Jump to content
Why become a member? ×

Gareth Hughes

⭐Supporting Member⭐
  • Posts

    1,595
  • Joined

  • Last visited

Everything posted by Gareth Hughes

  1. My all time classic was in the original band I was with a long time. At what turned out to be our final rehearsal (and our rehearsals were few and far between) one member says we need to find a better way to rehearse and another says he doesn't see the point in releasing records. We split up very shortly after that.
  2. It's not that tough and it's a great piece to get your fingers stretched. Haven't played it in years - mmmmm, nostalgia.........
  3. A good envelope filter would help cop a synth vibe when mixed with the octave pedal. Yes you play synth, but cool to switch it in and out for a few bars in the middle of an electric bass tune. My favourite, and I've tried a few expensive ones, is the cheap and nasty Electro Harmonix Mini Q-Tron. There's just something wonderfully stinky about that I can't find anywhere else. The Micro Q-Tron is okay, but not as nasty.
  4. Just taken delivery of a superbly packed Squier Matt Freeman Signature Precision that is in pristine condition, just as described by Dan. Excellent communication and a speedy delivery - what more do you want? All good danweb22, all good.
  5. Just sold a control plate to Will - great communication and swift payer. All good!!!
  6. Sold a pickup cover to Dean - quick payment and great communication throughout. All good.
  7. Sennheiser HD-25-1. They are a little expensive at £149 but lordy are they worth it, and you can get pretty good volume out of them before anyone around you notices. At a huge music retailer in Germany, called Saturn, I was able to audition about 50 sets of headphones, from £5 ones right up to £500 ones, all connected to the same sound source. It was amazing to hear the comparison between sets all playing the same music. I even went about £100 higher than the Sennheiser's but nothing beat them. Bought my set in 2002 and they're only now starting to need one speaker replaced and believe me, these has been thrashed around, dropped, crushed into bags and been given general dogs abuse over the last 10 years. A quality product. Don't be confused tho by the lower priced Sennheiser Hd-25 S model - lot of reviews saying they're nowhere near as good.
  8. Yup, I completely agree - the drive home is a special time. Even cooler when it's a long drive and it's a little surreal. I did a 500+mile round trip to a gig last week - a pain in the ass in some ways and very cool in other ways. Having said that - if my iPod dies then it's just a pain in the ass. Nice one arthurhenry for a cool topic.
  9. I think it's being taken a little too seriously. As legendary as The Beatles are, they're still just a part of pop culture and culture changes. We're all just getting older and this is just a part of it.
  10. It's generally not advisable as the internal bass bar, which is crucial to structural integrity and a major part of the sound of the instrument - would then be on the wrong side. To change that around would require taking the top, removing the bar and repositioning it - a cost prohibitive job. On the plus side - these are damn fine basses. I replaced my £3500 fully carved Ken Smith shop bass with one of these and I've never regretted it. The carved top on the Thomann/Hora provides great tone while the laminated back and sides really help reduce feedback when amplified. £680 is a great price considering you've got the Kolstein strings already on it (my personal favourite) and a good quality gig bag. And Dan's a good guy too. What more do you want?
  11. Yup - maybe for it's benefit the rules should be changed so that anyone NOT born there can become president? I jest my American friends.
  12. Nothing to do with Paul McCartney, but check this out to see what the yoof of today don't know. The kids are not alright apparently. [media]http://www.youtube.com/watch?feature=player_embedded&v=MHtDF-z77wk[/media]
  13. +1 to all that. Been a long time since I even thought of listing something on eBay. Keep it in the family!!!
  14. Buying from Bob Gollihur is effortless and painless. Bob, and Mark - his son, are great guys to deal with. If you have any concerns or queries, they're always happy to take a call, tho take the time difference into account. One thing about buying a bridge from anyone, is that you'll still have to match the feet on the bridge to the surface of your bass. That could be tricky if you're not confident about it. I'll happily take apart bass guitars and modify them til the cows come home, but with double basses I wouldn't risk it. It's worth the extra money to get a qualified and trusted luthier to do it properly. And you'll also be able to get the bass set-up to optimal performance while you're at it.
  15. Oooo now if only I was on your side of the water. Bryan is a serious player, a great educator and, by all accounts, a nice guy so I'd totally be at this if that pesky Irish Sea wasn't in the way. Good luck with it and enjoy. Oh - one more cool thing with Bryan - for his last solo album he also released a book of transcription of all his parts, transcribed by himself. On his website there's one or two free to download for your perusal.
  16. I think I went through this with every finger. It really just takes time and stamina - a little every day rather than a crash course in ultimate frustration.
  17. Folks - here's a set of pickups from a mid-90's Squier Jazz Bass. Can't tell you what model as I foolishly sanded all the varnish from the neck many years ago, but I did buy the bass new in 1995 so can vouch for it. Pickups are slightly larger than standard jazz pickups - they will fit in standard size routes but they're a tight squeeze through a standard scratch plate. Not the most pristine looking of pickups but not the worst either. £20 posted [attachment=99837:IMG_3989.jpg]
  18. Folks - here's a few control plates up for sale. First is a fully loaded plate from a Fender Japanese Jazz (not sure what model/vintage). £15 posted [attachment=99832:IMG_3993.jpg] Second is a three hole plate for a stacked pot control plate. It has pots and chrome knobs. Knobs are fine, pots are sticky but do work. The pots aren't wired properly (me not so good with stacked pots). *SOLD*So, plate can be sold for £10 posted without the chrome knobs or £15 posted with the chrome knobs.*SOLD* [attachment=99833:IMG_3999.jpg][attachment=99834:IMG_4000.jpg]
  19. Folks - here's a chrome pickup cover for a 5 string jazz bass. Screws holes are only a few mm wider than a 4 string version. £10 posted.[attachment=99829:IMG_3987.JPG]
  20. Folks - here's a few sets of strings I no longer have need for. A twin pack of 5 strings and a single pack of 6 strings. [b]*SOLD*[/b][s]D'Addario EXL170-5TP 5 string, nickel wound, twin pack (2sets), gauges 045,065,080,100,130.[/s] [s]£30 posted[/s][b]*SOLD*[/b] [attachment=99827:IMG_3985.JPG] D'Addario EXL 165-6 6 String set, Nickel Wound, gauges 032,045,065,085,105,135 £25 posted [attachment=99828:IMG_3986.JPG]
  21. Folks - up for sale is my Barge Concepts VB-jr blend pedal. Top quality from a great, sadly missed company. I used this to blend in some clean signal with an overdrive or to tighten up the low end of an envelope filter. I ordered it with the optional external phase switch - perfect for using with those pesky Electro Harmonix pedals. Also handy to flip it out of phase and use the blend to filter out boomy low-end. I added the big knob so that you can use your foot to adjust settings on the fly. Another bonus is that it has a high input impedance, so I had great results using my double bass piezo pickups and running it into octave pedals and envelope filters. Nice and nasty. Comes with both the original knob and the big one. Price is [s]£75[/s] [b]£70[/b] posted next day Special Delivery to UK. [attachment=99821:IMG_4130.jpg][attachment=99822:IMG_4131.jpg][attachment=99824:IMG_4128.jpg][attachment=99825:IMG_4129.jpg] Here's what Barge Concepts have to say about it: [b]The VB-jr is a fully buffered True Bypass loop with a variable Clean Blend. The VB-jr uses audio grade Burr Brown op-amps to buffer the send and receive signals, allowing improved signal strength over long pedal chains and cable runs, and minimizing “tone sucking” from vintage and mass-produced effects. The Clean Blend control mixes the clean/direct signal with the output of the effects loop. Just as the Barge Concepts VFB-2 has become a popular platform for custom modifications, its new compact counterpart was designed with the same versatility in mind. New custom options available for the VB-jr will include optically isolated expression control of the Clean Blend circuit, similar to that of the Barge Concepts VFB-x, and switchable phase inversion of the Send signal for compatibility with certain vintage effects. The watchword of the VFB series is unparalleled versatility. Whether you simply need a signal buffer or true bypass looper, want to add a blend control to your favorite stompbox, the VB-jr is a tool that has a place in every musician’s rig. With its fully buffered signal path, complete isolation of inputs and outputs, and an intuitive single knob control set, the VB-jr is in a class by itself in the occasionally confusing world of buffers and bypass devices. Application Suggestions: As a True Bypass loop: Use it to turn on/off multiple pedals at once, keep noisy or tone-sucking pedals out of your signal path, add true bypass to any or all of your pedals without complicated or overpriced modifications. As a Blend control: Mix your clean tone with that oscillating delay or your heavy fuzz and distortion sounds. Run a chorus or flanger in the loop of the VB-jr to add some swirl to your dirt sounds and modulate your delays. It’s perfect for Bass and Baritone players that want to use conventional guitar effects, but need to dial in some of their clean instrument signal for improved low end response. Also a perfect addition to digital delays and multi-fx units that may have a blend/mix function, but are mixing in a digital/processed version of your clean tone - not your actual direct signal. Use the expression control to change your blend settings on the fly - fade from clean to distorted with your favorite overdrive, wet to dry with your delays and modulation FX, or use a clean boost for violin-like volume swells - all without having to turn a knob or take your hands off the strings. As a Signal Buffer: The VB-jr uses very low noise, audio grade Burr-Brown internal buffers to insure transparent sound across the entire audible spectrum. With all signals buffered, you have a lower impedance signal driving the pedals both in the loop and after your VB-jr, as well as high impedance inputs to insure that a clear signal passes to the output. All internal signals are actively blended so that there is absolutely no unexpected interaction between your instrument and your effects. VB-jr Features: • Compact, aluminum enclosure. Footprint 4.7” x 2.5”. • 3PDT True Bypass switching. • Dual color LED indicator for Bypass/Active. • Low noise, audio grade Burr Brown op-amps. • Low noise, 1%, metal film resistors used throughout • High quality mica, film, and tantalum capacitors for unmatched signal fidelity. • Switchcraft jacks. • Alpha pots with set-screw knobs. • Clean interior layout with 4-layer silk-screened and solder-masked circuit boards. • All jacks mounted on the North end to save board space. • Industry standard 9V DC power jack (operation supported up to 18V with regulated power supply)[/b]
  22. I'd be up that too. Onwards!!!
×
×
  • Create New...