The recommended pop screen is Beyer PS260, but I don't think it'll help much in your case. The real saver would be distance; this mic is easily overloaded, and handles rather badly high pressure levels. At a decent distance (more than 1 metre..?) I see no issues at 'normal' recording volumes, but I certainly wouldn't choose it for proximity micing. Loud bass, too close, will destroy it, at worst (likely..!), and sound bad (distortion...) at best. It's better suited to ambient recording of cellos, bowed double basses etc.
Why would you want to use a ribbon mic specifically..? Is it just because it's on hand..? There are better mics for bass cabs, and better suited ribbon mics, too, but any ribbon mic will suffer from close-micing a bass cab except at very low, 'cabaret' levels. Out of the question for rock stuff, I'd say.
Hope this helps; subject to completion, correction and/or contradiction from others.