jazzyvee

My bass has a 30.75" scale length and for about a year i had been trying to get used to nickel strings, however i have had to resign myself to not using them because ny finger tios don't seem to get on with them. I don't understand why but after playing my fingers feel like they did when i first started playing bass. Anyway at the weekend i changed my strings to some dunlop superbrights which i like the sound off and have a bit less tension and the right amount of resistance when bending strings. However, when bending i now find the strings roll on the frets causing my fingers to slip sometimes. Any tips?. It didn't happen with the thicker strings which had more tension. My fave strings are D'addario pro steels but i just wanted to try dunlops for a change.

I love Orions, beautiful, and i know it sounds even better than it looks. 👍🏾

I had to look up that Orion..... Sweet and with a classic crown headstock too. 👍🏾

😂😂😂😂😂😂😂😂 I just hope Nile Rogers is not a member of this forum.

Same here!

I have the same issue as the OP, though i think it happens more when tuning on a loud stage during sound check rather than at home. i have gone back to tuning using the 12th fret harmonics much more stable.

My one cab solution would be a Big Twin II. Lightweight, great sounding and extremely powerful when you need it to be.]

No offence taken at all. 👍🏾😂

Any polls regarding musicians, singers, bands as being the greatest of all time or even their generation, genre…. Etc, are a complete waste of time and have no merit. There, i said it now where’s my coat.

Nope, i have always had a day job and if I had ever got to the point where I was getting enough gigs to do that and keep my bills paid. I think I would have enjoyed it but, apart from my regular band, I only get sporadic dep gigs or studio calls. That said, whilst on my day job I have managed to take time out to do quite a bit of touring with a couple of bands in Europe, USA/Canada, a Caribbean cruise and a festival in Singapore. However none of them paid me enough to cover what I was earning in my day job but I did them because I love gigging and getting to tour abroad was an opportunity not to be missed.

That has been done.

Yes, Stanley Clarke was the impetus for saving up for an alembic. Up till that time, (2002), i didn't fully appreciate the difference between the signature model and his series I bass, i just went with the body styling and how it sounded in the shop. I eventually got a series I short scale bass. Nowadays, a bass used by another bass player wouldn't influence me to buy into it as i get all the sounds i want from my alembics.

I'd still like to see an old picture if possible. 👍🏾

Not a chance. I have a beater bass that I take to jam sessions and have on occasions let others use there but would not let someone take it away on a gig.

Thanks for your offer, though i am not sure that I want to keep the logo's at all since the neck ones are virtually worn off and also gold which doesn't seem to fit the aesthetic of maple and chrome. But I will have a think about it. I posted this on the alembic site and mica indicated she might have some old vintage look cream pickups that may go with this bass so i just need to get an email fired off to find out what may be available and at what price. No idea if they have the alembic name moulded, transfers or plain. I do recall they had some cream pickups with splashed paint on called "Clown's Vomit' which might be a nice contrast. :-)

If i am looking for a bass, the tone wood claims or counter claims would not influence my choice. if i liked the sound and it felt good to play and i liked the look of it. that's it. The reality for me is that i only have two basses that i tried before purchase and the others i bought on line and they sound great. The reasons they sound different is a combination of far too many things for me to be able to isolate and properties of the construction woods. YMMV

I have wanted to give my alembic a facelift for ages and when i saw Cosmo Valdemar's bass at Jaydee being prepped for respray, it gave me the confidence to get mine refinished from see through purple to clear finish, had a refret and new knobs. And it now looks brand new except the pickups. I will be looking for some way to make them look new.

i seem to have problems with all the headphone practice amps over the years. I have the Big Head but firstly the battery stopped holding it's charge so then i used the usb socket to play direct from a usb power pack and now the micro usb connector socket has come loose inside so that only works intermittently but the quality of the sound is impressive. So recently I have started using my Stanley Clarke Acoustic preamp as headphone amp and again the sound quality is superb.

I have a couple of options. My main one is a Rack with alembic preamps and a crown xls1502 or Synq 1K0 power amp that I use with the BTII or when using multiple cabs. I also have a Mesa boogie walkabout head that I tend to use with my BBII for a small rig.

Since you mention input sensitivity, it is something i would like to understand. I have a crown XLS 1502 which has .775v and 1.4v on the input sensitivity and a small rack with a Synq 1K0 1u power amp with input sensitivity of 26 dB / 32 dB / 1,4 V. i use alembic F-1X preamps but no idea how to determine what setting i should use for the power amps to get the best output and S/N ratio.. Any suggestions are welcome.

Looks great. I'm planning a small 5x4m practice room in my garden though after hearing of the sound spill from a friend's wooden build studio I have decided to go with a more solid construction. I'm going for Durisol bricks https://www.durisoluk.com/why-durisol/the-range/ which are woodcrete construction, insulated and you fill the cavity with concrete. Once the plans are drawn up I can see what the cost will be. If too expensive i will go with a traditional brick and block construction. My garden isn't as long as this one so I am more concerned with getting maximum sound attenuation at an affordable price.

I have couple of their guitar cases and one of their bass cases and though I have not weighed any of them they are pretty light.

I have been trying to sell my last PH cab, 1x15 on and off for about 4 years with little interest so it's still at home looking unloved. At the moment i plan to donate it to my local council's music service who give music lessons to youngsters, but they are moving location at the moment so will talk to them again soon. If it's not suitable i may try to part ex it at a local shop for some other gear.