Quatschmacher

I’ve played both versions and this newer one is giving me pleasure that the previous one didn’t. I’m definitely getting one. Just want to sell a couple of pedals first to cover the cost of it.

Another fantastic transaction with Jeff. He contacted me about my wanted ad for an Origin Super Vintage and kindly held on to it for me for a while until I’d had time to check out one I’d arranged to borrow. I always think a measure of a good seller is how they deal with matters when things don’t go exactly to plan, and I’m happy to say that Jeff was exemplary in this regard. The pedal arrived with some scratches on the base which had either been missed or had occurred in transit. When I brought these to his attention, Jeff immediately offered to take the pedal back and refund me fully. I declined and said I’d be fine keeping it. Jeff kindly gave me a partial refund to account for this (without my having asked for one or my having expected one). As before everything was great as regards packing, postage and communication. Again, I’d have no hesitations in dealing with Jeff and can heartily recommend him to others. Many thanks.

Really enjoying the Grand Slampegg.

I think what was meant is that increasing the pedal’s volume knob doesn’t introduce any more overdrive. (Putting a hotter signal before the pedal does allow the tube to overdrive (which Nathan states in the text I quoted). Similarly, putting a quieter signal into the pedal tames it a bit.)

Have you read the blurb that Nathan posted that is quoted on the first post of this thread? He does state that it’s clean only (no gain). Grand Slampegg: Also based on the Ampeg B-15N preamp but this time with a 6SL7 tube. I have modified the circuit on this one to stay clean no matter what, but it allows you get the B-15N clean tone LOUD which seems to be what most B-15 players want. 'it will not be able to break up by itself. Granted running another pedal into it and pushing the front end will still allow the 6SL7 to break up, but by itself it will just be clean.

Another interesting one: Details here: https://www.zorgeffects.com/index.php/en/love-philter-mkii-detail?fbclid=IwZXh0bgNhZW0CMTEAAR2WFbEhH5mcCgi_WqcJGj74TZyrHX6vsTtuswwHKRRFVTP_nMk3BuwEZfY_aem_RGxInZV8NpfRYLcDq944kQ

Is a bit of a shame there’s no gain control at all. My passive P is still hitting the tube quite hard. I’ve tried it running into it using a pedal where I can cut and boost the dry and it does make a difference.

Just got one of these to loan from a very kind BCer and my initial impression is very favourable; nice warmth and squish.

He only really showed the (less commonly used) downsweep on bass, and that takes a bit more careful dialling in.

I know I posted the whole albums above but these two tracks in particular have been lodged in my brain for weeks now:

Stone cold classic record. Check out the albums “Cabbage Alley” and “Fire on the Bayou” too.

Pretty sure I’ll be checking one of these out!

Ooh, nice. So you’re doing a batch of these?

Details here: https://www.trapdoorelectronics.com/product-page/active-acid

Is that their Neptunium or Nobellium? That would be interesting to try, thanks.

Plenty of spin-off potential if they were to draft in the creator to make models of other classic synths.

Another Basschat win - kindly getting a loan of the GS for a bit. Such a great community!

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