because I could fill out the sound while the guitarist solo'd. For under £300 new, it was a stonker. Everybody loved the look and the sound of it. The only downer was the neckdive, but I got used to it, and didn't care. I sold it when I left the rock band to help fund another bass, and it really wasn't the kind of bass I'd have outside the rock environment, but for that year I had it, I was over the moon with it. You won't need to upgrade anything on it believe me, the pups are great as they are, you'll love it.

Good job, mine was such a great bass, and that's a bargain price alright.

Stranglers - Jean Jaques Burnel Nuff said.

Yeah, I could be a total numpty, but it didn't seem to do a lot to me, it was quite subtle I guess.

Yes this one of mine is some kind of transitional model, with the old style neck and logo, and the newer body with badass and greasebucket tone control. They do have a certain "mojo" that new basses don't always have. I love the finish, and the more battered and bruised it gets the better as far as I'm concerned, although it's holding up well so far.

Nicest bloke you could ever meet, highly recommended.

As russjm, I got my H1 Jazz from Pete. Top man, top job, and highly recommended to one and all.

My Highway One Jazz is a great bass. It plays well, and looks the part, I like the finish, although many don't. The build quality is good, and the fretboard is nice and smooth. Soundwise, I found mine to be very dark sounding, lots of bottom end, and a nice top end click (Steve Harris style), but it lacked a little top end sparkle, and I found it hard to find a traditional jazz style mid bark. I've upgraded mine with Villex pickups, which have transformed the sound from "nice" to "amazing" at a cost of about £120. With the upgrades, the bass is now a fantastic bass, extremely powerful and versatile, whereas off the wall it was less so, although still very playable. It was bought as a backup to my Stingray, but live, I've found myself prefering the jazz to be honest. I believe the hardware could be Mexican, with the timber and assembly of the bass originating in the US, although I can't be 100% possitive about that. It's a great bass, very playable, and with a great tone out of the box, but you won't get a Marcus Miller type honk with it if that's what you like. For rock, pop or even reggae with a deeper tone it'd be great, but for slap, I found it a bit too dark sounding. I guess if you were asking me which bass I'd buy today, a Geddy or a Highway 1, if I had the choice, I'd buy a Geddy. I reckon it'd be more versatile as a standard bass straight from the box, and being made in Japan, I reckon the build quality would maybe be superior too. I love my H1 and won't part with it, but only really thanks to William Villex and his pickups, it really has transformed my bass, but at a price. Hope some of that helps.

That's fab that is, best looking Flea I've seen, you're right about the colour too, the sparkly ones are a bit loud. I think it's the same model/colour Steffan Lessard uses in the Dave Mathews band.

Love that Epiphone, I really must look at geting one of those.

Wicked, like that a lot.

The Nordstrand pickups are amazing. Niceguyhomer has one in his Sterling, I've played it, and it's wicked. Big sound and clear as a bell, very nice. I wondered about a brass nut for my ray, that'd be my choice as they give a nice boost to the sustain.

Ah those Japanese ones are nice, mine was Taiwanese, and still nice, not as good as the MIJ 3000S, that was quality. I think the Villex mid boost pot would be worth looking at, as I say, Ped just had one fitted and likes it a lot so far, give him a shout.

[quote name='wateroftyne' post='24906' date='Jun 29 2007, 02:09 PM']+1. I keep mine right where I can get 'em. [/quote] Those are stunning basses. I only have two these days, one lives under the stairs in its case, while the other is next to the bed for practising. They get alternated depending on my mood. I wish I could have a music room, but the kids have put paid to that, and as far as basses on the wall, I think my wife would leave me if I did that.................so where do buy wall hangers from?

Just occured to me though, the wierd shape of the jazz pup could be a problem. Maybe just getting the Villex mid boost pot fitted would help. Ask Ped, he just had one put into one of his basses.

Maybe I'm doing the Columbus an injustice, it [i]was[/i] 25 years ago! I can remember gigging with it, and thinking it was hard work back then. I borrowed an S.D.Curlee bass from a mate about the same time, and it was a dream to play compared to my Columbus, I remember thinking "Wow, this is a real pro bass". The Columbus looked the part from a distance (except for those tuners), and I'm sure that with a few upgrades it'd be a good little bass. Yours certainly looks nice that's for sure, mine was identical, except for the fact that I painted mine black!!