Highfox

Sounds like a nightmare, yep it does to me. Davie is going to try do it live on youtube, I don't know why?! http://www.youtube.com/watch?v=oRzyceprYYQ

Notting Hill Carnival (street festival) 1978, still decidely dodgy after the riots the years before.

I use one nearly all the time. Subtle and just clips when I'm too heavy fisted. I guess if I was a litte more even with my playing I wouldn't feel the need. Depends what you are wanting it to do I guess. Too add punch? I don't know maybe if you slap a lot. Try borrow one if you can first.

Tell you what, bit off topic but anyways. Hadn't used my jazz in ages with a band always one of the P's or Lionheart that gets the nod, Been thinking about moving it on as it has just sat there, Had stuck some flats back on the Jazz a while ago and decide to take it along to practice yesterday, low and behold it did everything I wanted, bit of pick, fingers some reggae, funk and rocking blues Gigging it again next week, It's easy to fall in and out of favor with different styles of basses when you have a few, but most of them will get the job done if you give them a chance.

I have a 4 string MKI on order. Never tried a MK2, maybe I should of first

Sure the Demo in question is here, (2nd track) [url="https://soundcloud.com/everyday-people-band/sets/edp-demo-may2017"]https://soundcloud.c...dp-demo-may2017[/url] The pre-master here, https://soundcloud.com/everyday-people-band/weather-with-you-test-demo/s-Qq7mz except the acoustic guitar is missing on here. Nothing that special

[quote name='VTypeV4' timestamp='1497868239' post='3320914'] Mastering is a tough one.. I agree that you could blitz a track in 15 minutes but the chances of it coming out to potential seems unlikely - like a mix, if you rush it, it'll show in the end product.. I usually (although not always) use a two stage process one with hardware (TC Finalizer in the 02R) and the second with software (Ozone Izotope) and I'm usuallly happy with the result - as are the clients - but it can be really easy to over or indeed under-do the processing.. Starting with a proper mix does make the whole process a far more pleasant one but even then, it's not something to be rushed or forced - it's easy to ruin something that was great before you started.. Just my opinion, of course.. Sorry to the O/P, I don't reallly have time to have a pop at your track but hope the other offers here yeild a top result. [/quote] Thanks everyone. Roman from here did a great job on the track with the mix I gave him. He brought some life and air to the track and has promised to help some more in the future It's always nice to get a set of extra ears from outside the band that can give an extra opinion and thoughts especially when you are trying to do it all in house and on a budget.

I don't think it's safe to write what mine is .

[quote name='Jus Lukin' timestamp='1497708754' post='3320176'] Yuck, they might as well have just played it on a Jazzmaster! [/quote] lol, I think it was a danelectro 6 string bass

Because they sound like this (only joking) http://www.youtube.com/watch?v=s2OAzbGCNcw

[quote name='Andy_L' timestamp='1497559952' post='3319171'] I see exactly what you mean, but I'm in a country / country rock band, and clean & warm is more important to me than gut-shuddering low end. If I were in a heavy rock band they probably wouldn't be what I was after [/quote] Cool, sounds you know what you are after, that's half the battle.

Horse's for courses and all that, but I had 2 -112 EBS Classic's and never really got on with them, they lacked a lot of bottom end, lot's of mid drive tho.

If you have it that bad , you might need to get it out of your system, Get the full blown USA version (buy used). Like a lot of the others on here I had to have one, but once the honeymoon period was over I realised it wasn't for me. Looked great, sounded ok, wasn't comfortable for me to play.

Crickey, I tend to go about a year on my sets of rounds as long as they still sound even and have harmonics. (don't need to mention the flats ) Mind you I do have a few basses I swap around so guess that lenghtens the overall use time. The longest I have had a set of strings on without feeling the need to change them and they are still on (of course my bright might be someones's dull) are a set of cheap Bass centre elites nickle plated. I'll be ordering more for sure when these are done. Not sure who the main manufacture are, anyone else tried them?

Personally having owned a pre EB and also A StingRay 4, I'd go for the Classic now if I could afford it and was after a Stingray, best of both worlds imo.

That would take it to another level, always like blocks on Jazz's.

That's a beaut. +1 on the JE's, they can go very very subtle and organic to very punchy. How are the top markers on the neck, are they on the notes or center fret? No probs anyway now it's fretted but just curious.

Get it off the floor on a beer crate or the like if you aren't doing that.

Congratulations, what a fantastic score. Welcome to the P bass just does it live club. (never tried the 5 before, one string too many for me )

Cliche, but these might have to be in there. Those bloody horn players http://www.youtube.com/watch?v=s3Q80mk7bxE http://www.youtube.com/watch?v=Amzp7W0RkPA Ther are so many, it's great.

[quote name='such' timestamp='1495530397' post='3304427'] So how are these (the combos particularly) in long-term use? I've been going ampless for a year now, or rather it's been almost a year since I sold my rig after realising I didn't really need to take it anywhere anymore. Now I might need one again (function band). Price, portability, reliability and good sound are important. The new Rumbles look good too, which is not a bad thing. Need to buy new as well. Can these be recommended? [/quote] I've had over 2 years out of my Rumble 500 so far, Practices everyweek and 30 or so gigs and it's not missed a beat.

Of my current stock about 9 years, but I did have the one bass a Streamer from new 89- 2006.

I've had the 500 TH matched with a Genz Benz neo 212T for sometime now.