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Quatschmacher

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Everything posted by Quatschmacher

  1. My first stab at the sequencers:
  2. I am not too familiar with Mac usage. Have you changed any settings such as whether the Mac only allows apps from the App Store to run? Have you tried uninstalling and reinstalling the editor? Other than that @Andras Szalay might be able to help, either directly or via Zsolt Rammer who wrote the editor. Or you could try emailing Panda directly or via their website: http://www.panda-audio.com/
  3. The tempo can be programmed to one of the assignable knobs if you don’t want to use MIDI clock but want to be able to change tempo easily.
  4. Partly, yes. Having it on a top means people are more likely to try it out. Having said that, the sequencer and arpeggiator of my Subsequent 37 are on the panel but I’ve barely used them as they aren’t features I’m that bothered about. The same goes for the C4 - I’ve barely used those features yet. It is pretty good though with a range of preset patterns and one programmable pattern. It doesn’t (currently) have the ability to program rests though nor have a swing function.
  5. Have you downloaded the latest editor v2.20 and latest firmware v2.22? What happens when you try to open the editor without connecting the UM-ONE to the Mac? Is your UM-One set to “computer” as opposed to “tablet” with the little switch?
  6. @tobiewharton seriously check out the Future Impact. I programmed a convincing “Ain’t Nobody” patch for it last year (though I may tweak it with the new software). I’m pretty sure I could get close to the WH track too if I haven’t already. Also worth mentioning is the fact that if you need the extra speed/accuracy of keys, you can simply plug in a cheap MIDI keyboard into the FI and play the line on keys and even switch seamlessly between it and bass mid-song.
  7. Try the MXR Vintage Bass Octave - has the same right tracking as the BOD but sounds much better (OC-2 clone).
  8. Those are my clips. I posted as a foretaste of the upcoming major firmware update.
  9. Shame he never giggled, it’s a fun pedal, perhaps he wasn’t using it right! 😆
  10. Check out the Source Audio Gemini (or Lunar or Mercury as they are all capable of using the SA chorus models). If you want to go large, check out Chase Bliss’s “Warped Vinyl”.
  11. Quick reply here. PM me if you want more details or go to the Future Impact thread: This does everything the Deep Impact did (the first nine sounds are the original Deep Impact sounds). It does so much more. You don’t need to be a wizard at programming to load other people’s patches onto it. I’ve literally written the book on this pedal (the new manual) which should make everything a lot clearer when the new update is released.
  12. True, though they intend to add it. Actually, switching off open string triggering helped to improve the playing when I played an IR bass earlier this year.
  13. As I said, there are other options: http://frettrax.com/ You can get the system retrofitted to any bass or buy one of theirs.
  14. I’ve watched a video from the factory; on the maple board versions they slice off the top of the neck (including at the headstock), route the truss rod cavity and fit it then glue the slice back on so the join is barely noticeable.
  15. If anyone needs persuading, here are some patches I’ve written for this:
  16. I’ve got an (almost) final version of the manual ready. Just debating whether to have the section on using the FI to replace standard effects pedals in the main body or to leave it in the appendix. Then just need to add pagination and check final layout so that tables aren’t going over two pages etc.
  17. It’s what’s inside that counts and jazz and precision basses have an almost universal appeal so I can see why they chose those designs. If you wanted something more exotic looking then you could check out frettrax instead.
  18. Not likely at the moment, I’m pulled out with FI stuff which is taking up all my spare time.
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