jazzyvee

I would use one of those if i got to the stage where my currently heavy basses started to be a problem. Though I do wonder how stable they are as they would have a high centre of gravity with a bass on the top.

I had one of those gigs last night with a Tribute band and same thing, some different keys as the singer was also a dep, different arrangements,starts, endings etc. Kept me on my toes trying to guess what and when the breaks would be and how the songs would end. The most uncomfortable was that many of the starts were different to the original records which you only discover when you start playing what you know and it turns out that they don't start like that anymore. Makes starting the next song an anxious moment. 🙂 But overall it was a nice gig.

Here are a couple that came up on FB today. They are two promo videos for the band Elizabeth Fields Collective. I joined the band after the tracks were recorded so a not playing on the tracks. Sadly the band leader passed away during covid from non covid related illness.

Oh I see, it's for double bass.👍🏾

Hahaha good try. Joking aside, personally having a bass like that go free to someone who will appreciate what it is, is far preferable to selling it dirt cheap. Of course they could just sell it and make a killing but hopefully I will find a keen buyer.

what is a bass buggy? Any pictures of it?

I have had such a hard time selling this bass. It was my first decent 5 string and I don't play it any more and the interest i've had with offers are no good to me. I'm seriously considering the thought of having it embedded in acrylic to make an actual coffee table bass. I'd take the electronics out of it as they can be used in a non alembic bass. An alternative is what I have done many times in the past when tormented by the idea of selling an instrument or gear that I no longer use but have become attached to, Which is give it away to a young musician. I did that with some mesa boogie gear. I have someone in mind who is a young bassist that I have become a big fan of. But I don't know if they even like alembics so I won't mention it here in case they are a member and I change my mind. Ha. .

I would imagine if you swapped the cabs over and did the same eq process as above the results would have been equally satisifying as they are both FRFR. But in the heat of battle you found a way for the show to go on.

If it's uneconomical to repair by a tech, you won't lose anything by trying yourself. I'm sure you'd find a good youtube video and get a few clamps from a hardware shop or B&Q, or somewhere thar repairs furniture. It's just wood. Removing the string tension will stop it getting bigger before the repair.

I don’t see anything there that a decent competent luthier would have problems dealing with. I’ve read of headstock cracks like that repaired. Where it has split rather than coming apart, a syringe can be used to get the glue right inside the crack before clamping it up. I hope you get it fixed. 👍🏾

Thanks for that, however i’m not trying to replace the BB2, i’m looking for a smaller, compact setup for mainly home use so was looking at the One10T, but then saw this cab was FRFR and wondered if it would suit me better than a voiced cab. But looking at the goodwood it is significantly larger and at a tad under 20lbs it’s approx 5lb heavier than the One10T. That said i do like the FRFR approach soundwise. Things to consider and no rush. 🧐

Not when you put it like that. Thank you👍🏾

I've been considering a BF One10T for a while now to use primarily at home and low volume gigs. I love the BF 12" FRFR cabs for their clarity which I find perfect for my alembics, and do wonder whether the One10T may be too 'voiced' in contrast as i have no affinity to vintage or classic bass gear. So, these LFsys Goodwood cabs seem interesting as they claim to be FRFR speakers and might just be the ticket. I will be watching this thread with interest and holding my cash until I can make a good informed choice.

The bass player in one of my first funk bands in the late 70's had a fender jazz and a columbus copy, we used to do quite a bit of studio recordings back then and the producer/engineer always preferred the sound of his columbus.

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