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Everything posted by acidbass
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Hi All Got a set of these in ear headphones included with a Sennheiser transmitter, but I don't need them. Full specs here: https://en-uk.sennheiser.com/earphones-headphone-stereo-passive-noise-reduction-ie-4 A very highly regarded earphone that's great value for money - reviews aplenty online. SOLD Thanks Danny
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Comfort Strapp or Neotech Mega Strap -Update
acidbass replied to wrinkleygit's topic in Accessories and Misc
I love the Gruvgear Solostraps - cool design and huge foam padding! -
***PRICE DROP TO £20*** Hello all Selling this super high quality WD Music J Bass scratchplate. It was on my American Pro J Bass for about 2 hours, I removed the protective plastic so couldn't return it but it's essentially brand new. Absolutely beautiful deep celluloid tort - incredible character in the flame! 3 ply tort/parchment/black The colour is Brown Tortoiseshell but it's a little more red than the usual Fender colour, would look amazing on a Sunburst bass. Looks great in different lights, I have tried to photograph it but it's really hard to capture the depth! Cost £52.95 plus delivery at the below link - it's yours for £20 plus £3 UK postage. https://www.wdmusic.co.uk//pickguards-c62/fender-basses-c111/jazz-bass-usa-standard-c120/jazz-bass-us-standard-celluloid-brown-tortoiseshell-parchment-black-parchment-p1093/s1562 Thanks Danny
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Yep, most instruments are compressed at FOH anyway, so why over squash it by sending something already compressed? Dynamics are cool!
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I don't understand the need for compressors live. In the studio yes, but live, an imbalance of notes is usually a setup or technique issue.
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In a musical way or otherwise?
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Great bassists who most people don't know
acidbass replied to SteveXFR's topic in General Discussion
John Giblin Jet Harris -
Di Marzio for sure
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Hi all Selling a used scratchplate for a Fender P Bass I'm selling with the stickers included - they give it a cool punk vibe, can be added to or removed by the buyer if desired! It fits any 13 hole P Bass - I took it from a US P Bass. 3 ply - white/black/white Near perfect condition - some minor swirling only. Asking £5 plus UK postage. Thanks Danny
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Hi all Lovely mint green scratchplate for sale here - a classic look Taken from a Fender American Professional Precision Bass, I replaced it with a tort as soon as I bought the bass. 3 ply - mint/black/mint. It's a bit lighter in colour than the pic, white background for contrast! Near perfect condition - some minor swirling only. SOLD Thanks Danny
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Hi all Lovely mint green scratchplate for sale here - a classic look Taken from a Fender American Professional Jazz Bass, I replaced it with a tort as soon as I bought the bass. 3 ply - mint/black/mint. It's a bit lighter in colour than the pic, white background for contrast! Near perfect condition - some minor swirling only. SOLD Thanks Danny
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Hi all Selling a used set of Thomastik JF344 flatwound strings - you know all about these! Recommended by Pino and many others who love the lower tension. They came on a bass that I bought recently, can't see any traces of use or fretwear at all. Still have quite a bit of snap for a flatwound and they aren't dulled at all. Cut for a Fender J or P Bass but might fit most others too. They were also strung thru body but they'll fit a regular bridge also with a bit of length to spare. Thanks Danny
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Yeah with a good setup and thicker strings you are golden dude
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The lowest fundamental frequency is, but when the control is centred at 40hz, it boosts frequencies at 40hz, above and below. There is no audible benefit to hearing frequencies at 40hz and below IMO. A control centre of around 80 to 100hz is a much more usable and musical frequency IMO.
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Aguilar TH500 I have never understood why they set the Bass frequency centre to 40hz. Surely this makes this control completely redundant, IMO it's way too low to be usable as an audible bass control and just adds rumble. The Drive control was also completely useless, as I found that the amp would distort heavily even before it got to 12 o clock on the Master.
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Depends on the genre of course but I find click tracks to be more or less essential. We live in the Youtube age where a drummer is considered good if they get 1m hits on a 64th note paradiddle drum solo. Most drummers nowadays completely gloss over the basics that you need in an ensemble context (time, feel, groove) in favour of glamorous nonsense. The same could be said of most musicians I guess. 99% of large scale touring bands use a click live for one reason or another - a notable exception being Metallica, whose live tempos are notoriously terrible.
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Hi all Something has just come up that has caught my eye, so this beauty is the first to leave my stable. 2012 EBMM US Stingray 5 H with Official Hardshell Case. It's in 10/10 condition, looks like it has barely been played at all! Not a mark on it anywhere that I can see. Recently set up with a new set of EBMM Slinky strings which have had about 2 hours play time. It could genuinely pass as a new bass apart from some minor swirling on the pickguard. The case is also immaculate. Weight is 4.5kg. It also comes with Dunlop Straplok buttons included. No trades thanks! SOLD I guess I should clarify also that as NI is in the UK, there is no import/export duty or any of that carry on! Try outs are welcome if you happen to be near County Tyrone. Thanks Danny
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Ibanez Promethean P110C 1x10 Cab - £130 - *SOLD*
acidbass replied to acidbass's topic in Amps and Cabs For Sale
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