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Quatschmacher

⭐Supporting Member⭐
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Everything posted by Quatschmacher

  1. Check out Vincent Peirani, absolutely amazing accordionist.
  2. I may well keep this after all; it’s provided some nice inspiration in the last 24 hours: Audio-995.mp3
  3. Here are a few bits of audio. Forgive the roughness of the playing and recording. Audio-984.mp3 Audio-983.mp3
  4. Yeah, it’s Eddie’s piece and his records from that period are great. The Keyboard Circle version is cool too. Rob Franken was one of my lockdown discoveries; fantastic Rhodes player.
  5. Am around all week for anyone who’d like to check it out in person.
  6. Not sure, but could easily be done on one. I’m sure one of my patches I’ve shared is very close to that sound.
  7. Portamento is a MIDI-only feature. (I have suggested a slewing function for the oscillators when triggering via audio that uses the portamento slider’s position. It is being considered.) If you play stuff like hammer-ons you get a legato behaviour (pitch change without an envelope retrigger).
  8. Sort of. You’re not required to play really short notes, rather just make sure the first note has been cut dead immediately before the second note is struck. The space between the notes should be as short as possible though. Basically there should be no overlapping notes. There’s not much to it other than that.
  9. There’s an SBL video where he talks about Gary Willis’s right hand finger muting technique; that’s a good place to start, but really there’s not much more to say other to go and practise it until you can do it. Helpfully the FI will let you know exactly when you’re doing it right as you’ll get clean triggers.
  10. I cannot tell you how very true this is. It’s taken me a while to get to this realisation that I prefer limitations.
  11. @charlietuna has the FT version.
  12. I think I’ve been through this before on this thread. It’s a combination of left hand muting when stopping notes and the right-hand muting technique whereby when you’ve played a standard rest stroke, you immediately stop the ringing string with the other finger. These two techniques in combination mean you can get enough daylight between notes for the tracking algorithm to hear two separate triggers. Practise each technique in isolation using a single repeated pitch then put them together.
  13. I wasn’t really being defensive as I have zero input or interest in the business side of things. It was merely an observation based on what I’ve seen and heard from users. From what I can see, people who’ve wanted one have just gone ahead and bought one. Agonising afterwards that one might have got a cheaper price later if one had waited is just wasted energy at that point, irritating though it may be.
  14. I haven’t seen a single person who’s bought one complaining. They all seem to very much enjoying making music with their pedal and singing its praises.
  15. Nice price on this great pedal. Neuro 3.0 is nearing release and makes these pedals even nicer to work with.
  16. I used the TC Sentry fir a long time. Now just use the one built into stuff like the Source Audio C4.
  17. https://glou-glou.org/flancher/
  18. Quite a few of the new ones are mine but not 47 I don’t think. However, I did do some patches that do what you describe (patch 15 for instance).
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