Now on the other end of a deal with a Harry having just bought his Joshwah and it went as smoothly as when I sold him something last year. Fantastic in every possible way. Many thanks!
The (first) six onboard presets are “displayed” as fretmeister says above. For presets 7-127 you need a MIDI controller which will most likely have its own display. You can also use free apps such as TouchOSC or MIDIPad to access them.
Picked up this brand new a couple of weeks ago. It’s awesome but not what I’m looking for.
It’s a 12dB per octave analogue resonant filter based on the Korg MS20 filter. It has envelope control, multi-shape LFO control and static/expression control. There are three main modes (fixed, envelope and LFO) and each of those has sub modes via a button and in each mode the secondary foot switch does something different.
There is onboard preset storage; a small number of presets are accessible via the button and further presets are recallable via MIDI.
It’s really easy to use and if MIDI isn’t your bag you can use the pedal without it and still get tons of variation.
It’s great but I’m swamped in pedals at the moment and this probably won’t get much of a look in.
A couple of very faint small scuffs on the base plate but otherwise pristine. Comes in the original box with all the paperwork and candy.
No trades.
I can post out on or after Tuesday.
Nope, the bass for sale is cherry sunburst which is has more red/orange and yellow. Honeyburst is browner (but not as brown as tobacco sunburst).
This is honeyburst:
Guess he must have changed them then as it wasn’t either of those. I got rotosound 66s put on when I had it set up but now it’s wearing GHS precision flats.
Must be really good then. I’m really digging the white one I bought from Simon.
By the way, what strings were on it when you sold it? Not sure if they were the same ones that @Stealth had on when I bought it. They sounded great. I forgot to ask to keep them when Jon Shuker set it up for me with a different set.
It’s a collaborative effort and expands on the benson preamp and not just a rebrand. It does much more than just preamp features. It’s a very capable drive and wah pedal too. Yes, it’s very pricey but there’s a lot of work gone into it. I hope that this takes off and brings the price down on later projects. I talked to Joel when I met him in Berlin last year and he wants to make this format his thing for his future pedals. It’s the ideal marriage between hands-on analogue controls and presets.
It’s a Classic Series. Basically the same as the US Series but with ultra lite tuners, alder only, no pickup cover, fewer finish and wood choices.
I’ve had a reply and I’m hopeful they’ll come good whatever happens.
I asked for the pickup cover to be white. John suggested painting it with the same paint used for the body which was an even better idea. I wanted to make it look as much like a normal P as possible.
I need to get in touch with Lakland to mention the issues and I’ll ask about costs.
The dots are actually birdseye maple.