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Quatschmacher

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Quatschmacher last won the day on November 18

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About Quatschmacher

  • Birthday March 10

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  1. Don’t see many of those around.
  2. Yep, I don’t really use the grittier sounds but the SV can give me a nice deep clean/edge of breakup tone, which is why I’ve kept it.
  3. Who is it. Sounds like a Stingray so am guessing Louis Johnson on bass.
  4. Some parameters have an exponential response (for example envelope times). Filter cutoff goes down to MIDI note 36 (65.41Hz so not the 20Hz of some other filters). Still plenty useful for lots of stuff.
  5. And actually, the Fifteen tames octaver and filter a fair bit due to the low end roll-off.
  6. They are all shared in the cloud and accessible directly via the editor. You need to sign up for a free account here first: https://auraplug.com/fidatabase2/
  7. That was a bit of a rollercoaster. I’d strongly recommend the Bassrig SV and Fifteen for Ampeg tones.
  8. It would be impossible to trigger the synth with MIDI and audio simultaneously. It’s a monophonic synth so that would be confusing. Switching between modes was faster on pre-v4 units as it would simply switch to whichever input type was detected. Now MIDI- and audio-triggered parts are in separate parts of the memory. We do have relatively fast switching of the apps so perhaps this functionality could be re-introduced, or at least via a MIDI command.
  9. Short answer, no. I’m hoping to get a MIDI command added that allows the switch though.
  10. No, in this instance I meant Dan Coggins of Lovetone. If your question is meant to imply that Lovetone ripped off the Mu-Tron I’II, I’d add that the Meatball was far from a straight-up copy as it added lots of extra functionality not present on the Mu-Tron III. (I have also supported Mike Beigel by buying his own later incarnations (QTron, Micro-tron III and IV, and I’ll probably get the latest Mu-Tron III when funds allow).)
  11. Try these too: https://artisanaleffects.com
  12. Just when you thought it was safe to go back in the water…
  13. Seems fairly self-explanatory that they’ve had to announce early due to the Behringer copy. I’ll be happy to support the original maker. (Some Behringer copies are really good (Model D for example) whereas some are really not up to the rigours of heavy use.)
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