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Quatschmacher

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Everything posted by Quatschmacher

  1. Quatschmacher
    Would it help to run a buffered pedal either before your loop unit or immediately before the Phase 90?
  2. Quatschmacher
    Well, this came and went before I had chance get one. Was limited to 1000 units and sold out within an hour. Joel has been canvassing opinion on Facebook as to whether he should do a second run (spoiler alert: the majority think he should. I’m guessing the people against it are the scalpers who bought up the pedals to flip at inflated prices). https://www.google.co.uk/amp/s/www.guitarworld.com/amp/news/pedal-giants-unite-with-the-launch-of-the-chase-bliss-audio-x-zvex-bliss-factory-and-earthquaker-x-death-by-audio-time-shadows
  3. Quatschmacher
    Posted some new patches today, some freely, some on my Patreon.
  4. Quatschmacher
    An interesting fact is that Andras Szalay of Panda (Future Impact) was involved in the development of the EWI. This is probably what you were thinking of: http://www.softwind.com/synthophone.html
  5. Quatschmacher
    That’s paraphrasing something Louis Armstrong said.
  6. Quatschmacher
    @dodge_bass
  7. Quatschmacher
    @Al Krow
  8. Quatschmacher
    @Al Krow has some Rockboard Flax MIDI cables for sale and these can be angled up or down. Or these: Hosa MID-303RR 3ft Right Angle 5... https://www.amazon.co.uk/dp/B00FC4ZAHM?ref=ppx_pop_mob_ap_share The above one has the two plugs angled oppositely. They do a version where both are the same orientation too I think. And Rockboard also make non-adjustable angled MIDI cables.
  9. Quatschmacher
    Let’s hope they one day resume.
  10. Quatschmacher
    Cheers @Al Krow, I was only kidding but really appreciate the gesture. Thanks very much for the funds!
  11. Quatschmacher
    C4 is totally usable, but not able to nail the exact envelope shape like the FI can.
  12. Quatschmacher
    https://www.paypal.me/peterkenney Be my guest!
  13. Quatschmacher
    I tweaked the C4 patch as I wasn’t happy with it. So the isolated version isn’t the same as the one heard in the clip yesterday. That had a bit too much high end and too slow an attack.
  14. Quatschmacher
    It's pretty easy to be honest, F#m Aeolian for the most part.
  15. Quatschmacher
    I should start charging! FI: https://drive.google.com/file/d/1jt_LjcAt88wTzkV-9vZvZ0XW36uctWoT/view?usp=sharing C4: https://drive.google.com/file/d/1_saF0FjZq5WiqlIWwBpxx4IzfpeotcCc/view?usp=sharing
  16. Quatschmacher
    I'll have to redo it then as I deleted the Ableton files.
  17. Quatschmacher
    I didn't, it's just so close you can't tell it apart. If you listen closely, you can hear both.
  18. Quatschmacher
    Here's my revised version. I've panned the original more to the left and my version to the right. https://drive.google.com/file/d/1npfteLJDKg2lO7kX9L8HlLs4ACO0rDLv/view?usp=sharing
  19. Quatschmacher
    The index is pretty thorough and if that doesn’t work, it’s a PDF so you can keyword search using ctrl+F.
  20. Quatschmacher
    Just linking to this as it is relevant here:
  21. Quatschmacher
    Just linking to this patch I made which came up in a discussion elsewhere yesterday:
  22. Quatschmacher
    No. I read manuals as part of deciding whether to buy certain products. Agreed, Boss manuals do lack detail often.
  23. Quatschmacher
    Another instance of where reading the manual helps. The on-screen keyboard is velocity sensitive: play it near the bottom for high velocity, near the top for low velocity. Also, volume response of a given patch is dependent on what the amp and filter envelope settings are.
  24. Quatschmacher
    I’ll have another listen to it later today and record a new clip. As I said in the post you just quoted, it’s about have precise independent control over the attack, decay and sustain portions of the envelope. C4 mostly only allows control over either attack or decay, or where it does allow control over both, they are linked so that adjusting one also adjusts the other. C4 doesn’t have an adjustable sustain stage either. In this patch there is a perceptible attack time giving a short “bwah” kind of sound and then the filter envelope decays a bit but remains relatively open (regulated by the sustain stage), i.e. higher than the initial cutoff value, whereas the C4 nearly always decays straight back to the cutoff value set by the frequency knob. That’s why full ADSR is superior and why I pushed Andras so much to add it to the FI.
  25. Quatschmacher
    There’s nothing too crazy going on in the patch - single sawtooth oscillator, no resonance. The main work is in having precise control over the attack, decay, and sustain stages of the envelope and the envelope depth. I then added some internal EQ to boost the low end. After I recorded this clip I tweaked it a bit further as I didn’t think I’d quite got it.
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