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Quatschmacher

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Everything posted by Quatschmacher

  1. Quatschmacher
    More like dust bunnies.
  2. Quatschmacher
    Seems I may need to spell it out as my hint is too subtle: I’m triggering an actual DX7 using my bass! I’m sure you can work out the significance of my having posted this in this particular thread!
  3. Quatschmacher
    What’s going on here then? IMG_0052.mov IMG_0048.mov IMG_0044.mov
  4. Quatschmacher
    @dave74200
  5. Quatschmacher
  6. Quatschmacher
    I just sold John my C4; all organised really quickly from initial contact last night to payment and collection this afternoon, with friendly communication both online and in person. I’d be happy to transact again. Many thanks and hope you enjoy the glorious synth tones.
  7. Quatschmacher
    Absolute bargain for a great preamp.
  8. Quatschmacher
    Sold.
  9. Quatschmacher
    Could someone who has a Mercury Flanger and access to the desktop editor please check something for me: If you load a phaser patch into the pedal and turn the “delay” knob on the pedal, does the “frequency” knob in the editor move? In the old editor the knob was labelled frequency/delay. Basically, I need to know whether it’s possible to control the phaser sweep’s centre frequency directly from the pedal; if so, I need to get one instead of my Lunar as that’s a far more useful feature to me than control over the LFO shape. Thanks.
  10. Quatschmacher
    Sale pending.
  11. Quatschmacher
    Would consider a very near offer.
  12. Quatschmacher
    Will consider a very near offer.
  13. Quatschmacher
    This isn’t the vintage reissue version as that one has no status LED. This is the standard one.
  14. Quatschmacher
    It is. I’m just not really making use of it for synth stuff like I once did since getting my keyboard skills to a decent standard. I’ve had loads of fun learning it and creating and sharing patches for it over the last few years but since it’s been sitting in a box for quite some time now unused, I feel I’d like to move it on and put cash towards another instrument. (If I feel like I’m missing it later, I can easily get another.) Still got a Spectrum for all the filter, phaser and octave stuff.
  15. Quatschmacher
    Yes, 4.1kg is a nice weight.
  16. Quatschmacher
    You could perhaps run something in the C4’s loop and use it as a mixer to isolate what you need then sum to mono.
  17. Quatschmacher
  18. Quatschmacher
    A sort of redo of the MKII but with envelope control. Sadly USA only though. https://www.chaseblisslegacy.com/billy-strings-wombtone?fbclid=IwZXh0bgNhZW0CMTEAAR0DkRrw735sXjKcOM3TTtwA9nqJrEZBWAn60_5zcDvGTgWnvXPFVSCMbrA_aem_fAFRAoTuFtJmNDy45crnKg
  19. Quatschmacher
    Don’t think it’s one piece, but is very well book-matched compared to others I’ve seen. The join looks to be to the right of the neck plate on the rear shot, tracing it down you can see two grain lines merge into one. Looks lovely. Guessing this might be a heavy beast.
  20. Quatschmacher
  21. Quatschmacher
    By the way, the “Tim” switch isn’t a dry kill switch, rather it adds a massive sub frequency boost. The bigger MKII has both the dry kill footswitch and the Tim toggle switch.
  22. Quatschmacher
    These are great and Jonathan is great to deal with.
  23. Quatschmacher
    Just had another great transaction with Gavin, hilariously involving me buying back the pedal I sold him a few months ago (we’ve all been there, right?). All sorted quickly and efficiently with prompt, clear and friendly communication throughout. Many thanks.
  24. Quatschmacher
    Been a fan for years. Went to see him a couple of years ago too. If you like him, check out Dabeull too.
  25. Quatschmacher
    Physics dictates that pitch is a function of string length, string mass and string tension. Height has nothing to do with it. If the sounding string length and string mass remain the same, then the tension required to maintain a base pitch of say 55 Hz on the A string remains the same. Lowering the height just narrows the distance one has to press the strings, which costs less physical effort. The further one increases the string height, the further one is stretching the string in order to bring it into contact with the fret, hence the more under tension from the base value the string becomes when fretting compared to lower string heights.
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